Approaches to Life Story Analyses of Multigenerational Hungarian Worker Families in the Twentieth Century

2019 ◽  
Vol 46 (1) ◽  
pp. 84-98
Author(s):  
Tibor Valuch

The main aim of the research project, that also includes this paper, is the investigation of the social history of Hungarian factory workers from the late nineteenth century to the end of the twentieth century in the case of Ózd, a small industrial city in northeast Hungary. For the purpose of this research the author uses not only the traditional historical and statistical sources and methods, but family history, personal history, and life story approaches too. The basic sources of the research are the registers of births, marriages, and deaths, and various kinds of family history and life story interviews. From this material, the author reconstructs a multigenerational worker family life story. Families were one of the determining groups of the Hungarian working class in the nineteenth and twentieth century. The major questions of the research and paper are the following: How is it possible to reconstruct the life stories of ordinary families and people? How can this reconstruction help us gain a deeper insight into the stratification and the internal power/hierarchical structures of the factory and local society? The first part of the study is an outline of the history of the factory and the settlement. The second part reconstructs and analyzes a typical multigenerational family history as a case study. Finally, the article investigates the process of socialization of multigenerational worker families. Through this analysis the author introduces and characterizes the main elements of the value system and the most typical patterns of social behavior of this section of Hungarian workers from the late nineteenth century to the mid-twentieth century.

Author(s):  
Gerard P. Loughlin

This chapter considers how gay identities—and so gay affections—were formed in the course of the twentieth century, building on the late nineteenth-century invention of the ‘homosexual’. It also considers earlier construals of same-sex affections and the people who had them, the soft men and hard women of the first century and the sodomites of the eleventh. It thus sketches a history of continuities and discontinuities, of overlapping identities and emotional possibilities. The chapter resists the assumption that gay identity and experience can be reduced to anything less than the multitude of gay people, and that as Christians they have to give an account of themselves in a way that heterosexual Christians do not. The chapter warns against thinking gay identity undone in Christ.


1966 ◽  
Vol 7 (1) ◽  
pp. 1-17 ◽  
Author(s):  
Wyatt Macgaffey

Recent accounts of the proto-history of Africa use data from physical anthropology, but also concepts of race which physical anthropologists in general have abandoned as unsatisfactory; the paper seeks to explain this phenomenon sociologically. Late nineteenth-century political and sociological trends helped to produce patterns of thought which can no longer be regarded as affording adequate explanations of social processes. These patterns combined idealism, or the method of contrasting ideal types, with pseudo-Darwinism, which sought the origins of political development in the interaction of differently endowed groups. In African ethnography of the early twentieth century such concepts led to the view that the continent was inhabited by two groups, Caucasoids and Negroids, and by mixtures of the two which remained mixtures, to be analysed as such. The Caucasoid and Negroid types were regarded as absolute and universal, represented equally in the biological, linguistic, cultural and political aspects of man.


Author(s):  
Laura Monrós Gaspar

Abstract: This paper seeks to analyze Francis Talfourd’s Electra in a New Electric Light (1859) as related to the Victorian stereotype of the strong-minded woman. After a brief introduction on the links between nineteenth-century burlesque and the social history of women in Victorian times, I shall focus on the figure of Electra as epitome of late nineteenth-century representations of New Women.Resumen: Resumen: El objetivo de este trabajo es el estudio de Electra in a New Electric Light (1859) de Francis Talfourd a partir del estereotipo victoriano de la strong-minded woman. Para ello, tras comentar la relación existente entre el teatro burlesco decimonónico de tema clásico y la historia social de la mujer a lo largo del siglo, nos centraremos en la figura de Electra, y en cómo, acompañada de otras heroínas clásicas, anticipa la representación de la Nueva Mujer de finales de siglo.


2016 ◽  
Vol 59 (1) ◽  
pp. 127-153 ◽  
Author(s):  
Rhiannon Stephens

Abstract:Marriage cases discussed by Catholic missionaries in Uganda at the turn of the twentieth century showcase considerable diversity in relationships between women and men. While these cases reflect the turbulence of the late nineteenth century, the history of marriage and divorce in the region since around 700 CE demonstrates that diversity in marital arrangements was a long-standing phenomenon. This article sets out the history of aspects of marriage and divorce in Buganda, Bugwere, Busoga, and Bushana, and their ancestral communities to show how women and men conceptualized their domestic relationships and adapted them as they dealt with political and social change.


