Sport and the Imperial Bond: The 1911 ‘All-India’ Cricket Tour of Great Britain

2013 ◽  
Vol 8 (3-4) ◽  
pp. 261-285
Author(s):  
Prashant Kidambi

Summary This article explores the interplay of sport, politics and public diplomacy through a case study of the first ‘Indian’ cricket tour of Great Britain in 1911, an extraordinary venture peopled by an improbable cast of characters. Led by the young Maharaja Bhupindar Singh, the newly enthroned ruler of the princely state of Patiala, the team contained in its ranks cricketers who were drawn from different Indian regions and religious communities. The article examines the politics of this intriguing cricket tour against a wider backdrop of changing Indo-British relations and makes three key points. First, it suggests that the processes of ‘imperial globalization’ that were presided over by the British in the late nineteenth and early twentieth centuries marked an important epoch in the evolving relationship between sport and diplomacy. In particular, it highlights the role of sporting tours as instruments of public diplomacy in the age of empire. Second, it shows how the organization of the 1911 tour reflected the workings of a trans-national ‘imperial class regime’ that had developed around cricket in colonial India from the late nineteenth century onwards. Finally, the article considers the symbolic significance that came to be attached to the tour, both in imperial Britain and in colonial India.

2012 ◽  
Vol 46 (4) ◽  
pp. 1055-1075 ◽  
Author(s):  
PETER KNIGHT

This article examines the role of the market report as a performative technology that does not merely reflect the emerging world of financial capitalism in late nineteenth-century America but actively shapes it. It takes as its case study the financial pages of Town Topics, the preeminent society gossip magazine in the 1880s and 1890s. Although at first sight the financial section seems far removed from the salacious gossip that the main section of the magazine traded in, there are close connections between the two. An analysis of the rhetoric of the financial pages of Town Topics uncovers a mixture of abstraction and personification in their depictions of market activity. In the same way that the society gossip column in effect created the very possibility of “society” as both exclusive and public property, the genre of the financial page helped create the idea of “the market” as both a human-scale drama and an abstraction that was beyond the control of any individual, or even government.


Author(s):  
Sari Mäenpää

This final chapter examines the role of cotton brokers in the port of Liverpool in the late-Nineteenth century. It uses data compiled by the Mercantile Liverpool Project, census material from trade directories, and social documents such as biographies and obituaries to reconstruct the activities of the Liverpool cotton broker community between 1850 and 1901. It explores the attitudes toward the value of cotton trading as a vocation in Liverpool and provides a case study of cotton broker Samuel Smith, and Robert Rankin of ‘Rankin, Gilmour and Co’. It offers an analysis of cotton broking statistics; British in-migration to the port of Liverpool in pursuit of employment; and the overall business success of cotton broking in Liverpool, to determine that cotton broking was an unstable venture that lacked social prestige, and that successful cotton brokers often had safety nets in other trade ventures out of necessity.


2015 ◽  
Vol 4 (2) ◽  
pp. 113-135
Author(s):  
Lucila Mallart

This article explores the role of visuality in the identity politics of fin-de-siècle Catalonia. It engages with the recent reevaluation of the visual, both as a source for the history of modern nation-building, and as a constitutive element in the emergence of civic identities in the liberal urban environment. In doing so, it offers a reading of the mutually constitutive relationship of the built environment and the print media in late-nineteenth century Catalonia, and explores the role of this relation as the mechanism by which the so-called ‘imagined communities’ come to exist. Engaging with debates on urban planning and educational policies, it challenges established views on the interplay between tradition and modernity in modern nation-building, and reveals long-term connections between late-nineteenth-century imaginaries and early-twentieth-century beliefs and practices.


Author(s):  
Marilyn Booth

This chapter demonstrates that inscriptions of female images in Cairo’s late nineteenth-century nationalist press were part of a discursive economy shaping debates on how gender roles and gendered expectations should shift as Egyptians struggled for independence. The chapter investigates content and placement of ‘news from the street’ in al-Mu’ayyad in the 1890s, examining how these terse local reports – equivalent to faits divers in the French press – contributed to the construction of an ideal national political trajectory with representations of women serving as the primary example in shaping a politics of newspaper intervention on the national scene. In this, an emerging advocacy role of newspaper correspondents makes the newspaper a mediator in the construction of activist reader-citizens.


2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.


2008 ◽  
Vol 34 (3) ◽  
pp. 403-423 ◽  
Author(s):  
CASPER SYLVEST

AbstractThis article deploys a historical analysis of the relationship between law and imperialism to highlight questions about the character and role of international law in global politics. The involvement of two British international lawyers in practices of imperialism in Africa during the late nineteenth century is critically examined: the role of Travers Twiss (1809–1897) in the creation of the Congo Free State and John Westlake’s (1828–1913) support for the South African War. The analysis demonstrates the inescapably political character of international law and the dangers that follow from fusing a particular form of liberal moralism with notions of legal hierarchy. The historical cases raise ethico-political questions, the importance of which is only heightened by the character of contemporary world politics and the attention accorded to international law in recent years.


1969 ◽  
Vol 12 (1) ◽  
pp. 78-118 ◽  
Author(s):  
Janet Howarth

There can be few fields in modern English history in which the historian is so frustrated by lack of evidence as in the study of elections between the introduction of the secret ballot and the coming of the opinion polls. For threequarters of a century after the Ballot Act was passed there is no precise quantitative evidence relating to movements of opinion or the voting behaviour of different groups within the electorate. We cannot even hope for conclusive evidence of what, in general terms, the determinants of voting behaviour were in this period; how to balance the importance of the national party competition and of local pressures; of the ‘image’ and the leadership of the parties and their programmes; of class loyalties and religious loyalties; of electoral persuasion and the fluctuations of a still unmanaged economy. These questions are strictly unanswerable, for there are no pollbooks from which we can deduce the opinions of late nineteenth and early twentieth-century electors, and they are beyond the reach of questionnaires. The only statistics we possess are the bare figures for votes cast for each party in contested elections, and the number of registered electors in each constituency (from which we can calculate the percentage of voters who went to the poll).


1994 ◽  
Vol 63 (2) ◽  
pp. 235-249
Author(s):  
Douglas Morgan

“I have felt like working three times as hard as ever since I came to understand that my Lord was coming back again,” reported revivalist Dwight L. Moody, the most prominent of nineteenth-century premillennialists. Moody's testimony to the motivating power of premillennialism points to the crucial role of that eschatology in conservative Protestantism since the late nineteenth century—a role delineated by several studies within the past twenty-five years. As a comprehensive interpretation of history which gives meaning and pattern to past, present, and future, and a role for the believer in the outworking of the divine program, premillennialism has been a driving force in the fundamentalistand evangelical movements.


Sign in / Sign up

Export Citation Format

Share Document