A Tale of Two Supercities: Early COVID-19 Outcomes Reflect Social Vulnerability in New York City and San Francisco

2021 ◽  
Vol 34 (1) ◽  
pp. 116-121
Author(s):  
Lisa Eisler ◽  
Justin Genziano ◽  
Claire Naus ◽  
Tricia E. Brentjens ◽  
Michael A. Gropper
Keyword(s):  
New York ◽  
New York City ◽  
San Francisco ◽  
York City ◽  
Social Vulnerability

Wood, Beatrice (1893–1998)

2018 ◽  
Author(s):  
Thelma Rohrer
Keyword(s):  
New York ◽  
New York City ◽  
San Francisco ◽  
York City ◽  
Smithsonian Institution ◽  
Native State ◽  
Marcel Duchamp ◽  
Avant Garde ◽  
American Artist ◽  
New York Dada

An American potter known for luster-glaze chalices and whimsical ceramic figures, Beatrice Wood was once named the "Mama of Dada." Born on 3 March 1893 into a wealthy family in San Francisco, California, raised in New York City, and a student at the Académie Julian in Paris, Wood rebelled from her traditional upbringing by 1912. Seeking a more bohemian life, she joined avant-garde art circles, became friends with Marcel Duchamp and Henri-Pierre Roché, and was influential in the New York Dada movement. During the 1930s, her early successes in ceramics provided independent income and, by 1948, she settled in Ojai, California, to continue her interest in theosophy. She established a studio developing embedded luster glazes with radiant colors and continued this work for over thirty years. Wood was recognized as a "California Living Treasure" by her native state, named an "Esteemed American Artist" by the Smithsonian Institution, and partly inspired the character "Rose" in the 1997 film Titanic. She died on 12 March 1998 at the age of 105.

Chemistry Made Vital

1935 ◽  
Vol 118 (16) ◽  
pp. 454-454
Keyword(s):  
High School ◽  
New York ◽  
New York City ◽  
San Francisco ◽  
York City ◽  
New World

NEW WORLD OF CHEMISTRY. By Bernard Jaffe, Bushwick High School, New York City. New York, Newark, Boston, Chicago, San Francisco: Silver, Burdett & Company.

scholarly journals Social Vulnerability Index for the Older People—Hong Kong and New York City as Examples

2014 ◽  
Vol 91 (6) ◽  
pp. 1048-1064 ◽  
Author(s):  
Pui Hing Chau ◽  
Michael K. Gusmano ◽  
Joanna O. Y. Cheng ◽  
Sai Hei Cheung ◽  
Jean Woo
Keyword(s):  
New York ◽  
New York City ◽  
Hong Kong ◽  
Older People ◽  
York City ◽  
Social Vulnerability ◽  
Vulnerability Index ◽  
Social Vulnerability Index

scholarly journals Increased Incidence of Cancer among Homosexual Men, New York City and San Francisco, 1978-1990

1996 ◽  
Vol 144 (10) ◽  
pp. 916-923 ◽  
Author(s):  
B. A. Koblin ◽  
N. A. Hessol ◽  
A. G. Zauber ◽  
P. E. Taylor ◽  
S. P. Buchbinder ◽  
...  
Keyword(s):  
New York ◽  
New York City ◽  
San Francisco ◽  
York City ◽  
Homosexual Men ◽  
Incidence Of Cancer

scholarly journals Urban Park Usage During the COVID-19 Pandemic

2021 ◽  
pp. 2150008
Author(s):  
Bita Alizadehtazi ◽  
Korin Tangtrakul ◽  
Sloane Woerdeman ◽  
Anna Gussenhoven ◽  
Nariman Mostafavi ◽  
...  
Keyword(s):  
New York ◽  
New York City ◽  
Population Density ◽  
Stress Reduction ◽  
York City ◽  
Social Vulnerability ◽  
Urban Residents ◽  
Wide Range ◽  
Significant Difference ◽  
Early Phases

Urban parks and green spaces provide a wide range of ecosystem services, including social interaction and stress reduction. When COVID-19 closed schools and businesses and restricted social gatherings, parks became one of the few places that urban residents were permitted to visit outside their homes. With a focus on Philadelphia, PA and New York City, NY, this paper presents a snapshot of the park usage during the early phases of the pandemic. Forty-three Civic Scientists were employed by the research team to observe usage in 22 different parks selected to represent low and high social vulnerability, and low, medium, and high population density. Despite speculation that parks could contribute to the spread of COVID-19, no strong correlation was found between the number of confirmed COVID-19 cases in adjacent zip codes and the number of park users. High social vulnerability neighborhoods were associated with a significantly higher number of COVID-19 cases ([Formula: see text]). In addition, no significant difference in the number of park users was detected between parks in high and low vulnerability neighborhoods. The number of park users did significantly increase with population density in both cities ([Formula: see text]), though usage varied greatly by park. Males were more frequently observed than females in parks in both high vulnerability and high-density neighborhoods. Although high vulnerability neighborhoods reported higher COVID-19 cases, residents of Philadelphia and New York City appear to have been undeterred from visiting parks during this phase of the pandemic. This snapshot study provides no evidence to support closing parks during the pandemic. To the contrary, people continued to visit parks throughout the study, underscoring their evident value as respite for urban residents during the early phases of the pandemic.

scholarly journals Die [Fill in the Blank] Scum

2014 ◽  
Vol 4 (2) ◽  
pp. 92-93
Author(s):  
Annie Powers
Keyword(s):  
New York ◽  
New York City ◽  
San Francisco ◽  
York City ◽  
Silicon Valley ◽  
The Past ◽  
History Of

A brief history of the phrase “Die Techie Scum,” which has been appeared as graffiti on San Francisco walls, handed out on postcards, printed on shirts, and yelled at commuters to Silicon Valley. The die [fill in the blank] scum construction has been used frequently in the past thirty years, most often when issues of gentrification are at play, such as “Die Yuppie Scum,” used in protests in New York City in the 1980s.

Aesthetics, Repertoire, Roles, and Playbills

2017 ◽  
Author(s):  
Nancy Yunhwa Rao
Keyword(s):  
New York ◽  
New York City ◽  
San Francisco ◽  
Performance Practice ◽  
North American ◽  
York City ◽  
Chinese Opera ◽  
Cantonese Opera ◽  
Popular Novel ◽  
Over Time

This chapter provides a survey of Cantonese opera, its connection to other genres of Chinese opera, its music, repertoire, vocal style, accompanying instruments, etc. Because the performance practice changed over time, this chapter draws from a wealth of primary and secondary documents to offer a working knowledge of Cantonese opera as it was practiced in North American during the 1920s. Over 1000 Chinese playbills from San Francisco, New York City, Vancouver, Seattle and Havana between 1917 and 1929 provide the foundation for understanding the popular repertoire during the time. In addition, commentaries in Chinese newspapers, as well as memoirs and oral histories from veteran performers reveal much about the historical performance practice. Taken together, these resources form the basis of an understanding of the Cantonese opera in this period ranging from the increased usage of stage backdrops and stage props, a gradual shift of popular role types and vocal styles, and popular novel repertoire types. A reflection on the significance of daily opera playbill closes the chapter.

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