1981 ◽  
Vol 22 (3) ◽  
pp. 349-378 ◽  
Author(s):  
Jill R. Dias

In Angola, climatic instability contributed to maintaining a precarious balance between food resources, population and disease long before the nineteenth century. Periods of exceptionally irregular rainfall, lasting several years, were preceded or accompanied by plagues of locusts which caused famines at least once every decade. The coastal lowland and the extreme south were especially vulnerable. Prolonged hunger crises led to malnutrition, lowered resistance to disease and epidemic outbreaks, especially of smallpox. A rhythm of drought and smallpox can be discerned in Angola, at least since the seventeeth century. From the 1830s the gradual decline of the overseas slave trade and rise of commerce in raw materials and cash crops brought important demographic changes. These contributed to the worsening famines and epidemic crises of the late nineteenth century. Commercial instability and rural depopulation hindered the growth of Portuguese plantation prosperity. Soon after, however, similar crises aided Portuguese military conquest in Angola by weakening African ability to mobilize effective resistance. In the twentieth century malnutrition continued to be the most widespread problem of Angola's Africans and on occasion it drove them to revolt.


2021 ◽  
pp. 037698362110097
Author(s):  
Divya Komala

Lingayats hold a distinct position in the history of Karnataka beginning with the cultural legacy from the twelfth century and continuing into the twentieth century for the prominent role in the non-Brahmin movement by deploying education as a means to achieve social mobility and to attain solidarity among the various sections of the diverse community. The possible loss of social status in the caste hierarchy in the late nineteenth century prompted Lingayat caste entities to embark on the legacy of Sanskrit scholarship that was eventually deployed to lay an unprecedented claim in Sanskrit education across the region of Kannada speaking territory. This study explores how the usage of Sanskrit for mass education by the Lingayat mathas enabled caste consolidation, by re-appropriating a Brahmanical language in Mysore state and to certain extent in the region of Bombay Karnataka. Through this exploration, it pushes us to re-consider the Brahmin-non-Brahmin binary, within which the history of education in the Mysore princely state is narrated from the late nineteenth century to the early twentieth century.


1976 ◽  
Vol 10 (3) ◽  
pp. 417-447 ◽  
Author(s):  
Lucy Carroll

The temperance/prohibition agitation represents a fascinating chapter in the social and political history of India which has been largely ignored. If any notice is taken of this movement, it is generally dismissed (or elevated) as an example of the uniquely Indian process of ‘sanskritization’ or as an equally unique component of ‘Gandhianism’—in spite of the fact that the liquor question has not been without political importance in the history either of England or of the United States. And in spite of the fact that the temperance agitation in India in the late nineteenth century and well into the twentieth century was intimately connected with temperance agitation in England. Indeed the temperance movement in India was organized, patronized, and instructed by English temperance agitators.


Author(s):  
Meredith L. Goldsmith

Chapter 8 responds to two prevailing arguments about the fiction of Jessie Fauset—the one labeling her work retrograde, the other regarding it as subtly subversive—by viewing the writer’s work as part of a history of long nineteenth-century representation. Countering the dominant perception of the Harlem Renaissance as a break from the past—a view that has shunted Fauset’s work to the sidelines—the essay argues that Fauset’s work explores the legacy of late-nineteenth-century US culture in the emergent modernity of the early twentieth century. Excavating the literary, cultural, and scientific tropes of feminine representation that burst from the pages of Fauset’s fiction, the essay identifies a recent literary past that informs Fauset’s constructions of her modern urban heroines.


2017 ◽  
Vol 2 (2) ◽  
pp. 117-132
Author(s):  
Etienne Tornier

While most of the artistic trends of the late nineteenth century were indebted to the arts of Japan, their influence on western decorative arts – unlike painting – has only been acknowledged in the last quarter of the twentieth century. Early design historians, such as Nikolaus Pevsner (1936), hardly mentioned Japan in their works, although they recognized the importance of Christopher Dresser and the Arts & Crafts movement. Though this absence has been most commonly attributed to this authors’ involvement in contemporary design, this paper argues that their studies relied on many of their predecessors’ biased view on the artistic phenomenon. By drawing a distinction between a “good” vs. “bad” interpretation of Japanese art, their writings participated in the formation of a certain history of modern design.



2019 ◽  
Vol 124 (4) ◽  
pp. 1278-1289 ◽  
Author(s):  
Elizabeth LaCouture

Abstract This article examines knowledge about “domesticity” in China in the late nineteenth and early twentieth centuries and argues against the naturalization of Euro-American historiographical frameworks around “domesticity.” “Domesticity” was not a Chinese concept: although Confucianism had long connected the household to the state through ideology and prescriptive practices, Anglo-American ideas about “domesticity” were translated into Chinese first by way of Japan in the late nineteenth century, and second by way of American missionary educators in the twentieth century. “Domesticity” did not translate easily into Chinese, however; neither the ideology nor its pedagogical practices ever became popular in China. The history of translating “domesticity” into Chinese thus reveals that Euro-American historiographical terms that were once thought to be universal map poorly onto other places and suggests that we need more inclusive frames for comparative gender history.


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