Notes on the foundation and history of the Royal Society

'The Foundation of the Royal Society was one of the earliest practical fruits of the philosophical labours of Francis Bacon;' with these words Sir Archibald Geikie began the chapter on the ‘Foundation and Early History of the Royal Society' in the third edition of the Record . The statement is no doubt true in a general sense. It is, however, seldom possible to trace to a single source the inception of an idea which led to the foundation of a new type of corporate organization. The evolution and development of human institutions is, as a rule, a slow process, conditioned by many factors operating in a favourable atmosphere. As Pasteur said of scientific research : ‘le hasard ne favorise que les esprits préparés.’

This volume contains the proceedings of the third Discussion Meeting organized jointly by the British Academy and the Royal Society. The first, on the impact of the natural sciences on archaeology, took place on 11 and 12 December 1969. The second, on the place of astronomy in the ancient world, was held on 7 and 8 December 1972. The third, which is here recorded, was on 9 and 10 April 1975, and in covering the early history of agriculture, continues the joint exploration of the arts and sciences in human history.


The Royal Society was not the first scientific society, or organized academy for the promotion of science, to be founded, since it was preceded by the original Accademia del Cimento, which took its rise in 1657, but lived only ten years. The Royal Society is, then, the oldest corporate body of its kind to have enjoyed continuous existence until today. In a like way the Philosophical Transactions was not the earliest scientific periodical to come forth, since the first number of the Journal des Sçavans appeared, on 5 January 1665, two months before the first number of the Transactions . The Journal , however, while much concerned with scientific matters, including scientific books, dealt with the world of learning in general, including literary, legal and theological matters. Its pronouncements often led to stormy controversy, it had a troubled history and finally ceased to appear in 1790. The Transactions , except for a short break when it was replaced by Hooke’s Philosophical Collections , and for an interruption of three years that followed the landing of William of Orange and the flight of James II, has been published continuously from the issue of the first number dated 6 March 1664/5, the present year thus being the three hundredth anniversary of its beginning. Conspicuously connected with the first appearance of the Philosophical Transactions was Henry Oldenburg, a character very much to the fore in the early history of the Society.


1991 ◽  
Vol 10 ◽  
pp. 235-303 ◽  
Author(s):  
Rob C. Wegman

In 1449, the records of the church of Our Lady at Antwerp mention a new singer, Petrus de Domaro (see Figure 1). He does not reappear in the accounts of 1450, and those of the subsequent years are all lost. Musical sources and treatises from the 1460s to 80s call him, with remarkable consistency, P[etrus] de Domarto, and reveal that he was an internationally famous composer in the third quarter of the fifteenth century.


1930 ◽  
Vol 24 (2) ◽  
pp. 96-101 ◽  
Author(s):  
E. T. Salmon

One of the most recent writers on the early history of Rome has shown that the framework of the traditional story is perhaps to be trusted, even though there are many details, inconsistent and self-contradictory, which are obviously to be rejected. In view of this fact, it might be worth while to reconsider the Coriolanus story, the prevailing opinion concerning which is that vouchsafed by Mommsen many years ago: ‘die Erzählung ist ein spät, in die Annalen eingefügtes, darum in alien Stücken denselben ungleichartiges und widersprechendes Einschiebsel.’ The reasons for arriving at such an opinion are sufficiently obvious to warrant their receiving but the barest recital. First, it is incredible that the Volsci would either choose a renegade Roman to be their general, or, even if they did, allow him at the last minute to rob them of the fruits of victory. Secondly, inconsistencies in the version of the story which we possess induce us to suspect its historicity; for example, Dionysius of Syracuse is made to send corn to the starving Romans'—yet Dionysius lived some hundred years later; a youthful Coriolanus is represented as having considerable influence in the senate—yet in those early days the senate was essentially a gathering of venerable men; the Roman populace learns immediately the gist of Coriolanus' remarks in the senate—yet senate meetings were held in secret; Volsci are allowed to attend the ‘ludi’ and to meet at the Spring of Ferentina—yet in the fifth century none but Latini could do this; the Roman Marcius is given an honorific cognomen, Coriolanus, because of his behaviour at the capture of Corioli—yet such cognomina were not granted until the third century or even later and even then only to the general and not to the subordinate; the plebs is represented as wielding great power in the assembly1—yet we know that in the fifth century it did nothing of the kind.


