Economic liberalization, political regimes and ideology

Kyklos ◽  
2021 ◽  
Author(s):  
Vítor Castro ◽  
Rodrigo Martins
2009 ◽  
pp. 75-84
Author(s):  
V. Popov

Why have many transition economies succeeded by pursuing policies which are so different from the radical economic liberalization (shock therapy) that is normally credited for the economic success of countries of Central Europe? First, optimal policies are context dependent, they are specific for each stage of development and what worked in Slovenia cannot be expected to work in Mongolia. Second, even for the countries with the same level of development reforms that are necessary to stimulate growth are different; they depend on the previous history and on the path chosen. The reduction of government expenditure as a share of GDP did not undermine significantly the institutional capacity of the state in China, but in Russia and other CIS countries it turned out to be ruinous. The art of the policymaker is to create markets without causing government failure, as happened in many CIS countries.


2020 ◽  
Vol 26 (39) ◽  
pp. 55-65
Author(s):  
Angélica Adverse

O artigo aborda o agenciamento das roupas no trabalho do artista Christian Boltanski. Partindo da dimensão do poder dos corpos têxteis, analisaremos como as roupas investem-se das palavras emudecidas dos corpos ausentes, constituindo-se como alegoria do testemunho e do documento histórico. A ideia central é pensar como as roupas explicitam a aniquilação humana provocada pelos regimes políticos totalitários. Analisaremos como as instalações Prendre la Parole (2005) e Personnes(2010) desvelam a presença-ausência da vida-morte na experiência política do discurso têxtil.  Palavras-chave: Roupas; Corpos; Agenciamento; Política; Memória.AbstractThe article addresses the agency of clothes in the work of the artist Christian Boltanski. Starting from the dimension of the power of the textile bodies, we will analyze how the clothes invest themselves with the muted words of the absent bodies, constituting themselves as an allegory of the testimony and of the historical document. The central idea is to think about how clothes make explicit human annihilation brought about by totalitarian political regimes. We will analyze how the installations Prendre la Parole (2005) and Personnes (2010) reveal the presence-absence of life-death in the political experience of textile discourse.Keywords: Clothes; Bodies; Agency; Politics; Memory. 


2019 ◽  
Author(s):  
Isaac Marcelin ◽  
Sheryl-Ann Stephen ◽  
Fassil Fanta ◽  
Mussie M. Teclezion

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