Calligraphic Africa

2016 ◽  
Vol 1 (1-4) ◽  
pp. 199-224 ◽  
Author(s):  
Shamil Jeppie

Is it possible to productively bring together two seemingly exclusive ideas: Africa and philology? This essay presents a case for working at multiple levels and numerous sites in bridging these apparently disparate realms. Indeed, there is already a tradition of philological study about and on the continent that reveal the many different trajectories of Islamic scholarship in particular. While surveying this field, which has advanced substantially in recent decades, it also suggests that there are key issues that require examination such as the question of the archive and the collection, their constitution and movement. Philology, no matter how it is conceived, rests on the availability of texts and therefore the histories of the way texts come to accumulate in certain places and are discovered or recovered at specific moments is part of the project of the philological encounter. We thus have to be mindful of the histories and practices before, in, and after the practice of deep, close reading.

2002 ◽  
Vol 4 (2) ◽  
pp. 127-139 ◽  
Author(s):  
Ian Patterson

This article addresses the increasingly popular approach to Freud and his work which sees him primarily as a literary writer rather than a psychologist, and takes this as the context for an examination of Joyce Crick's recent translation of The Interpretation of Dreams. It claims that translation lies at the heart of psychoanalysis, and that the many interlocking and overlapping implications of the word need to be granted a greater degree of complexity. Those who argue that Freud is really a creative writer are themselves doing a work of translation, and one which fails to pay sufficiently careful attention to the role of translation in writing itself (including the notion of repression itself as a failure to translate). Lesley Chamberlain's The Secret Artist: A Close Reading of Sigmund Freud is taken as an example of the way Freud gets translated into a novelist or an artist, and her claims for his ‘bizarre poems' are criticized. The rest of the article looks closely at Crick's new translation and its claim to be restoring Freud the stylist, an ordinary language Freud, to the English reader. The experience of reading Crick's translation is compared with that of reading Strachey's, rather to the latter's advantage.


2008 ◽  
Author(s):  
S. Leka ◽  
T. Cox ◽  
G. Zwetsloot ◽  
A. Jain ◽  
E. Kortum

2016 ◽  
Vol 44 (4) ◽  
pp. 10-18
Author(s):  
Nathan Rein

Caroline Schaffalitzky de Muckadell's 2014 article, "On Essentialism and Real Definitions of Religion," offers a comprehensive rationale for the use of real, essentialist definitions of religion in the field of religious studies. In this article, I examine her arguments and the proposed definition she supplies. I argue that a close reading of Schaffalitzky's piece, concentrating especially on the way she uses examples, helps to demonstrate that she and her anti-essentialist opponents view the field of religious studies in incommensurable ways. While Schaffalitzky views definitions as serving the analytical study of religion as an object, her opponents view definitions primarily rhetorically and seek to focus attention on the process of defining.


Author(s):  
Christopher Hanlon

Emerson’s Memory Loss is about an archive of texts documenting Emerson’s intellectual state during the final phase of his life, as he underwent dementia. It is also about the way these texts provoke a rereading of the more familiar canon of Emerson’s thinking. Emerson’s memory loss, Hanlon argues, contributed to the shaping of a line of thought in America that emphasizes the social over the solipsistic, the affective over the distant, the many over the one. Emerson regarded his output during the time when his patterns of cognition transformed profoundly as a regathering of focus on the nature of memory and of thinking itself. His late texts theorize Emerson’s experience of senescence even as they disrupt his prior valorizations of the independent mind teeming with self-sufficient conviction. But still, these late writings have succumbed to a process of critical forgetting—either ignored by scholars or denied inclusion in Emerson’s oeuvre. Attending to a manuscript archive that reveals the extent to which Emerson collaborated with others—especially his daughter, Ellen Tucker Emerson—to articulate what he considered his most important work even as his ability to do so independently waned, Hanlon measures the resonance of these late texts across the stretch of Emerson’s thinking, including his writing about Margaret Fuller and his meditations on streams of thought that verge unto those of his godson, William James. Such ventures bring us toward a self defined less by its anxiety of overinfluence than by its communality, its very connectedness with myriad others.


