scholarly journals Jesuit Visual Culture: Communication, Globalization, and Relationships

2019 ◽  
Vol 6 (2) ◽  
pp. 187-195
Author(s):  
Alison C. Fleming
Keyword(s):  
Visual Culture ◽  
Material Culture ◽  
Early Modern ◽  
Visual Arts ◽  
Early Modern Period ◽  
Society Of Jesus ◽  
Modern Period ◽  
Works Of Art ◽  
Art And Architecture

The visual arts are a powerful tool of communication, a fact recognized and utilized by the Jesuits from the foundation of the order. The Society of Jesus has long used imagery, works of art and architecture, and other aspects of visual and material culture for varied purposes, and the five articles in this issue of the Journal of Jesuit Studies explore how the art they commissioned exemplifies the ideals, goals, desires, and accomplishments of the Society. In particular, these five scholars examine a wide array of images and ideas to consider myriad relationships between the Society and works of art in the early modern period, and the implications of their increasingly global footprint.

Becoming “Indians”: The Jesuit Missionary Path from Italy to Asia

2020 ◽  
Vol 43 (1) ◽  
pp. 9-50
Author(s):  
Camilla Russell
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
Society Of Jesus ◽  
Modern Period ◽  
Jesuit Missions ◽  
Archival Documents ◽  
Italian Provinces ◽  
Jesuit Missionaries ◽  
Jesuit Missionary

The Jesuit missions in Asia were among the most audacious undertakings by Europeans in the early modern period. This article focuses on a still relatively little understood aspect of the enterprise: its appointment process. It draws together disparate archival documents to recreate the steps to becoming a Jesuit missionary, specifically the Litterae indipetae (petitions for the “Indies”), provincial reports about missionary candidates, and replies to applicants from the Jesuit superior general. Focusing on candidates from the Italian provinces of the Society of Jesus, the article outlines not just how Jesuit missionaries were appointed but also the priorities, motivations, and attitudes that informed their assessment and selection. Missionaries were made, the study shows, through a specific “way of proceeding” that was negotiated between all parties and seen in both organizational and spiritual terms, beginning with the vocation itself, which, whether the applicant departed or not, earned him the name indiano.

Coda: Repositioning Early Modern Prague on the Global Stage

2021 ◽  
pp. 1-2
Author(s):  
Suzanna Ivanič
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Cultural History ◽  
Early Modern Period ◽  
Religious Change ◽  
Early Modern Europe ◽  
Modern Period ◽  
Musical Knowledge ◽  
Historical Moment ◽  
The City

The question that sparked this forum was to what extent we can see Prague as an important stage for Renaissance and Reformation exchange and as an internationally connected city. It is striking, though not unexpected, that all the authors have been drawn to some extent to sources and subjects in Rudolfine Prague. It must be stressed, however, that the emphasis of each of these studies is somewhat different to an older field of “Rudolfine studies.” The researchers here do not focus on the emperor's court but use it as context. It is tangential to their main focal points—on Jewish communities, religious change, and the exchange of scientific and musical knowledge—and these are first and foremost historians not of Prague but of social and cultural history, music, art, material culture, and religion. This indicates a marked shift from the historiography. For this generation of scholars, Prague is not only a city that is home to a fascinating and intriguing art historical moment but is also a city of early modern international connections. It provides a unique context for understanding communities, everyday experiences, religion, and culture in early modern Europe—a multilingual, multiconfessional, and multicultural mixing pot whose composition changed dramatically across the early modern period. Rudolf's court was certainly a catalyst for these crossings and encounters, but they did not fade away after his death in 1612, nor were they limited to the confines of the castle above the city.

Music in Global Jesuit Missions, 1540–1773

2018 ◽  
pp. 597-634
Author(s):  
David R. M. Irving
Keyword(s):  
Music Education ◽  
Early Modern ◽  
Early Modern Period ◽  
Modern Society ◽  
Society Of Jesus ◽  
Global Missions ◽  
High Courts ◽  
Modern Period ◽  
The Pacific

The Society of Jesus has long been recognized for its global contribution to the study, practice, and dissemination of European music in the early modern period, and especially for its interactions with non-European music cultures. In Europe, Jesuit colleges played a seminal role in music education and the development of music in drama, major sacred works were composed by or for Jesuits, and treatises on music were written by Jesuit theorists. In the Americas and on islands in Southeast Asia and the Pacific, music served as a device for evangelization and conversion of indigenous peoples; in some of the missions, European music was cultivated to a level reported as comparable with standards of cities in Europe. Meanwhile, elite Jesuit scholars who gained access to high courts in Asia engaged in dialogue with local scholars, impressing powerful potentates and distinguishing themselves through their talent in music and their skills in astronomy, mathematics, cartography, languages, and diplomacy. This chapter surveys and critiques the diverse role of music within the global missions of the early modern Society of Jesus, with case studies drawn from Europe, the Americas, and Asia.

