Literary Form in the Mathnawī of Mawlānā Rūmī: The Question of Rhetorical Structure

2016 ◽  
Vol 7 (1) ◽  
pp. 128-158
Author(s):  
Simon Weightman
Keyword(s):  
Literary Form ◽  
Rhetorical Structure

Tropes of entanglement and strange loops in the “Nine Avowals” of the Chuci

2018 ◽  
Vol 81 (2) ◽  
pp. 277-300 ◽  
Author(s):  
Nicholas Morrow Williams
Keyword(s):  
Internal Structure ◽  
Mental State ◽  
Literary Form ◽  
Human Consciousness ◽  
Rhetorical Structure ◽  
Strange Loop ◽  
Strange Loops ◽  
Douglas Hofstadter ◽  
Formal Features

AbstractThe literary form and rhetorical structure of ancient Chinese poems have not been sufficiently studied. The “Jiu zhang” 九章 (Nine Avowals) attributed to Qu Yuan 屈原 contain distinctive formal features which are highly suggestive for interpretations of Qu Yuan's life and works. At the level of rhetoric, the protagonist frequently describes his own mental state using metaphors of knots and entanglement. At the level of form, the internal structure of the poems, and “Chou si” 抽思 (Unravelled Yearnings) in particular, involves series of overlapping, cross-referencing units that recall the “strange loop” discussed by Douglas Hofstadter as a model of human consciousness. Reading these poems is not just a matter of reconstructing their historical contexts but also of understanding their intended effects on the reader, who is effectively transported into a simulation of Qu Yuan's mind.

Novel Relations

2019 ◽  
Author(s):  
Alicia Mireles Christoff
Keyword(s):  
Critical Race Theory ◽  
Object Relations ◽  
George Eliot ◽  
Literary Form ◽  
Gender And Sexuality ◽  
Victorian Novels ◽  
Victorian Fiction ◽  
Gender And Sexuality Studies ◽  
And Gender ◽  
The Impact

This book engages twentieth-century post-Freudian British psychoanalysis in an unprecedented way: as literary theory. Placing the writing of figures like D. W. Winnicott, W. R. Bion, Michael and Enid Balint, Joan Riviere, Paula Heimann, and Betty Joseph in conversation with canonical Victorian fiction, the book reveals just how much object relations can teach us about how and why we read. These thinkers illustrate the ever-shifting impact our relations with others have on the psyche, and help us see how literary figures—characters, narrators, authors, and other readers—shape and structure us too. In the book, novels are charged relational fields. Closely reading novels by George Eliot and Thomas Hardy, the book shows that traditional understandings of Victorian fiction change when we fully recognize the object relations of reading. It is not by chance that British psychoanalysis illuminates underappreciated aspects of Victorian fiction so vibrantly: Victorian novels shaped modern psychoanalytic theories of psyche and relationality—including the eclipsing of empire and race in the construction of subject. Relational reading opens up both Victorian fiction and psychoanalysis to wider political and postcolonial dimensions, while prompting a closer engagement with work in such areas as critical race theory and gender and sexuality studies. The book describes the impact of literary form on readers and on twentieth- and twenty-first-century theories of the subject.

Kekoherensian Wacana Iklan Komersial dalam Website Softbank: Kajian Analisis Wacana

Metahumaniora ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 115
Author(s):  
Desi Damayanti
Keyword(s):  
Data Analysis ◽  
Shared Knowledge ◽  
Rhetorical Structure ◽  
Coherence Relations ◽  
Coherence Factors

