Lerner, Max, (20 Dec. 1902–5 June 1992), author; Syndicated newspaper column appeared New York Post, Los Angeles Times Syndicate and elsewhere; Professor of American Civilization and World Politics, Brandeis University, USA, 1949–73, then Emeritus; Professor of Human Behavior, Graduate School of Human Behavior, US International University, San Diego, since 1974

2007 ◽  
Keyword(s):  
New York ◽  
Los Angeles ◽  
Human Behavior ◽  
Graduate School ◽  
San Diego ◽  
World Politics ◽  
Emeritus Professor ◽  
Los Angeles Times ◽  
International University

scholarly journals SUITABLE? THE RHETORICAL AND LIFE COURSE IMPLICATIONS OF SERENA WILLIAMS AND THE CATSUIT

2019 ◽  
Vol 3 (Supplement_1) ◽  
pp. S537-S537
Author(s):  
Brianne M Stanback
Keyword(s):  
New York ◽  
Los Angeles ◽  
Life Course ◽  
New York Times ◽  
Life Course Perspective ◽  
Power Structures ◽  
Los Angeles Times ◽  
Race And Class ◽  
Sports Illustrated ◽  
The Life Course

Abstract Rhetorical inquires have shown connections between representation and power, workplace fashion and development of ethos, and the rhetoric of glamour through women’s fashion and dress. One element absent from that conversation is how the life course, which typically differs for women because of existing power structures advantaging men, may impact the experience of women as they age, their choice of dress, and the rhetorical implications of those decisions. To explore dress and rhetoric from a life course perspective, this project traces the evolution of Serena Williams’ work apparel across her professional tennis career to the catsuit worn at the 2018 French Open, which is the focus of the project. Press reports on the 2018 catsuit by Nike, New York Times, Sports Illustrated, Business Insider, BBC Sport, Washington Post, and Los Angeles Times, interviews given by Williams, and the television documentary, Becoming Serena, will be analyzed for their treatment of Williams’ work attire and the life course. Responses to the catsuit emphasize attitudes about gender, race, and class, either discounting or ignoring the life course implications such as motherhood and changes in health status. Despite professional success, responses about the catsuit may reflect that Williams faces the same jeopardies, and invisibility, common to many women as they age, and the rhetorical perspective provides new methodological and pedagogical possibilities for instruction in aging.

Hospitals, Insurance, and the American Labor Movement: The Case of New York in the Postwar Decades

1997 ◽  
Vol 9 (1) ◽  
pp. 74-95 ◽  
Author(s):  
David Rosner ◽  
Gerald Markowitz
Keyword(s):  
Health Care ◽  
New York ◽  
Los Angeles ◽  
Labor Movement ◽  
Fringe Benefit ◽  
Public Attention ◽  
Los Angeles Times ◽  
Telephone Companies ◽  
Drug Companies ◽  
Care Workers

In the summer of 1989, an extended strike by the various “Baby Bell” telephone companies, including those of New York, Massachusetts, California, and thirteen other states in the Northeast, Midwest, and West Coast, brought to public attention the importance of health and hospital insurance to the nation's workers. In what theLos Angeles Timesheadline proclaimed was a “Phone Strike Centered on the Issue of Health Care,” workers at NYNEX, Pacific Bell, and Bell Atlantic went out on strike over management's insistence that the unions pay a greater portion of their hospital insurance premiums. In contrast to their willingness to grant wage concessions throughout most of the 1980s, the unions and their membership struck to protect what was once considered a “fringe” benefit of union membership. What had been a trivial cost to companies in the 1940s and 1950s had risen to 7.9 percent of payroll in 1984 and 13.6 percent by 1989. Unable to control the industry that had formed around hospitals, doctors, drug companies, and insurance, portions of the labor movement redefined its central mission: the fringes of the previous forty years were now central concerns. In the words of one local president engaged in the bitter communication workers strike: “‘It took us 40 years of collective bargaining’ to reach a contract in which the employer contributed [substantially to] the costs of health care, ‘and now they want to go in one fell swoop backward.’”

When Journalism Met the Internet

2019 ◽  
pp. 379-393
Author(s):  
Mike Dillon
Keyword(s):  
New York ◽  
Los Angeles ◽  
New Media ◽  
New York Times ◽  
The Internet ◽  
Los Angeles Times ◽  
The Public ◽  
Digital World ◽  
News Organizations ◽  
Cast Doubt

American news organizations have long been criticized for failing to anticipate, appreciate and exploit the Internet as it became a fact of daily life in the mid-1990s. This chapter explores and analyzes the lack of planning that stymied the development of journalism on the Web and cast doubt on the viability of traditional public-service journalism with its enduring values of accuracy, fairness and advocacy. Specifically, the essay documents and analyzes the online debuts of two venerable “old media” news outlets (The New York Times and The Los Angeles Times) and two “new media” Web news outlets (Salon and Slate) in the mid-1990s by exploring the claims they made about their aims, purposes and expectations as they introduced themselves to the public via their salutatory editorials. It is a cautionary tale for a digital world that reconfigures itself in ever-quickening cycles.

