Harnessing Anger and Shame: Emotional Diplomacy in Early Modern Context

Diplomatica ◽  
2021 ◽  
Vol 3 (1) ◽  
pp. 1-22
Author(s):  
Emmanuel Lemée

Abstract Emotions were, in early modern literature on diplomacy, described as a parasitic and even dangerous manifestation, and this view has endured until today. A series of recent books and articles published in the field of the history of emotions lays however the groundwork to question this traditional analysis. This article thus aims to examine the possibility of a broader and more strategic use of emotions in early modern diplomacy than is often acknowledged, and therefore the possibility of what can be called an early modern emotional diplomacy. I will first provide a summary of what the honnête homme culture of Europe’s ruling class meant for an ambassador in terms of emotion control. I will then show, through a few examples from diplomatic occurrences during Charles ii of England’s late reign, some of the possible uses of emotion in early modern diplomacy. Thirdly, I will study through one very memorable display of emotion from the English king the way such a display could be prepared and staged in order to achieve full effectiveness. Lastly, I will put these one-time emotional displays in the perspective of Charles ii’s international policy, arguing that they were not conceived as isolated occurrences but as parts of a real diplomatic strategy in which emotion played a crucial role, in other words an emotional diplomacy.

Author(s):  
Joanna Innes ◽  
Michael J. Braddick

The Introduction offers a brief overview of Paul Slack’s contribution to early modern history, distinguishing between an earlier phase concerned with social policy and the ideas which informed it, and a later phase concerned with the history of political economy, and particularly the shifting discourse of happiness which, he argued, informed it. It then explores recent interest in the history of emotions, distinguishing a variety of approaches to that subject. Reviewing three broad approaches taken by the contributors to the volume, it goes on to suggest that the history of emotions is most stimulating when seen as a focal point for different kinds of history rather than as a discrete subject of enquiry. A further implication is that a variety of forms of expertise need to be brought to bear.


2018 ◽  
pp. 1-36
Author(s):  
Laura Kounine

This Introduction sets out the intentions of this book: to use the rich witch-trial records from the early modern duchy of Württemberg in south-western Germany to explore the central themes of emotions, gender, and selfhood. It provides an overview of the key historiographical debates on witchcraft persecutions in the early modern period, and suggests new questions that need to be asked. It also provides a methodological and theoretical framework in which to address these questions, and provides an overview of the current state of the field of the history of emotions, and, by drawing on psychological approaches to listening to self-narratives, it suggests ways in which historical studies of emotions can be pushed further by incorporating the body and subjective states. It also sets out the legal, political, and religious framework of the Lutheran duchy of Württemberg, in order to put the witch-hunts in this region into context.


Terminus ◽  
2021 ◽  
Vol 23 (2 (59)) ◽  
pp. 157-216
Author(s):  
Justyna Kiliańczyk-Zięba

Sebastian Fabian Klonowic’s Translation of Civilitas morum by Erasmus of Rotterdam: Its Place in the Poet’s Legacy and Its Publishing History in Poland-Lithuania The article focuses on the Polish rendition of De civilitate morum puerilium – that is, a translation from Reinhard Lorich’s (Hadamarius’) catechismal version of Erasmus’ of Rotterdam treatise. The main goals of the text are: first, to understand the presence of the text (the Polish title: Dworstwo obyczajów) among works of such a talented author as Sebastian Fabian Klonowic; second, to reconstruct the publishing history of the Polish De civilitate; third to argue that forgotten bestsellers, such as Dworstwo, can help to better understand both early modern literature and book market in the first centuries of printing. The article summarises current knowledge about Sebastian Fabian Klonowic (ca. 1545–1602), a prolific poet, but also an author of textbooks and handbooks used to teach Latin and morals, as De civilitate was used as well. It analyses Klonowic’s translation practices and discusses his enthusiasm for Erasmus’ output. It also suggests that the Polish text was written with school usage in mind, probably for students of the newly opened academy established by Polish Brethrens in Raków. Next, the text moves on to describe the publishing history of De civilitate – Erasmus’ manual, its adaptations and translations. The author concentrates on the Polish translation, but the scarce evidence available for this title and its editions in the Commonwealth of Poland-Lithuania is interpreted in the wider context of the Latin and vernacular editions of De civilitate printed in other European lands. The survey combines information offered by the unique copies preserved in the library collections and the evidence found in archival sources to reconstruct the reasons for the success of the handbook, and to explain why the majority of copies multiplying the text once enormously popular with printers and readers alike were bound to perish. Edition of Dworstwo obyczajów presents the Polish text of Klonowic. It is based on a printed unique copy of about 1603 (held at Ossolineum Library in Wrocław).


