The Devil Reads Derrida and Other Essays on the University, the Church, Politics, and the Arts - By James K. A. Smith

2010 ◽  
Vol 36 (1) ◽  
pp. 66-66
Author(s):  
Jessica DeCou
Keyword(s):  
The Arts ◽  
Church Politics ◽  
The University ◽  
The Devil ◽  
The Church

Christ and Antichrist in Paradise Regained

PMLA ◽  
1952 ◽  
Vol 67 (5) ◽  
pp. 790-808
Author(s):  
Howard Schultz
Keyword(s):  
John Milton ◽  
Paradise Regained ◽  
The Arts ◽  
The Devil ◽  
The Church

Milton's students have lived, and fairly placidly on the whole, with the problems they have discerned in Paradise Regained or with feeble solutions in despite of the poet's plain instruction to read his work as, before all else, a parable for the church. If we bow to his authority we have only to explain centuries of critical silence; once delivered from the accepted interpretation of the poem as a manual of holy living, we shall no longer need to guess why John Milton, who eternally found his own habits blameless, should in a piece of pietism unique among his works, in a “quietistic, Quaker-like poem” denying his constant humanism, consign to the devil the chief blessings of this world, most of the arts that polish life, many of the goods that he had sought for himself, and, leaving himself without excuse, then invite his friends to regard the result as his finest work. His very pride in the brief epic must, for all its undeniable beauties, seem a little like a mother's love for a defective child unless he meant a little more than meets the careless ear, inasmuch as the most resolute exculpations have not entirely explained away the poem's “inhospitable bareness,” its generous portion of didactic tedium, and the dramatic failure of its static contest.

scholarly journals Sir Diarmuid Downs CBE. 23 April 1922—12 February 2014

2019 ◽  
Vol 66 ◽  
pp. 159-181
Author(s):  
David Morrison
Keyword(s):  
Royal Society ◽  
Board Member ◽  
Strong Support ◽  
Emerging Technology ◽  
Professional Organizations ◽  
Exhaust Emission ◽  
Vehicle Exhaust ◽  
The Arts ◽  
The University ◽  
The Church

Diarmuid Downs was a one-company man. He started work at Ricardo in 1942, after graduation from the University of London, Northampton Polytechnic (now City University) with a first-class honours degree in engineering, and retired 45 years later. His early meticulously executed research concentrated on spark-ignition combustion phenomena—essentially knock, pre-ignition and the effects of fuel additives— an important understanding in those early days for the oil and additive companies. Later, in the 1970s, his attention moved to engine and vehicle exhaust emission control, a key emerging technology at that time. In his more senior years, he took a broader picture of the industry and technology, building on his detailed pioneering research as he continued to develop his vision and balanced technical judgement. Recognized and encouraged initially by Harry Ricardo, he rose quickly to senior positions in the company, becoming a board member at the age of 35 and managing director 10 years later. In 1976 he became joint chairman and managing director, ultimately to become chairman and finally to retire in 1987. He authored or co-authored some 46 technical papers in his working career. He has been described as a ‘gentleman engineer’ with strong support for his staff at all levels. In the broad spectrum of engineering disciplines, Diarmuid leaned more towards the intellectual/scientific end. He was a deep thinker, with a prodigious memory and love of the arts as well as biographical and historical literature. He inspired respect through his vision, balanced judgement and supreme confidence and was an articulate orator. He was awarded many honours in his lifetime, including a CBE in 1979, a knighthood in 1985 and in the same year Fellowship of the Royal Society. He held appointments in over 30 professional organizations, including four charities, to which he and his wife, Carmel, were dedicated, helping the vulnerable and homeless. He was a lifelong devout Catholic and active supporter of the church and related charities, recognized by a Papal knighthood in 1993.

