Evaluating Progressive-Rendering Algorithms in Appearance Design Tasks

2013 ◽  
Vol 33 (6) ◽  
pp. 58-68 ◽  
Author(s):  
Jiawei Ou ◽  
Ondrej Karlik ◽  
Jaroslav Krivanek ◽  
Fabio Pellacini
SAGE Open ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 215824402199836
Author(s):  
Tarek Ismail Mohamed

This article focuses on applying the ethics of the product features during the students’ design education. Good/Bad design term is a conventional approach to discuss the ethical/unethical design values of the products. It is noted that different aspects of the product design such as visual information design, interface design, and appearance design have a vital role in judging the levels of ethics in the product. So the students of product design everywhere need to practice the term ethical/unethical design during their study because designers influence society more than they could imagine. This influence can be done by creating an attractive organized appearance and perfect functions that support the ethical brand’s image to the customers. The interviews and discussions were held as a research method with the students of product design in some institutions in addition to some design experts and customers to find out their opinions about the design values that achieve the ethical dimensions in the product design. They can end up with products that carry ethical values in their design. The final article’s results are in the descending order of the different design values according to their importance in emphasizing the ethical aspects of the products, in addition to a checklist including some important questions that can help the designers to be more aware of ethics’ considerations in the product design because ethics is a process of learning, not a process of obedience, and to highlighting the term of ethical designer which in turn reflects on the ethics of customers and societies.


2021 ◽  
pp. 003329412110021
Author(s):  
Sizhe Liu ◽  
Wei Zhang ◽  
Xianyou He ◽  
Xiaoxiang Tang ◽  
Shuxian Lai ◽  
...  

There is evidence that greater aesthetic experience can be linked to artworks when their corresponding meanings can be successfully inferred and understood. Modern cultural-expo architecture can be considered a form of artistic creation and design, and the corresponding design philosophy may be derived from representational objects or abstract social meanings. The present study investigates whether cultural-expo architecture with an easy-to-understand architectural appearance design is perceived as more beautiful and how architectural photographs and different types of descriptions of architectural appearance designs interact and produce higher aesthetic evaluations. The results showed an obvious aesthetic preference for cultural-expo architecture with an easy-to-understand architectural appearance design (Experiment 1). Moreover, we found that the aesthetic rating score of architectural photographs accompanied by an abstract description was significantly higher than that of those accompanied by a representational description only under the difficult-to-understand design condition (Experiment 2). The results indicated that people preferred cultural-expo architecture with an easy-to-understand architectural appearance design due to a greater understanding of the design, providing further evidence that abstract descriptions can provide supplementary information and explanation to enhance the sense of beauty of abstract cultural-expo architecture.


2000 ◽  
Author(s):  
Cheng Wang ◽  
Jiankun Li ◽  
C.-C. Jay Kuo ◽  
W. Proskurowski

1956 ◽  
Vol 2 (22) ◽  
pp. 619-621
Author(s):  
Gordon Russel
Keyword(s):  

2015 ◽  
Vol 15 (6) ◽  
pp. 16-28
Author(s):  
Liu Jian ◽  
Huang Haisong ◽  
Pan Weijie

Abstract Based on knowledge representation in product design, we propose a knowledge model of the product design process based on graphical semantic perception. The ontology semantic of the product is analyzed together with the product design process knowledge. Then the basic element model for knowledge representation of the product design process is built. With the concepts of the extension origin point basic element and extension vector thus defined, knowledge representation, consisting of growth, convergence and optimization is realized. On this basis, the model for case base clustering based on graphical semantics is built. Feasibility verification is performed with the case of appearance design of a machine tool. The highlight of the proposed method lies in the combination of the formalized and quantitative approach for product appearance design.


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