2020 ◽  
Vol 4 (1) ◽  
pp. 43-65
Author(s):  
Sarah-Maria Schober

Abstract This essay shows that early modern practices that used human bodily matter cannot be – as hitherto – explained by the absence of the emotion of disgust nor as being conducted in spite of disgust. Instead, it proposes to read those practices’ changing history as part of the history of the ‘paradox of disgust’. Four case studies (on anatomy, excrement, mummies and skulls) demonstrate that disgust was highly productive: it attracted fascination, allowed physicians to fashion themselves, and was even believed capable of healing. Over time and for complex reasons, however, the productive side of disgust declined. Combining current approaches in the history of emotions and material culture studies, this essay sets out not only to propose a new narrative for the changing role of disgust in early modern science and societies, but also to explore how variations in settings and human intervention changed the way emotions were used and perceived.


Author(s):  
Matthew C. Augustine

The argument of this book follows two main themes: the first has to do with periodicity; the second with politics, especially as a framework within which to view seventeenth-century literature. This chapter maps the disciplinary paradigms which have long produced a view of the seventeenth century saturated by high-definition contrasts: between the earlier and later Stuart periods, but also between factions and ideologies. It then asks what it would look like to write the history of seventeenth-century literature anew, to tell a story about imaginative and polemical writing in this age that remained open to accident and unevenness, to contradiction and uncertainty. Giving illustrative consideration to John Dryden, Andrew Marvell, and John Milton, the chapter begins to suggest some new ways of conceiving how these writers might relate to one other and to the politics and aesthetics of a long seventeenth century.


Author(s):  
Michael Davies

This chapter re-examines John Bunyan's religious allegories, and in particular The Pilgrim's Progress (1678), as works that complicate what might be thought of as novelistic habits of reading and writing. It seeks to approach them not simply as precursors to the novel but as radically different kinds of fiction. One might wish to treat Bunyan's allegories as ‘entertainment machines’ similar to other kinds of early modern literature, such as chivalric romance or the rogue biography, but they resist and arguably seek to reform ‘the fiction reading impulse’. To this degree, Bunyan's major allegorical works are sometimes like novels and at the same time nothing like them. Should Bunyan still hold a place in the history of the novel, it could be despite rather than because of the narrative methods he adopts.


Author(s):  
William M. Hamlin

This article examines the history of critical efforts to trace the nature and extent of Shakespeare’s reliance upon Montaigne. Such efforts began in the late eighteenth century with the English scholar Edward Capell, and they have continued quite vigorously up to the present. In addition, the article raises a number of key cognate questions: What constitutes evidence in an investigation of this sort? When does verbal reliance amount to intellectual dependence? What do we stand to gain if we cease to look for relations of influence and focus instead on synchronic affinities between Montaigne and Shakespeare? Does Shakespeare exhibit resistance to Montaignian thought? And why do the potential links between these extraordinarily independent writers continue to fascinate scholars of early modern literature?


2020 ◽  
Vol 10 (02-03) ◽  
pp. 132-154
Author(s):  
Nil Tekgül

Despite a growing interest worldwide in the history of emotions, the topic has attracted the attention of scholars of Ottoman history only recently. In an attempt to understand the motivations underlying political undertakings, this article explores emotions, with a specific focus on mahabbet (love) and merhamet (compassion). It examines the social meaning attached to and the cultural importance of love and compassion in early modern Ottoman political language. I claim that as a socially constructed and political emotion, compassion was historically and culturally significant, serving as a tool to formulate political relations of domination and subordination.


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