1945 ◽  
Vol 152 (1) ◽  
pp. 419-435 ◽  
Author(s):  
F. Whittle

“I do not endeavour either by triumphs of confutation or pleadings of antiquity, or assumption of authority, or even by the veil of obscurity, to invest these inventions of mine with any majesty …”. Francis Bacon.


Almost any position in academe has odd moments the sum of which can furnish a genuine contribution if they are productively used. My assistant Mrs Gail Ewald Scala used hers for a year to compile this index which had been suggested by Professor Howard B. Adelmann. It is our hope that it will prove of real assistance to scholars investigating the early history of the Royal Society, the activities of its members, and its and their relations with learned men both within and beyond the British Isles.


In a valuable article 1 on ‘The origins of the Royal Society’ Miss R. H. Syfret considers various possible influences on the foundation of the Royal Society, among them that of John Amos Comenius and his group of friends in England, particularly Samuel Hartlib and Theodore Haak. She mentions also J. V. Andreae, to whose writings Comenius owed much, but comes to the conclusion that he was only one of many influences on the schemes of what she calls the Comenian group and that his connexion with the Royal Society, depending as it does on his relation to the Comenian group and then on their relation to the Royal Society, is at best remote and indirect. 2 She then considers the question of the connexion between the Comenian group and the group that in 1645 began the meetings which led to the foundation of the Royal Society, and finds enough circumstantial evidence to show some connexion between the two groups.3 She holds that the publication of Comenius’s Via Lucis in 1668 and its dedication to the Royal Society supports, in a general way but by no means exclusively, the supposition of a connexion between the two groups. 4 She believes that, if the Invisible College were indeed, as has always been assumed, Dr Wallis’s scientific group, this fact would point quite conclusively to the Royal Society’s origins in the schemes of Samuel Hartlib ; but, after considering various points about the Invisible College, she concludes that it seems that it was something quite different from that group. 5


2006 ◽  
Vol 34 (1) ◽  
pp. 135-213
Author(s):  
Göran Sonesson

The present essay aims at integrating different concepts of meaning developed in semiotics, biology, and cognitive science, in a way that permits the formulation of issues involving evolution and development. The concept of sign in semiotics, just like the notion of representation in cognitive science, have either been used too broadly, or outright rejected. My earlier work on the notions of iconicity and pictoriality has forced me to spell out the taken-forgranted meaning of the sign concept, both in the Saussurean and the Peircean tradition. My work with the evolution and development of semiotic resources such as language, gesture, and pictures has proved the need of having recourse to a more specified concept of sign. To define the sign, I take as point of departure the notion of semiotic function (by Piaget), and the notion of appresentation (by Husserl). In the first part of this essay, I compare cognitive science and semiotics, in particular as far as the parallel concepts of representation and sign are concerned. The second part is concerned with what is probably the most important attempt to integrate cognitive science and semiotics that has been presented so far, The Symbolic Species, by Terrence Deacon. I criticize Deacon’s use of notions such as iconicity, indexicality, and symbolicity. I choose to separate the sign concept from the notions of iconicity, indexicality, and symbolicity, which only in combination with the sign give rise to icons, indices, and symbols, but which, beyond that, have other, more elemental, uses in the world of perception. In the third part, I discuss some ideas about meaning in biosemiotics, which I show not to involve signs in the sense characterised earlier in the essay. Instead, they use meaning in the general sense of selection and organisation, which is a more elementary sense of meaning. Although I admit that there is a possible interpretation of Peirce, which could be taken to correspond to Uexküll’s idea of functional circle, and to meaning as function described by Emmeche and Hoffmeyer, I claim that this is a different sense of meaning than the one embodied in the sign concept. Finally, I suggest that more thresholds of meaning than proposed, for instance by Kull, are necessary to accommodate the differences between meaning (in the broad sense) and sign (as specified in the Piaget–Husserl tradition).


Tempo ◽  
1974 ◽  
pp. 8-11
Author(s):  
Robert Threlfall
Keyword(s):  

Koanga was the third of Frederick Delius's operas to be completed (in 1897), but the first to be staged (in 1904); it was also the first of his earlier works to achieve the distinction of posthumous publication (in 1935). The long-awaited release of the recent recording, by turning our thoughts anew to this colourful score, provides a suitable occasion to review the earlier history of the work.


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