PECULIARITIES OF LIGHT FUNCTIONING IN MODERN GREEK CATHOLIC CHURCHES OF UKRAINE

2021 ◽  
Vol 7 (2) ◽  
pp. 253-260
Author(s):  
Yatsiv M ◽  

In each historical period, light played an important mystical role in the creation of the sacred space of the temple, and was and is an integral part of religious ritual. Light is an architectural phenomenon, the formative and communicative element of the spatial structure of the temple, the most important factor in the perception of space and layout of the temple. The subject of the analysis contained in the article is the light environment in the space of modern churches of Ukraine. An analysis of the functions of light in churches is made on the example of recently built iconic Greek Catholic temples. The peculiarities of the distribution of natural and artificial light in the space of modern churches, the similarities and differences in the organization of the light environment, as compared to the historical temples, have been revealed. The influence of the light on the architectonics of temples and the visual perception of their object environment, on the formation of the corresponding mystical mood and sacred atmosphere is defined. The values and functions of electric lighting in the structure of the light environment of the temple, the directions of development of electric lighting systems due to the expansion of their utilitarian and decorative functions are determined.

2002 ◽  
Vol 33 ◽  
pp. 29-44 ◽  
Author(s):  
Neil Adams

AbstractDuring their second campaign at the temple of Apollo in August 1861, Robert Murdoch Smith and Edwin Porcher discovered a large marble female head along the northern edge of the building's peristasis. The sculpture was subsequently sent to the British Museum. A recent re-examination of the head suggests that it deserves serious more attention than it has hitherto merited, principally for its quality, and the fact that it displays characteristics highly indicative of Hellenistic royal portraiture. Furthermore, comparison with a similarly sized and modelled male head discovered inside the temple presently identified as ‘Ptolemy Apion’ suggests the two should be considered as companion pieces. This paper attempts to identify the subject of the female head within the context of other sculpture originating from the temple, together with epigraphy relating to the Ptolemaic family at Cyrene. It also explores the possibility of a royal portrait group erected inside Cyrene's primary sacred space.


1970 ◽  
Vol 7 ◽  
pp. 103-131 ◽  
Author(s):  
Ze’ev Maghen

This essay compares the Sunnī Muslim position(s) concerning the ingress of non-Muslims to the Meccan Sanctuary with the Rabbinic outlook on the entry of non-Jews into the Temple precinct. In both cases, the issue is one of purity and pollution, and the algorithms of each religion’s ritual code are therefore probed in search of the underlying bases for their respective policies on the subject. The discussion will follow the legists through their intricate evaluation of what is perceived by many today to be ‘minutiae’ – it was certainly not seen thus by the jurists themselves. The attitudes of Sharīʿa and Halakha to immersion for the sake of conversion also harbor significant implications for this question, and space is devoted to elucidating the two systems’ variant rationales for requiring this ceremony. Our conclusions reveal a significant difference – indeed, a diametric antithesis – between Judaism’s and Islam’s conceptions of the cultic status of the other.


2018 ◽  
Vol 2 (1) ◽  
pp. 7-24
Author(s):  
Anne Katrine De Hemmer Gudme

This article investigates the importance of smell in the sacrificial cults of the ancient Mediterranean, using the Yahweh temple on Mount Gerizim and the Hebrew Bible as a case-study. The material shows that smell was an important factor in delineating sacred space in the ancient world and that the sense of smell was a crucial part of the conceptualization of the meeting between the human and the divine.  In the Hebrew Bible, the temple cult is pervaded by smell. There is the sacred oil laced with spices and aromatics with which the sanctuary and the priests are anointed. There is the fragrant and luxurious incense, which is burnt every day in front of Yahweh and finally there are the sacrifices and offerings that are burnt on the altar as ‘gifts of fire’ and as ‘pleasing odors’ to Yahweh. The gifts that are given to Yahweh are explicitly described as pleasing to the deity’s sense of smell. On Mount Gerizim, which is close to present-day Nablus on the west bank, there once stood a temple dedicated to the god Yahweh, whom we also know from the Hebrew Bible. The temple was in use from the Persian to the Hellenistic period (ca. 450 – 110 BCE) and during this time thousands of animals (mostly goats, sheep, pigeons and cows) were slaughtered and burnt on the altar as gifts to Yahweh. The worshippers who came to the sanctuary – and we know some of them by name because they left inscriptions commemorating their visit to the temple – would have experienced an overwhelming combination of smells: the smell of spicy herbs baked by the sun that is carried by the wind, the smell of humans standing close together and the smell of animals, of dung and blood, and behind it all as a backdrop of scent the constant smell of the sacrificial smoke that rises to the sky.


2020 ◽  
Vol 7 (1) ◽  
pp. 41-70
Author(s):  
Enas Fares Yehia ◽  
Walaa Mohamed Abdelhakim

Throughout the ages, people have shown great interest in music and singing of all kinds, giving these expressive forms great importance in different eras. This article aims to comprehensively overview the etiquette, customs, and characteristic rules of polite performance in the profession of female solo singing in ancient and modern Egypt from a comparative view. This is achieved by reviewing the distinctive themes of female solo singers and their contexts in both ancient and modern Egypt. The article employs a descriptive-comparative methodology to provide a detailed sequential investigation and analysis of all the data collected on the subject and the themes of female solo singers; to discern the characteristic features of female solo singing etiquette in ancient Egypt; and to identify the similarities and differences of these features in the masters and famous models of modern Egypt. One of the main findings is that the distinctive characteristics of female solo singing in ancient Egypt have been inherited in the style of oriental but not western singing, and the greatest and most widely known model of the former style is “the Oriental singing lady Umm Kulthum”.