ABSTRAKJepang merupakan negara dengan tiga perusahaan telekomunikasi ternama didunia, salah satunya SoftBank, sehingga perusahaan tersebut menggunakan berbagaicara kreatif untuk mempromosikan produknya, termasuk melalui media iklankomersial. Sells dan Gonzalez (dalam Astuti, 2005:3) menyatakan bahwa bahasa dalamiklan sedikit menyimpang dari kaidah tata bahasa, yang mempengaruhi keterpaduanmaknanya (koherensi). Tujuan dari penelitian ini adalah untuk mengidentifikasipenanda kekoherensian, hubungan kekoherensian serta faktor penyebab terjadinyakekoherensian pada wacana iklan komersial dalam website SoftBank yang dianalisisberlandaskan pada teori struktur iklan Bolen (1984), struktur retorika Mann danThompson (1988) serta koherensi Ramlan (1993). Penulis menggunakan metodedeskriptif analisis dalam penelitian ini. Dari hasil analisis data, teridentifikasi bahwapenanda kekoherensian yang sering muncul berjenis perturutan, contohnya seperti“maka dari itu”. Kemudian terdapat tiga jenis hubungan koherensi yang sering munculdalam kedua belas wacana iklan komersial tersebut, yakni uraian, latar belakang danurutan. Faktor penyebab kekoherensian adalah adanya pengetahuan yang dibagibersama (shared knowledge) dari pengiklan kepada konsumen, sehingga konsumendapat mengetahui dan ingin tahu lebih lanjut mengenai isi iklan.Kata kunci: wacana, iklan komersial, koherensi, struktur iklan, struktur retorikaABSTRACTJapan is a country with top three telecommunication brand companies in theworld, one of them is Softbank. This company uses a variety of methods to promote theirproducts, including the use of commercial ads. Sells and Gonzalez (from Astuti, 2005:3)declare that ads have a bit linguistic deviation that affecting the unity of meaning(coherence). The aim of this research is to identify the coherence markers, coherencerelations and coherence factors of SoftBank’s commercial adverting discourse (CAD)analyzed based on advertising theory from Bolen (1984) and rhetorical structure theoryfrom Mann and Thompson (1988) and Ramlan (1984). The writers use descriptivemethod in this research. The results of data analysis, it is identified that coherencemarkers like continuation are often used, for example “therefore”.Then, the twelve CADshave three kinds of coherence relations that often come in the CAD, such as elaboration,background, and sequence. The factor of the coherence is a sharing a knowledge fromadvertiser to consumer, so that consumer can be informed and want to know more aboutthe content of the ads.Keywords: discourse, commercial ads, coherence, ad’s structure, rhetorical structure

Replacing the Stressed [é] with the Stressed [ó]: Causes and Effects

2019 ◽  
Vol 80 (2) ◽  
pp. 80-87
Author(s):  
V. P. Moskvin
Keyword(s):  
Literary Form ◽  
Russian Language ◽  
National Language ◽  
Old Russian ◽  
Literary Forms ◽  
Modern Russian

The article considers the positional conditions of the transition of [é] to [ó], the causes of this phonetic transformation, which can be traced back to the Old Russian language, as well as the conditions for its gradual weakening. On this basis, the A.A. Shakhmatov’s hypothesis, interpreting this transition as a type of regressive labialization, was defined more precisely. Stylistically and orthologically significant reflexes of transition [é] to [ó] in the literary form of the modern Russian national language and its non-literary forms have been characterized and systematized.

„A little Drama“ (G. M. Tucker)

2019 ◽  
Vol 63 (2) ◽  
pp. 195-219
Author(s):  
Alessandro Casagrande
Keyword(s):  
Present Article ◽  
Narrative Analysis ◽  
Literary Form ◽  
Third Party ◽  
Abrupt Shift ◽  
Mediated Discourse ◽  
Contextual Integration

Abstract The use of a narrative imperfect in Am 7:10–17 after 7:1–9 and the abrupt shift to 8:1–3 frequently compelled critics to determine its literary form. For diachronic studies defining classifications include ‘third-party report’ and ‘apophthegma’. By contrast, synchronic studies emphasize the contextual integration of Am 7:10–17 and concentrate on a narrative analysis. Within this focus it is striking, that the passage is often associated with a ‘drama’ but without assessing the methodological ramifications of such a claim. The present article takes this ‘synchronic gap’ up and relates it to approaches to view drama as a possible genre for prophetic books. In doing so, a reading of Am 7:10–17 as part of a narrator-mediated discourse using a dramatic mode shows that the passage can be deemed an entrance with three speeches integrated into the wider context of 7:1–8:3. Particularly the classification of 7:10a, 12aα, 14aα as narrator’s discourse using a dramatic mode makes this claim plausible.

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