Dignified Retreat

2019 ◽  
Author(s):  
Robert A. Schneider
Keyword(s):  
Cultural History ◽  
French Language ◽  
Literary Field ◽  
Urban Context ◽  
Public Expression ◽  
The Arts ◽  
Novel Approach ◽  
Women Of Letters ◽  
The University ◽  
The Church

Cardinal Richelieu, Louis XIII’s first minister and the architect of French absolutism, is often celebrated for his role in reviving the arts and letters in the crucial period in the formation of French classicism. This book looks less at him than at the writers and intellectuals themselves in the creation of a new culture distinguished by the rise of the French language over Latin and the emergence of a literary field. The author argues that even the French Academy, founded by Richelieu in 1635, was more the result of an already established literary and linguistic movement that he merely managed to co-opt. Dignified Retreat examines the work and activities of over one hundred writers and intellectuals, focusing especially on their place in the urban context of a revived Paris after several generations of religious warfare in the sixteenth century. The theme of “retreat”—a withdrawal from public engagement and certain modes of public expression—runs throughout the book as a leitmotif that captures the ambivalent position of these men (and a few women) of letters as they tried to establish the legitimacy of their calling outside the established institutions of the Church, the law, and the university. Building on the work of such French literary scholars and historians as Marc Fumaroli, Alain Viala, Hélène-Merlin Kajman, Christian Jouhaud, and others, Schneider offers a novel approach to this important period in French cultural history.

The Early Years of the Jewish Presence at the University of Illinois

1992 ◽  
Vol 2 (2) ◽  
pp. 215-245
Author(s):  
Winton U. Solberg
Keyword(s):  
Higher Education ◽  
The United States ◽  
Early Years ◽  
Late Nineteenth Century ◽  
Characteristic Form ◽  
University Of Illinois ◽  
American Higher Education ◽  
Jewish Students ◽  
The University ◽  
The Church

For over two centuries, the College was the characteristic form of higher education in the United States, and the College was closely allied to the church in a predominantly Protestant land. The university became the characteristic form of American higher education starting in the late nineteenth Century, and universities long continued to reflect the nation's Protestant culture. By about 1900, however, Catholics and Jews began to enter universities in increasing numbers. What was the experience of Jewish students in these institutions, and how did authorities respond to their appearance? These questions will be addressed in this article by focusing on the Jewish presence at the University of Illinois in the early twentieth Century. Religion, like a red thread, is interwoven throughout the entire fabric of this story.

The Church on the World's Turf

2000 ◽  
Author(s):  
Paul A. Bramadat
Keyword(s):  
Alcohol Consumption ◽  
Ethnographic Study ◽  
Sexual Ethics ◽  
Institutional Settings ◽  
The Bible ◽  
Conservative Protestant ◽  
The Earth ◽  
Christian Fellowship ◽  
The University ◽  
The Church

Is it possible for conservative Protestant groups to survive in secular institutional settings? Here, Bramadat offers an ethnographic study of the Inter-Varsity Christian Fellowship (IVCF) at McMaster University, a group that espouses fundamentalist interpretations of the Bible, women's roles, the age of the earth, alcohol consumption, and sexual ethics. In examining this group, Bramadat demonstrates how this tiny minority thrives within the overwhelmingly secular context of the University.

scholarly journals Toward a Culture of Health in the United States: Introducing the HPP Arts in Public Health Supplement

2021 ◽  
Vol 22 (1_suppl) ◽  
pp. 5S-7S
Author(s):  
Jill Sonke ◽  
Lourdes Rodríguez ◽  
Melissa A. Valerio-Shewmaker
Keyword(s):  
Public Health ◽  
United States ◽  
Health Promotion ◽  
Public Health Education ◽  
The United States ◽  
The Arts ◽  
Agents Of Change ◽  
The University ◽  
Critical Public Health ◽  
Health Promotion Practice

