scholarly journals “You Don't Know Khrushchev Well”

2022 ◽  
Vol 24 (1) ◽  
pp. 78-115
Author(s):  
Joseph Torigian
Keyword(s):  
Twentieth Century ◽  
Authoritarian Regimes ◽  
Elite Politics ◽  
Nikita Khrushchev ◽  
History Of

Abstract The ouster of Nikita Khrushchev in October 1964 was a key moment in the history of elite politics in one of the most important authoritarian regimes of the twentieth century. Yet political scientists and historians have long seemed uninterested in Khrushchev's downfall, regarding it as the largely “inevitable” result of his supposedly unpopular policies. Archival sources that have recently come to light cast serious doubt on this assessment and demonstrate new ways of measuring contingency. By showing the countermeasures Khrushchev could have taken, the importance of timing, and the sense among the plotters that their move was highly risky, this article demonstrates that Khrushchev's defeat was far from preordained. The lesson of October 1964 is not that policy differences or failures lead inexorably to political defeat, but that elite politics in Marxist-Leninist regimes is inherently ambiguous, personal, and, most importantly, highly contingent.

scholarly journals Stonewall and its Legacy in Iberia

2020 ◽  
Vol 89 ◽  
pp. 214-219
Author(s):  
Richard Cleminson
Keyword(s):  
Twentieth Century ◽  
Authoritarian Regimes ◽  
Gay Liberation ◽  
Short Article ◽  
Critical History ◽  
Starting Point ◽  
History Of ◽  
The Law ◽  
Lgbt People ◽  
General Climate

Abstract This short article evaluates the changing and conflictive discourse and practice around homosexuality over the twentieth century in Spain and Portugal. The Iberian states were under dictatorship at the time of the Stonewall riots in 1969. Despite the repressive legislation introduced in both countries, it is possible to discern resistance against the law and against a general climate of social opprobrium. Rather than seeing Stonewall as a starting point or an obligatory definitive reference for ‘gay liberation’, the experience of LGBT people in Iberia allows us re-evaluate the history of sexuality against the backdrop of authoritarian regimes, the colonial past and acts of resistance, however small, for a critical history of LGBT life in Europe and beyond.

Warfare and the Military

2013 ◽  
Author(s):  
Richard Reid
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Authoritarian Regimes ◽  
Scholarly Writing ◽  
Armed Struggle ◽  
Military Organization ◽  
Revolution In Military Affairs ◽  
History Of ◽  
Longue Duree ◽  
The Military

This chapter explores the evolution and characteristics of scholarly writing on the history of African warfare and military organization. Beginning with an overview of the challenges involved in reconstructing Africa’s violent past, the paper deals with war in the deeper past before focusing on the nineteenth century, an era in which it is argued Africa experienced a revolution in military affairs. Violence and military structures took new forms in the twentieth century, from colonial armies to modern armed struggle aimed at the overthrow of authoritarian regimes. Throughout, the chapter proposes new avenues for research, including making ever closer connections between violence, politics, and economy over the longue durée.

Hard Objects in George Oppen's Discrete Series

2018 ◽  
Vol 13 (4) ◽  
pp. 496-517
Author(s):  
Ned Hercock
Keyword(s):  
Twentieth Century ◽  
Ludwig Wittgenstein ◽  
Discrete Series ◽  
Human Experience ◽  
John Ruskin ◽  
Gerard Manley Hopkins ◽  
Marcel Duchamp ◽  
The World ◽  
Production History ◽  
History Of

This essay examines the objects in George Oppen's Discrete Series (1934). It considers their primary property to be their hardness – many of them have distinctively uniform and impenetrable surfaces. This hardness and uniformity is contrasted with 19th century organicism (Gerard Manley Hopkins and John Ruskin). Taking my cue from Kirsten Blythe Painter I show how in their work with hard objects these poems participate within a wider cultural and philosophical turn towards hardness in the early twentieth century (Marcel Duchamp, Adolf Loos, Ludwig Wittgenstein and others). I describe the thinking these poems do with regard to industrialization and to human experience of a resolutely object world – I argue that the presentation of these objects bears witness to the production history of the type of objects which in this era are becoming preponderant in parts of the world. Finally, I suggest that the objects’ impenetrability offers a kind of anti-aesthetic relief: perception without conception. If ‘philosophy recognizes the Concept in everything’ it is still possible, these poems show, to experience resistance to this imperious process of conceptualization. Within thinking objects (poems) these are objects which do not think.