Self and Body

2012 ◽  
Author(s):  
Roberta Sassatelli
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Early Modern Period ◽  
The Body ◽  
Contemporary Society ◽  
Modern Period ◽  
Specific Configuration ◽  
Post Industrial ◽  
Industrial Societies ◽  
Late Modern

This article investigates the historical formation and specific configuration of a threefold relation crucial to contemporary society, that between the body, the self, and material culture, which, in contemporary, late modern (or post-industrial) societies, has become largely defined through consumer culture. Drawing on historiography, sociology, and anthropology, it explores how, from the early modern period, the consolidation of new consumption patterns and values has given way to particular visions of the human being as a consumer, and how, in turn, the consumer has become a cultural battlefield for the management of body and self. The article also discusses tastes, habitus, and individualization.

scholarly journals Jesuit Cardinals: An Introduction

2020 ◽  
Vol 7 (4) ◽  
pp. 521-525
Author(s):  
Robert A. Maryks
Keyword(s):  
Early Modern ◽  
Religious Life ◽  
Early Modern Period ◽  
Society Of Jesus ◽  
Modern Period ◽  
Early Twenty ◽  
Ignatius Of Loyola ◽  
Definition Of ◽  
Historical Periods

The strong resistance of Ignatius of Loyola (c.1491–1556), first superior general of the Society of Jesus (1541–56), to the promotion of his confrères to ecclesiastical offices of (arch)bishops and cardinals because such posts were contrary to the spirit of religious life, requires a brief explanation. Ignatius’s opposition was codified in the Jesuit Constitutions with a requirement that each professed Jesuit promise not to accept such dignities. Nonetheless, Loyola and his successors were occasionally pressured to acquiesce to possible papal appointments of different Jesuits to such offices. This issue of the Journal of Jesuit Studies focuses on six of approximately forty-nine cardinals (the definition of Jesuit cardinal can be sometimes tricky for the early modern period). These six represent different historical periods from the late sixteenth until the early twenty-first centuries and different geographical areas, both of origin and of operation (they did not always coincide): Péter Pázmány (1570–1637), Johann Nidhard (1607–81), Giovanni Battista Tolomei (1653–1726), Johann Baptist Franzelin (1816–86), Pietro Boetto (1871–1946), and Adam Kozłowiecki (1911–2007).

scholarly journals Material Culture and Social Practice: Archaeology and History in Understanding Europe’s ‘Celtic Fringe’

2020 ◽  
Vol 28 (3) ◽  
pp. 443-447
Author(s):  
Robert A. Houston
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Social Practice ◽  
Early Modern Period ◽  
Urban Morphology ◽  
Transnational Identities ◽  
New Horizons ◽  
Modern Period ◽  
Industrial Buildings ◽  
Fringe Area

In recent years there has been a rapprochement between history and archaeology in Britain and Ireland. Two formerly quite distinct disciplines have learned to appreciate how documents and artefacts together can enrich our understanding of everyday life. Always important to understandings of classical, Dark Age, and medieval society, archaeology has also opened up new horizons for appreciating domestic and industrial buildings, burial patterns, urban morphology, land use and environment, and the consumption of both food and objects in the early modern period. I look at some recent research that has enhanced our knowledge of local, regional, national and transnational identities in a sometimes poorly understood ‘fringe’ area of Europe.

Art and Ocean Objects of Early Modern Eurasia

2021 ◽  
Author(s):  
Anna Katharina Grasskamp
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Knowledge Production ◽  
Early Modern Period ◽  
Port Cities ◽  
Global Networks ◽  
Modern Period ◽  
History Of Art ◽  
Maritime Networks ◽  
History Of

During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells’ shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.

When is a Room a Music Room? Sounds, Spaces, and Objects in Non-courtly Italian Interiors

2012 ◽  
Author(s):  
FLORA DENNIS
Keyword(s):  
Material Culture ◽  
Early Modern ◽  
Early Modern Period ◽  
Domestic Space ◽  
Musical Sound ◽  
Modern Period ◽  
Social Scale ◽  
The Social ◽  
Material Evidence

Although never an easy feat, tracing the connections between sounds, spaces and objects becomes easier the higher up the social scale one goes in the Early Modern period. The survival of documentary and material evidence helps to identify musical repertories that were known to have been performed in specific spaces on particular instruments. Given the lack of comparative sources at lower social levels, is it possible to establish relationships between these three elements in non-courtly contexts? This chapter considers non-courtly ‘music-rooms’, addressing how practical material and conceptual motivations forged links between music and domestic space in this period. It goes on to examine broader, perhaps unexpected, connections between musical sound and the material culture of the Early Modern domestic interior.

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