scholarly journals Race for Sale: Narratives of Possession in Two “Ethnic” Museums

2000 ◽  
Vol 44 (3) ◽  
pp. 11-36 ◽  
Author(s):  
Patricia Penn Hilden

Have the Museum for African Art and the National Museum of the American Indian, both in New York City, been able to “move the center” from Euro-America to Africa, the African diaspora, or Native America?

Author(s):  
Jean E. Snyder

This chapter focuses on the role of Harry T. Burleigh's wife and family in his career as an “eminent baritone.” Due to his success in singing for the English royal and noble families, Burleigh returned to perform in England the following summer, but it also led to his wife's determination to create an identity distinct from her role as the wife of “the eminent baritone.” In fall 1909 Louise took their son Alston to England, where she placed him at Malden College for Boys just outside London. Then, assuming the stage name of Princess Redfeather, she “played in her own Indian Act in London music halls.” After the “real” Princess Redfeather, Princess Tsianina Redfeather, appeared and demanded that Louise must find another stage name, Louise became Ojibway Princess Nadonis, and later Princess Nadonis Shawa. This chapter considers Louise Alston Burleigh's separation from Harry and her decision to pursue a career as a performer in New York City, with particular emphasis on her American Indian presentations and her joint recitals.


Arts ◽  
2019 ◽  
Vol 8 (4) ◽  
pp. 156
Author(s):  
Jennifer Shannon

An often cited 1938 repatriation from the Museum of the American Indian in New York City to the members of the Water Buster or Midi Badi clan of the Hidatsa tribe in North Dakota is revisited. Rather than focusing on this event as a “first” in repatriation history or using it as a character assessment of the director of the museum, this account highlights the clan’s agency and resistance through an examination of their negotiation for the return of a sacred bundle and the objects they selected to provide in exchange. Through this example, we see how tribes have had to make hard choices in hard times, and how repatriation is a form of resistance and redress that contributes to the future of a community’s wellbeing in the face of a history of religious and colonial oppression.


Tempo ◽  
1957 ◽  
pp. 7-11
Author(s):  
Ronald Eyer

On September 27, 1956, a new and most promising creative talent was brought to national attention with the production by the New York City Opera Company of Carlisle Floyd's two-act musical drama, Susannah. Up to that night, Carlisle Floyd was almost as little-known in his native America as in Europe, and the following day the press, including the musical press, had to scurry around to his hotel to find out something about him.


2007 ◽  
Vol 37 (2) ◽  
pp. 174-211 ◽  
Author(s):  
Paul Christopher Johnson

AbstractGarifuna religion is derived from a confluence of Amerindian, African and European antecedents. For the Garifuna in Central America, the spatial focus of authentic religious practice has for over two centuries been that of their former homeland and site of ethnogenesis, the island of St Vincent. It is from St Vincent that the ancestors return, through spirit possession, to join with their living descendants in ritual events. During the last generation, about a third of the population migrated to the US, especially to New York City. This departure created a new diasporic horizon, as the Central American villages left behind now acquired their own aura of ancestral fidelity and religious power. Yet New-York-based Garifuna are now giving attention to the African components of their story of origin, to a degree that has not occurred in homeland villages of Honduras. This essay considers the notion of 'leaving' and 'joining' the African diaspora by examining religious components of Garifuna social formation on St Vincent, the deportation to Central America, and contemporary processes of Africanization being initiated in New York.


1942 ◽  
Vol 74 (3-4) ◽  
pp. 155-162
Author(s):  
H. Kurdian

In 1941 while in New York City I was fortunate enough to purchase an Armenian MS. which I believe will be of interest to students of Eastern Christian iconography.


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