Review: Urban Latino Cultures: La Vida Latina en LA by Gustavo Leclerc, Raúl Villa, and Michael J. Dear (eds.)

1999 ◽  
Vol 22 (1) ◽  
pp. 126-128
Author(s):  
Catherine S. Ramirez
Keyword(s):  
Twentieth Century ◽  
Los Angeles ◽  
Mexican American ◽  
History Of ◽  
Crime Wave ◽  
Eighteenth And Nineteenth Centuries ◽  
The City ◽  
History Of Los Angeles

Throughout the twentieth century (and now the twenty-first), the specter of a Latina/o past, present, and future has haunted the myth of Los Angeles as a sunny, bucolic paradise. At the same time it has loomed behind narratives of the city as a dystopic, urban nightmare. In the 1940s Carey McWilliams pointed to the fabrication of a “Spanish fantasy heritage” that made Los Angeles the bygone home of fair señoritas, genteel caballeros and benevolent mission padres. Meanwhile, the dominant Angeleno press invented a “zoot” (read Mexican-American) crime wave. Unlike the aristocratic, European Californias/os of lore, the Mexican/American “gangsters” of the 1940s were described as racial mongrels. What's more, the newspapers explicitly identified them as the sons and daughters of immigrants-thus eliding any link they may have had to the Californias/os of the eighteenth and nineteenth centuries or to the history of Los Angeles in general.

Queering Musical Biography in the Writings of Edward Prime-Stevenson and Rosa Newmarch

2020 ◽  
Vol 44 (2) ◽  
pp. 100-118
Author(s):  
Kristin M. Franseen
Keyword(s):  
Twentieth Century ◽  
Instrumental Music ◽  
Primary Source ◽  
Gender And Sexuality ◽  
Benjamin Britten ◽  
Twentieth Century Music ◽  
History Of ◽  
Music Research ◽  
Symphonic Music ◽  
Biographical Knowledge

Beginning with the “open secret” of Benjamin Britten and Peter Pears's relationship and continuing through debates over Handel's and Schubert's sexuality and analyses of Ethel Smyth's memoirs, biography has played a central role in the development of queer musicology. At the same time, life-writing's focus on extramusical details and engagement with difficult-to-substantiate anecdotes and rumors often seem suspect to scholars. In the case of early-twentieth-century music research, however, these very gaps and ambiguities paradoxically offered some authors and readers at the time rare spaces for approaching questions of sexuality in music. Issues of subjectivity in instrumental music aligned well with rumors about autobiographical confession within Tchaikovsky's Symphony No. 6 (Pathétique) for those who knew how to listen and read between the lines. This article considers the different ways in which the framing of biographical anecdotes and gossip in scholarship by music critic-turned-amateur sexologist Edward Prime-Stevenson and Tchaikovsky scholar Rosa Newmarch allowed for queer readings of symphonic music. It evaluates Prime-Stevenson's discussions of musical biography and interpretation in The Intersexes (1908/9) and Newmarch's Tchaikovsky: His Life and Works (1900), translation of Modest Tchaikovsky's biography, and article on the composer in Grove's Dictionary of Music and Musicians to explore how they addressed potentially taboo topics, engaged with formal and informal sources of biographical knowledge (including one another's work), and found their scholarly voices in the absence of academic frameworks for addressing gender and sexuality. While their overt goals were quite different—Newmarch sought to dismiss “sensationalist” rumors about Tchaikovsky's death for a broad readership, while Prime-Stevenson used queer musical gossip as a primary source in his self-published history of homosexuality—both grappled with questions of what can and cannot be read into a composer's life and works and how to relate to possible queer meanings in symphonic music. The very aspects of biography that place it in a precarious position as scholarship ultimately reveal a great deal about the history of musicology and those who write it.

“The History of Scottish Theology, Volume 3: The Long Twentieth Century” edited by David Fergusson and Mark W. Elliott

2020 ◽  
Vol 27 (2) ◽  
pp. 75-77
Author(s):  
Philip D. Foster
Keyword(s):  
Twentieth Century ◽  
History Of

Review of David Fergusson and Mark W. Elliot, eds., The History of Scottish Theology, Volume 3: The Long Twentieth Century (Oxford: OUP, 2019), pp. xii+373, ISBN 978-0198759355. £95.00

Sign in / Sign up

Export Citation Format

Share Document