The arts—and the arts and culture sector—offer fertile ground for achieving a culture of health in the United States. The arts and artists are agents of change and can help enable this vision and also address the most critical public health issues we are contending with, including COVID-19 and racism. The arts provide means for engaging dialogue, influencing behaviors, disrupting paradigms and fueling social movements. The arts uncover and illuminate issues. They engage us emotionally and intellectually. They challenge assumptions. They call out injustice. They drive collective action. They heal—making arts + public health collaboration very relevant in this historic moment. In this special Health Promotion Practice supplement on arts in public health, you’ll find powerful examples and evidence of how cross-sector collaboration between public health and the arts can advance health promotion goals and impacts, and make health promotion programs not only more accessible to diverse populations but also more equitable and effective in addressing the upstream systems, policies, and structures that create health disparities. You will see how the arts can empower health communication, support health literacy, provide direct and measurable health benefits to individuals and communities, and support coping and resilience in response to COVID-19. This issue itself exemplifies cross-sector collaboration, as it was created through partnership between Health Promotion Practice, the Society for Public Health Education, ArtPlace America, and the University of Florida Center for Arts in Medicine, and presents voices from across the public health, arts, and community development sectors.

scholarly journals Beyond Darwinian Distance: Situating Distant Reading in a Feminist Ut Pictura Poesis Tradition

PMLA ◽  
2017 ◽  
Vol 132 (3) ◽  
pp. 659-667 ◽  
Author(s):  
Lisa Marie Rhody
Keyword(s):  
The United States ◽  
National Endowment ◽  
Distant Reading ◽  
Western Tradition ◽  
Parts Of Speech ◽  
Reading Methods ◽  
The Arts ◽  
Sister Arts ◽  
The Devil ◽  
Ut Pictura Poesis

The challenge facing “distant reading” has less to do with Franco Moretti's assertion that we must learn “how not to read” than with his implication that looking should take the place of reading. Not reading is the dirty open secret of all literary critics-there will always be that book (or those books) that you should have read, have not read, and probably won't read. Moretti is not endorsing a disinterest in reading either, like that reported in the 2004 National Endowment for the Arts' Reading at Risk, which notes that less than half the adult public in the United States read a work of literature in 2002 (3). In his “little pact with the devil” that substitutes patterns of devices, themes, tropes, styles, and parts of speech for thousands or millions of texts at a time, the devil is the image: trees, networks, and maps-spatial rather than verbal forms representing a textual corpus that disappears from view. In what follows, I consider Distant Reading as participating in the ut pictura poesis tradition-that is, the Western tradition of viewing poetry and painting as sister arts-to explain how ingrained our resistances are to Moretti's formalist approach. I turn to more recent interart examples to suggest interpretive alternatives to formalism for distant-reading methods.

scholarly journals From the Inquisition Pyre to Insertion into the Church: The Familial and Social Trajectory of Hernando Ortiz, a Jewish Convert in the Spanish Empire in the 16th Century

2021 ◽  
Vol 10 (7) ◽  
pp. 264
Author(s):  
Clara Ramirez
Keyword(s):  
Iberian Peninsula ◽  
New Spain ◽  
Spanish Empire ◽  
16Th Century ◽  
Active Member ◽  
Jewish Ancestry ◽  
The Family ◽  
To Come ◽  
The University ◽  
The Church

This is a study of the trajectory of a Jewish converso who had a brilliant career at the University of Mexico in the 16th century: he received degrees from the faculties of arts, theology and law and was a professor for more than 28 years. He gained prestige and earned the respect of his fellow citizens, participated in monarchical politics and was an active member of his society, becoming the elected bishop of Guatemala. However, when he tried to become a judge of the Inquisition, a thorough investigation revealed his Jewish ancestry back in the Iberian Peninsula, causing his career to come to a halt. Further inquiry revealed that his grandmother had been burned by the Inquisition and accused of being a Judaizer around 1481; his nephews and nieces managed, in 1625, to obtain a letter from the Inquisition vouching for the “cleanliness of blood” of the family. Furthermore, the nephews founded an entailed estate in Oaxaca and forbade the heir of the entail to marry into the Jewish community. The university was a factor that facilitated their integration, but the Inquisition reminded them of its limits. The nephews denied their ancestors and became part of the society of New Spain. We have here a well-documented case that represents the possible existence of many others.

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