Scientific Epistemology: Exploring the Primacy of Science in the Writing of Gaston Bachelard

2021 ◽  
Vol 98 (3) ◽  
pp. 453-468
Author(s):  
Michael Granado
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2006 ◽  
Vol 29 (2) ◽  
pp. 98-114 ◽  
Author(s):  
James Williams

This article charts differences between Gilles Deleuze's and Gaston Bachelard's philosophies of science in order to reflect on different readings of the role of science in Deleuze's philosophy, in particular in relation to Manuel DeLanda's interpretation of Deleuze's work. The questions considered are: Why do Gilles Deleuze and Gaston Bachelard develop radically different philosophical dialectics in relation to science? What is the significance of this difference for current approaches to Deleuze and science, most notably as developed by Manuel DeLanda? It is argued that, despite its great explanatory power, DeLanda's association of Deleuze with a particular set of contemporary scientific theories does not allow for the ontological openness and for the metaphysical sources of Deleuze's work. The argument turns on whether terms such as ‘intensity’ can be given predominantly scientific definitions or whether metaphysical definitions are more consistent with a sceptical relation of philosophy to contemporary science.


2015 ◽  
Vol 60 (2) ◽  
pp. 11-24
Author(s):  
Emmanuel Alloa

Der Begriff der Phänomenotechnik, den Gaston Bachelard in den 1930er Jahren einführte, erfreut sich in der neueren Wissenschaftsforschung großer Beliebtheit, welche damit auf die technische und sozial vermittelte Dimension wissenschaftlicher Tatsachen hinweist. Im Zuge der allgegenwärtigen Rückkehr zu ›realistischen‹ Wirklichkeitsauffassungen wurde das Konzept der Phänomenotechnik mehrheitlich als ›konstruktivisches‹ Relikt verworfen. Der Beitrag schlägt eine alternative Lesart des Konzepts vor, in der es anstelle der These von der Konstruiertheit aller wissenschaftlicher Tatsachen um die spezifische Verbindung von Phänomenalität und Technizität geht: Was heißt es, davon auszugehen, dass dasjenige, was erscheint, nicht einfach gegeben ist, sondern immer erst zur Sichtbarkeit gebracht werden muss? Anstelle einer Technikauffassung, die Technik bloß auf Entlastung und auf die Fähigkeit des ›Übersehens‹ zurückführt (›Anästhesie‹ des Mediums), wird für eine Technikauffassung plädiert, die der eigentümlich hervorbringenden, aisthetisierenden Leistung des Technischen Rechnung trägt. Abschließend werden die Parameter einer noch zu schreibenden ›Techno-Ästhetik‹ benannt. <br><br>The notion of ‘phenomenotechnique’ which Gaston Bachelard introduced in the 1930’s has enjoyed popularity among historians of science who used it in order to insist upon the technical and social mediateness of scientific facts. In the wake of the current triumphal return to epistemological ‘realism,’ the idea of phenomenotechnique has been dismissed as an alleged relic of ‘constructivism.’ The article advocates for a different reading of ‘phenomenotechnique,’ which, rather than insisting on the fabrication of the scientific fact, highlights the intrinsic connection of phenomenality and technicality. Phenomena are not simply given, they must be brought to visibility. While philosophies of technique have mostly stressed that technicity consists in overlooking the process (the ‘anesthesia’ of the medium), the paper argues for a conception of technicity that makes space for its productive, aestheticizing capacity. Finally, the article gestures towards parameters of what a ‘techno-aesthetics’ could look like.


1972 ◽  
Vol 1 (2) ◽  
pp. 209-218
Author(s):  
Jean-Marie Paisse
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Author(s):  
Ahmad Zohdi

After Europe experienced renaissance period, it seems that Arab or Islamic countries till now have difficulty to achieve the glory like the era of prophet Muhammad (Rasulullah), Umayyah, Abbasid to the glory of Islam in the Spanish. As one of Islamic thinker (expert), Al-Jabiri arguing that the solutions offered by many experts were not appropriate with the nature concept. Furthermore, He then proposed a critical construction of Arabian epistemological knowledge by analyzing critically the process of Arabian cultural formation. He concluded that the Islamic reasoning had been "dead" because there are no more innovations given since the codification period (ashr at-tadwin) of various scientific fields (tabwib al-ilm) in the middle of 2ndcentury and 3rdcentury of hijri. Since the period, all Islamic epistemologist concept that was born at that time used as a theoretical framework (al-ithar al-marji'i) for the Islamic reasoning until now. Al-jabiri concluded the mainstream Islamic epistemology have existed in the era has three typologies, namely bayani, irfani and burhani. However, ironically the bayani epistemology much more about the Arabian reasoning, so that it created one civilization that is called fiqh civilization (hadlarahfiqh). However, irfani epistemology tends to bring Islamic view into irrational reason. While burhani epistemology is very lacked attention on Islamic view. This thing becomes stumbling to create modern Arab or Islamic era.


Author(s):  
Christopher Tomlins

As the linguistic/cultural turn of the last fifty years has begun to ebb, sociolegal and legal-humanist scholarship has seen an accelerating return to materiality. This chapter asks what relationship may be forthcoming between the “new materialisms” and “vibrant matter” of recent years, and the older materialisms—both historical and literary, both Marxist and non-Marxist—that held sway prior to post-structuralism. What impact might such a relationship have on the forms, notably “spatial justice,” that materiality is assuming in contemporary legal studies? To attempt answers, the chapter turns to two figures from more than half a century ago: Gaston Bachelard—once famous, now mostly forgotten; and Walter Benjamin—once largely forgotten, now famous. A prolific and much-admired writer between 1930 and 1960, Bachelard pursued two trajectories of inquiry: a dialectical and materialist and historical (but non-Marxist) philosophy of science; and a poetics of the material imagination based on inquiry into the literary reception and representation of the prime elements—earth, water, fire, and air. Between the late 1920s and 1940, meanwhile, Benjamin developed an idiosyncratic but potent form of historical materialism dedicated to “arousing [the world] from its dream of itself.” The chapter argues that by mobilizing Bachelard and Benjamin for scholarship at the intersection of law and the humanities, old and new materialisms can be brought into a satisfying conjunction that simultaneously offers a poetics for spatial justice and lays a foundation for a materialist legal historiography for the twenty-first century.


2020 ◽  
Vol 44 (1) ◽  
pp. 369-372
Author(s):  
Ben Stoltzfus
Keyword(s):  

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