scholarly journals Mare Nostrum: Italy and the Mediterranean of Ancient Rome in the Twentieth and Twenty-First Centuries

Fascism ◽  
2019 ◽  
Vol 8 (2) ◽  
pp. 250-274
Author(s):  
Samuel Agbamu

Abstract The Mediterranean has occupied a prominent role in the political imaginary of Italian Fascisms, past and present. In the 1920s to the early 1940s, Fascist Italy’s imperial project used the concept of mare nostrum – our sea – taken from the vocabulary of Roman antiquity, to anchor modern Italian imperialism within the authority of the classical past. In the postwar years, following decolonization in Africa, mare nostrum receded from popular discourse, previous claims to the Mediterranean suppressed. However, in the context of the so-called refugee crisis, Italy resurrected mare nostrum, in the naming of its military-humanitarian operation, a move rejected by the contemporary Italian far right. This article argues that configurations of the Mediterranean of ancient Rome have served to yoke Africa to Italy when articulated into a Fascist, imperial ideology, as well as to reify the boundaries between Europe and the non-European other, in the xenophobic discourse of the contemporary Italian far right.

2020 ◽  
Vol 12 (1) ◽  
pp. 7-40
Author(s):  
Luiza-Maria Filimon

The Nordic states had an active radical right presence long before the economic and refugee crises that swept the shores of the European Union (EU) left in their wake a reinvigorated right-wing contingent. The radical right parties (RRPs) have not only registered various degrees of electoral success, but have also made inroads into the political mainstream. The three defining characteristics that set these parties apart from the more traditional far-right ones are: 1) the repudiation of hardcore extremism; 2) the search for political viability; and 3) the acquisition of mainstream recognition. The present article argues that as these parties compete for legitimacy, they are forced to alter their discriminatory rhetoric by switching tonal registers. One of the political strategies that enables them to put the outright “overt” in the “covert” is the recourse to dog whistle politics. How well can they overcome the stigma associated with their more extreme reflexes depends on a case by case basis. This article examines whether the four most prominent examples of Nordic radicalism (the Danish People’s Party, Finns Party, Sweden Democrats, and Norway’s Progress Party) have integrated dog whistles in their political messaging and tracks how these coded appeals change from one country to another. In analyzing the response to the 2015 refugee crisis, the study finds that to a certain extent, the rhetoric utilized falls into the coded register or at the very least purposefully attempts to veer away from the radical excesses which are marginalizing and self-exclusionary.


Author(s):  
Maren R. Niehoff

This chapter discusses Philo's self-fashioning in the historical writings, which has emerged as highly stylized and complex. Self-consciously playing with different roles, he identifies as an Alexandrian but projects an uprooted image of himself characterized by the distinctly Roman quality of mobility in the Mediterranean. These features of playful estrangement and emphasis on religion make sense in the context of Philo's embassy to Rome. They reflect his current situation under Claudius, which prompts him to inscribe himself into the new imperial ideology. Involved in political negotiations, he directly translates Claudius's new priorities into autobiographical terms, suggesting that the Jewish religion agrees with the Roman emperor. Philo's portrait of Agrippa as a leader concerned with Jewish worship reflects the same political awareness. Meanwhile, by emphasizing religion under Gaius, Philo as a narrator regains some of the power he lost in the political arena.


Author(s):  
Margaret Malamud

American abolitionists not only invoked the Roman allusions and comparisons employed by the revolutionary generation’s fight for liberty from the British crown, but also adapted or subverted them in service of the black struggle for freedom. Rather than rejecting Roman society outright because it was a slaveholding society—the primal “Roman error” from their perspective—many abolitionists instead deployed figures and images from Roman antiquity in their own struggles against the despotism of chattel slavery. Supporters of emancipation and black civil rights, this chapter shows, thus engaged in an intense debate over the correct reception of ancient Rome with proslavery Southerners, who argued that slavery in both Rome and America enabled liberty and civilization. Bringing the discussion into the present day, this chapter offers a contemporary example of arguments over the correct reception of ancient Rome in relation to American slavery and the American Civil War.


2020 ◽  
pp. 1-20
Author(s):  
Katrin Travouillon ◽  
Julie Bernath

Abstract The international community is as ubiquitous as it is elusive and its universalist pretensions remain unchallenged in political and academic discourse. In response, this article turns to Bottici's work on political myths. Against the notion of myths as falsehoods, we argue that they create their own sphere of shared social and political reality. The analysis centres on the case of Cambodia, a country that served as an experiment of liberal interventionism. It draws on archival and field research on two consecutive international interventions, a review of public statements by international actors, and interviews with Cambodian actors and activist. We argue that to understand the ideas actors use to orient themselves as they press for change, it is necessary to consider how decades of engagement with the myth have shaped the political imaginary. Our empirical analysis points to three different phases in the use of the myth: Its production during UNTAC, the reinforcement of its narratives through subsequent legal, aid and development interventions, and finally its contemporary use in a post-liberal context. We observe that Cambodian actors increasingly engage the myth to question the terms of transnational cooperation for democracy. Our work has implications for assessments of the legacies of liberal peacebuilding.


2016 ◽  
Vol 32 (5) ◽  
pp. 26-26
Author(s):  
Heath Cabot

Res Publica ◽  
2000 ◽  
Vol 42 (4) ◽  
pp. 575-587
Author(s):  
William Fraeys

On October 8th 2000 municipal elections were held in Belgium to renew the local councils which had been elected in 1994. In the Walloon region and in Flanders in addition provincial elections were organised.  The aim of the article is to try and measure globally where the political forces stand after these elections and among others to assess whether significant swings have take place since june 13th, 1999, when the latest parliamentary and regional elections took place.  On the basis of an estimation of the global results in the municipal elections of the various parties in the Walloon region, in Flanders and in Brussels, backed up by the actual results of the provincial elections, one can say that the liberal group bas strengthened its first position.The Christian democrats, who make up the second most important political group and the Socialists, who rank third, have regained a large part of the losses they incurred onjune 13th, 1999.Although improving their results in comparison with 1994, the Green parties lost again part of their advance they registered in the parliamentary and regional elections and which had probably been boosted by the dioxin crisis.The frenchspeaking far right practically disappears, whereas the Vlaams Blok obtained an average of 15 % of the Flemish electorate in the municipal and provincial elections, a level which it had reached in the 1999 parliamentary elections.


Tempo ◽  
2021 ◽  
Vol 76 (299) ◽  
pp. 44-56
Author(s):  
Jonathan Packham

AbstractSonorama is a 2015 sonic artwork by Claudia Molitor, consisting of a number of audio files designed for listening on a train journey between London St Pancras and Margate, and a graphic score based on the composer's own ‘reading’ of this journey. This article analyses the relationship between the sonic and the spatial in the work, exploring how Molitor's site-specific composition interacts with its environment on multiple scales. By drawing on the strategy of ‘situated listening’ developed by Gascia Ouzounian, as well as urbanist language introduced by Richard Sennett, this article seeks to elucidate the relationship between a number of ‘nested’ spaces, present across varying realisations, and the political agenda that energises the work. Written in the midst of summer 2015's European refugee crisis, the work brings into sharp focus themes of British exceptionalism, immigration and inclusion.


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