Author(s):  
Richard Wigmans

This chapter describes some of the many pitfalls that may be encountered when developing the calorimeter system for a particle physics experiment. Several of the examples chosen for this chapter are based on the author’s own experience. Typically, the performance of a new calorimeter is tested in a particle beam provided by an accelerator. The potential pitfalls encountered in correctly assessing this performance both concern the analysis and the interpretation of the data collected in such tests. The analysis should be carried out with unbiased event samples. Several consequences of violating this principle are illustrated with practical examples. For the interpretation of the results, it is very important to realize that the conditions in a testbeam are fundamentally different than in practice. This has consequences for the meaning of the term “energy resolution”. It is shown that the way in which the results of beam tests are quoted may create a misleading impression of the quality of the tested instrument.


Slavic Review ◽  
1978 ◽  
Vol 37 (4) ◽  
pp. 640-650
Author(s):  
Richard Mowbray Haywood
Keyword(s):  
The Many ◽  

Perhaps the most famous anecdote of the many connected with the reign of Tsar Nicholas I concerns the way in which he supposedly determined the route of the St. Petersburg-Moscow Railway. When asked by his officials the route along which it should be built, the tsar, on the spur of the moment, it is claimed, took a ruler, laid it on a map, and arbitrarily and hastily drew an absolutely straight line between the two capitals. The all-powerful despot had spoken, and his decision was carried out by his servile courtiers, regardless of consequences.


2008 ◽  
Vol 3 (3) ◽  
pp. 229-247 ◽  
Author(s):  
Simin Davoudi ◽  
Sir Peter Hall ◽  
Anne Power
Keyword(s):  

PEDIATRICS ◽  
1948 ◽  
Vol 2 (2) ◽  
pp. 237-237
Author(s):  
C. ANDERSON ALDRICH
Keyword(s):  
The Many ◽  

This book adds another volume to the many already published on the subject of child care. Its preface and foreword are written by Donovan J. McCune, M.D., and Norvelle C. LaMar, M.D., respectively, who endorse the author's statements. There is little in the way of advice to which I would not subscribe. In fact it is remarkable that So many pages can be filled with so much advice which is highly acceptable. Miss Turner has done a masterful job of summarizing the liberal ideas of our times. However, one begins to doubt the efficacy of any book so full of instructions without an adequate discussion of the "whys" of liberal ideas.


2014 ◽  
Vol 3 (3) ◽  
pp. 74-106
Author(s):  
Anton Karl Kozlovic

Legendary producer-director Cecil B. DeMille was a seminal cofounder of Hollywood, a progenitor of Paramount Pictures, and an unsung auteur who was not only an early pioneer of the religion-and-film genre but became the undisputed master of the American biblical epic. However, the many deftly engineered sacred subtexts, thematic preoccupations, and aesthetic skills of this movie trailblazer were frequently denied, derided or dismissed during his lifetime and decades thereafter. This situation is in need of re-examination, rectification and renewal. Consequently, following a close reading of Samson and Delilah (1949) and a selective review of the critical DeMille, film and religion literature, this article uses Delilah’s (Hedy Lamarr) “thorn bush” tag, given to her during the wedding feast confrontation scene with Samson (Victor Mature), to explicate ten thorn bush themes that reveal some of the hidden depths of C.B.’s biblical artistry. Utilising textually-based humanist film criticism as the guiding analytical lens, this article concludes that DeMille was a far defter biblical filmmaker than has hitherto been appreciated. Further research into DeMille studies, biblical epics, and the religion-and-film field is warranted, recommended and already long overdue.


2017 ◽  
Vol 31 (1) ◽  
pp. 65-78
Author(s):  
Justin Nickel

Stanley Hauerwas and others argue that Luther’s understanding of justification denies the theological and ethical significance of the body. Indeed, the inner, spiritual person is the one who experiences God’s grace in the gospel, while the outer, physical (read: bodily) person continues to live under law and therefore coercion and condemnation. While not denying that Luther can be so read, I argue that there is another side of Luther, one that recognizes the body’s importance for Christian life. I make this argument through a close reading of Luther’s reflections on Adam and Eve’s Fall in his Lectures on Genesis (1545) and the sacramental theology in ‘Against the Heavenly Prophets’. For this Luther, disconnection from our bodies is not a sign of justification but rather the sin from which justification saves us. Accordingly, justification results in a return to embodied creatureliness as the way we receive and live our justification.


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