Sarah Hillewaert, Morality at the Margins: Youth, Language, and Islam in Coastal Kenya

2021 ◽  
Vol 11 (2) ◽  
pp. 261-264
Author(s):  
Tabea Scharrer
Keyword(s):  
2019 ◽  
Vol 26 (3) ◽  
pp. 384-404 ◽  
Author(s):  
Nozomi Kawarazuka ◽  
Catherine Locke ◽  
Janet Seeley

2020 ◽  
Vol 6 (s4) ◽  
Author(s):  
Nico Nassenstein ◽  
Paulin Baraka Bose

Abstract Since the late 1980s, linguists’ analyses of Sheng, the urban youth language from Nairobi, have led to the growth of a considerable body of literature. In contrast, only a few studies are available that cover other youth registers from the Kiswahili-speaking parts of Africa. While most of the available studies either deal with techniques of manipulation or with adolescents’ identity constructions, our paper intends to give a comparative overview of specific morphological features of Kiswahili-based youth languages. While certain characteristics of Sheng (Nairobi/Kenya), Lugha ya Mitaani (Dar es Salaam/Tanzania), Kindubile (Lubumbashi/DR Congo) and Yabacrâne (Goma/DR Congo) largely diverge from East Coast Swahili (hereafter ECS) in regard to their nominal and verbal morphology, they all share specific features. Focusing on (apparent) supra-regional developments and changes in Kiswahili, this preliminary description of some structural features that transcend all four youth language practices aims to provide comparative insights into urban register variation, approaching East African youth languages from a micro-typological perspective.


2011 ◽  
Vol 2 (1) ◽  
pp. 58-79 ◽  
Author(s):  
Jin Liu

This paper examines the emergence of the representation of dialect with Chinese characters (fangyan wenzihua) on the Internet. The online dialect writing is primarily identified as a subject of Internet language and youth language study. The CMC discourse as a hybrid register mixing spoken and written language features facilitates the written use of oral dialect on the Internet. Deviating from the standard Chinese writing system, the Internet-savvy youth transcribe their native dialects on an ad hoc basis, which celebrates multiplicity, creativity, individuality and resists uniformity, standardization, and institutionalization. Taking the SHN website (www.shanghaining.com) as a case study, the paper discusses how the written Shanghai Wu words are explored to mark a distinct visual style and to articulate a distinct local youth identity. Furthermore, this paper examines the dominant strategy of phonetic borrowing in dialect transcription on the Internet. It is argued that diachronically, the youth’s phonocentric obsession tapped into the May Fourth tradition of the baihua vernacular movement that was heavily influenced by the European logocentrism; and synchronically, the celebration of dialect sound on the Internet echoes the contemporary soundscape of local dialects formed in the mass media in recent years.


2006 ◽  
Vol 38 (6) ◽  
pp. 475-483 ◽  
Author(s):  
E. O. Mungube ◽  
S. M. Bauni ◽  
B.-A. Tenhagen ◽  
L. W. Wamae ◽  
J. M. Nginyi ◽  
...  

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