Front Page Mug Shots: A Content Analysis of Five U.S. Newspapers in 1986

1988 ◽  
Vol 9 (3) ◽  
pp. 1-9 ◽  
Author(s):  
Paul Martin Lester
Keyword(s):  
New York ◽  
Content Analysis ◽  
Los Angeles ◽  
New Orleans ◽  
New York Times ◽  
Front Page ◽  
Chicago Tribune ◽  
Los Angeles Times ◽  
Usa Today

Mug shots from five U.S. newspapers: USA Today, Chicago Tribune, New Orleans Times-Picayune, New York Times and the Los Angeles Times, were analyzed for the same five-day work week of each month for 1986. The 300 front pages yielded 520 head shots of 1,148 photographs. USA Today and newspapers with its similar graphic style use more mug shots without an accompanying article on the front page than more traditionally designed newspapers.

scholarly journals Honey Pies and Aquadettes

2012 ◽  
Vol 2 (2) ◽  
pp. 6-12
Author(s):  
Malia Wollan
Keyword(s):  
New York ◽  
Los Angeles ◽  
Essay Review ◽  
New York Times ◽  
The Internet ◽  
The New York Times ◽  
Los Angeles Times ◽  
Web Video ◽  
Video Vignettes

An essay review of California Is a Place, a collection of three- to ten-minute web video vignettes, by filmmakers Drea Cooper and Zackary Canepari. Their work has attracted more than three million viewers since their first videos went online in early 2010. Widely distributed across the Internet, the videos have won awards and been featured on news sites including PBS’s NewsHour, the New York Times, The Atlantic, and the Los Angeles Times. “People are craving honest stories,” Cooper says. “They want stories that are unmitigated by the television structure of dramatic moments.”

scholarly journals Media Analysis of News Articles During COVID-19: Renewal, Continuity and Cultural Dimensions of Creative Action

2021 ◽  
Vol 11 ◽  
Author(s):  
David Mattson ◽  
Katie Mathew ◽  
Jen Katz-Buonincontro
Keyword(s):  
New York ◽  
Los Angeles ◽  
New York Times ◽  
Online News ◽  
Media Analysis ◽  
Cultural Dimensions ◽  
Cultural Resources ◽  
Los Angeles Times ◽  
Dynamic Constraints ◽  
Definition Of

Worldwide, the COVID-19 pandemic has forced people to adapt quickly, and to reexamine interactions and responsibilities toward communities in creative ways. This paper presents a qualitative media analysis (Altheide and Schneider, 2013) of 50 online news articles (Los Angeles Times and New York Times) published between March 17th and August 6th, 2020 using the key-words “creativity” and “COVID-19.” Informed by a definition of creativity as actions that are considered both “new” and “appropriate” (Sternberg and Lubart, 1999), articles describing a “creative action” were kept for analysis. These articles highlight creative responses to the COVID-19 quarantine in various domains including architecture, fashion, and faith. In this paper, we discuss the themes derived during this analysis- “renewal and continuity” and “the multidimensionality of creativity” which elaborate and contextualize a perspective of socio-cultural creativity theory and propose two implications of this study. The first implication posits that creativity was an observable, cultural response to the COVID-19 pandemic. The second implication offers a broader concept of how cultural resources function as dynamic constraints or “affordances” within the Five A’s model of creativity (Glǎveanu, 2013). Discussion of further research through the lens of socio-cultural creativity is discussed.

How and Why the U.S. Finally Joined the Berne International Copyright Convention

1989 ◽  
Vol 2 (1) ◽  
pp. 83-90
Author(s):  
Michiel van Bremen ◽  
David J. Thibodeau
Keyword(s):  
New York ◽  
Los Angeles ◽  
Copyright Protection ◽  
New York Times ◽  
The United States ◽  
Washington Post ◽  
Berne Convention ◽  
Los Angeles Times ◽  
Daily Newspapers ◽  
The U.S

On October 31, 1988, in a ceremony at the Beverly Hilton Hotel attended by Congressmen and members of the artistic community. President Reagan signed the 1988 Berne Convention implementation Act. This Act allowed the United States to join the international Berne Convention lor the Protection of Literary and Artistic Works as of March, 1989. Although the Act somewhat expands the availability of U.S. copyright protection to European atilhors, it affects U.S. authors' rights even less, practically speaking. Perhaps that explains why only three major U.S. daily newspapers, The New York Times, The Washington Post, and Los Angeles Times, briefly mentioned this historic moment for the internal ional copyright environment. This article explores why and how the U.S. has joined the Berne Convention after more than 102 years, and the effect that this will have un the availability of U.S. copyright protection to foreign authors. Before considering the technical consequences of the Berne Convention Implementation Act, we give a brief overview of two relevant international copyright treaties and their major differences.

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