Author(s):  
Deonnie Moodie

At the turn of the twenty-first century, middle-class men and women formed non-governmental organizations (NGOs) and filed public interest litigation suits (PILs) in order to expand temple space, knock down buildings that block views of Kālīghāṭ’s façade, and remove undesirable materials and populations from its environs. Employing the language of cleanliness and order, they worked (and continue to work) to make Kālīghāṭ a “must-see” tourist attraction. Scholarship has shown that India’s new middle classes—those produced through India’s economic liberalization policies in the 1990s—desire highly visible forms demonstrating their modernity as well as their uniqueness on the international stage of urban space. The example of Kālīghāṭ indicates how India’s new middle classes build on the work of the old middle classes to deploy the temple as emblematic of both their modernity and their Indian-ness. In so doing, they read the idioms of public space onto sacred space.


J ◽  
2020 ◽  
Vol 3 (1) ◽  
pp. 100-123 ◽  
Author(s):  
Emilio Matricciani ◽  
Liberato De Caro

We have studied Jesus Christ’s speeches contained in The Gospel as revealed to me by Maria Valtorta to assess: (i) similarities and differences of the speeches delivered to diverse audiences, through deep-language statistics; (ii) duration of the speeches delivered in different occasions; (iii) whether the setting of the speeches is realistic. Mathematically, the speeches can be divided into two sets: (a) two apparently well-planned and coordinated series of speeches delivered at “Clear Water” and at the Horns of Hattin (Sermon of the Mountain); (b) extempore speeches delivered in many localities (parables, speeches to people or to disciples, in Synagogues, at the Temple). By converting sequences of words into intervals, through a suitable reading/speaking speed, the speeches’ durations were found to be realistic. The setting of the speeches allows the assessment of the likelihood of the places and occasions for delivering them. Maria Valtorta wrote extraordinary speeches that she attributed to the alleged Jesus of Nazareth. In addition to their theological and doctrinal contents (whose study is far beyond the scope of this paper), the speeches are so realistic in whatever mathematical parameter, or setting, we study them, that she is either a great literary author, or—as she claims—an attentive “eyewitness” of what she reports.


2007 ◽  
Vol 31 (2) ◽  
pp. 327-408 ◽  
Author(s):  
Leila Behrens

According to traditional wisdom, reciprocal predicates can only occur with plural subjects. This is assumed either because the reciprocal predicates in question are constructed by means of a reciprocal anaphor, which is considered as being inherently plural and hence requiring a plural antecedent, or, if there is no binding requirement, the following principle of argument mapping is implicitly assumed: all participants of a reciprocal situation need an overt realization by the same highest syntactic argument. Since a reciprocal relation minimally involves the existence of two participants, and since (in the languages considered so far) the highest syntactic argument is the subject, this mapping principle leads to the idea that the subjects of reciprocal predicates should be confined to plural or conjoined phrases. In this paper, I will show that this principle turns out to be unrealistically strong, once real discourse data are considered, in particular from a cross-linguistic perspective. Under certain structural and pragmatic conditions, participants of reciprocal relations may be backgrounded and also suppressed, with the result that, in the second case, they will lack an overt realization altogether. It will be argued that there is a typological correlation between the following three phenomena: discontinuous reciprocals (where one participant is backgrounded and hence realized as an oblique phrase), “true” singular subject reciprocals (where only one participant is realized overtly, while the other is suppressed), and plural subject reciprocals, admitting the interpretation that each individual among the subject’s referents participates in a reciprocal relation with some other (unknown or arbitrary) individual that is, however, suppressed, i.e. not referred to by the subject phrase or any other phrase in the sentence. I will present data from four languages: Hungarian, German, (Modern) Greek and Serbian/Croatian. In general, a cross-linguistic approach will be favored which considers differences and similarities at all relevant levels of description, e.g. discourse pragmatics, verbal aspect, lexical-semantic fields, interfering effects of ambiguity, etc. in addition to structural constraints in marking reciprocity.


2021 ◽  
Vol 7 (1) ◽  
pp. 383-388
Author(s):  
Aigul Yessentemirova ◽  
Kuralay Urazaeva

The paper is focused on the study of literary translation as a type of rhetorical communication. The subject being analysed is that national conceptual sphere can be a reliable criterion for the authenticity of translation. The topic of the research is that national conceptual sphere regarded as a means of illocutionary influence and a source of differences in rhetorical conscience of the author of the original text as well as the translator and the addressee. A comparative analysis of Russian and Kazakh translations of Robert Burns’ ballad “John Barleycorn” is carried out. The comparison is based on the structure of rhetorical communication, national conceptual sphere, prosody parameters and genre features. The similarities and differences of the translations are specified. The similarities are shown in referential, strophic and genre proximity of the original and translations.


Author(s):  
Carla Sulzbach

Attention to the spatial elements in the book of Ezekiel reveal a coherent plan that maps sin onto the spaces of city and temple which become the focus of correction in the visionary chapters that end the book (chs. 40–48). The book displays great disdain for all urban settings, including foreign cities, for their corrupt politics, trade and crime. These charges especially apply to Jerusalem. The temple also exhibits similar corruption in terms of personnel, iconography and impurity. The final vision reaches back first into the pre-urban history of Judah, the wilderness period, in order to find a setting free from such corruptions, but ultimately it returns to an Eden-like state as the only viable solution to the problems of innate sin and desecration. This is an Eden with no free-will and no human agency, the only way to safeguard sacred space.


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