Of Poetic Style, in Which Words Are Regarded as Signs of Our Ideas. That Poetic Style Determines the Fate of Poems.

Keyword(s):  
Author(s):  
Zhaohui Bao

This essay surveys Christian poetry in the Tang dynasty to the Republic of China era. It discusses two basic criteria for defining the constitution and requirements of Christian poetry. It also looks at poetic elements of Christian motifs and biblical genres as they were used in Christian poetry composed by foreign missionaries, non-Christians, and Chinese Christians. This essay also describes how Chinese Christian poets used the styles of Chinese poetry to express the themes of Christianity in different historical periods. According to this period, Xu Guangqi, Wang Zheng, Wu Li, Zhao Zichen, and Bing Xin are the important Christian poets. Wu Jingxiong, Zhu Weizhi, John Chalmers, and Frederick William Baller are excellent translators who translated Hebrew poems into Chinese poetic style. The essay discusses the contributions of Chinese Christian poetry to Chinese writing and the limitations of their writing based on context.


2010 ◽  
Vol 3 (2) ◽  
pp. 165-184 ◽  
Author(s):  
Barbara Dancygier

This paper considers the use of alternativity and stance in dramatic and poetic discourse. After a brief look at negation as a phenomenon based on alternative mental spaces, I show how negation can be viewed as ‘intersubjective’. The paper then looks at the intersubjective aspects of negation in a scene from Shakespeare’s Julius Caesar (I come to bury Caesar, not to praise him). In the next sections, the poetic style of Wislawa Szymborska comes under investigation. In particular, the discussion highlights mechanisms such as frame-evocation, counterfactuality, causation, blending, and the alternativity of or. I argue throughout that the primary role of negation and alternativity in dramatic and poetic discourse is making available uncommunicated mental spaces and construals which are then used in the resulting interpretation.


2017 ◽  
Vol 31 (76) ◽  
Author(s):  
Peter Stein Larsen

Peter Stein Larsen: “Danish Identity in Modern Poetry”The article examines how Danish identity has been expressed in poetry. Since the 1960s, Danish poetry has had a tradition of a critical focus on national identity. This tradition of ‘interaction poetry’ has a polyphonic enunciation, a style influenced by spoken language and an ironic perspective on Danish identity. The tradition is distinct from the dominant symbolist and modernist tradition, where one can observe a monological enunciation, a high poetic style and an international perspective. Aspecial feature of the tradition of a critical focus on national identity is its ability to express an implied utopia of openness, empathy, equality and solidarity, despite the fact that the poems are ironic about Danish xenophobia, narrowness, pettiness, bureaucracy and lack of engagement in the world. The article investigates a number of poetry collections by Klaus Rifbjerg, Benny Andersen, Marianne Larsen, Henrik Nordbrandt, Maja Lee Langvad and Eva Tind Kristensen.


2021 ◽  
Vol 17 (1) ◽  
pp. 209-227
Author(s):  
I. V. Prosvetov ◽  

The first publication of poems by the Soviet writer-historian, 1st degree Stalin Prize laureate Vasily Yan (Yanchevetsky), composed in 1920–1923, when he lived and worked in Siberia. Source – handwritten miscellany “Poems of Wanderings”, recently discovered in the Yanchevetskys’ family archive. The publication is accompanied by detailed biographical comments. In the civil war, V. Yanchevetsky took part on the side of the whites as one of the main propagandists of the Kolchak army – the head of the Informative Department of the Special Chancellery of the Supreme Commander’s Staff, editor of the front newspaper “Vperyod”. After the collapse of the white movement, V. Yanchevetsky had to hide his past, changing occupations and places of residence (Achinsk, Uyuk, Minusinsk). The Siberian po- etic cycle, created at this time, makes it possible to understand not only the mood of the author in the last years of the turning point in Russian history, but also literary searches, and the atmosphere of the time in general. The main themes are homeland, revolution, freedom, atheism, building a new life, preserving the personality in the face of political upheavals. Obviously, the influence on the poetic style of the author of such trends as symbolism and futurism, which he was interested in. In Omsk V. Yanchevetsky closely communicated with the writer, poet and avant-garde artist Anton Sorokin, attended his literary evenings at home. Probably, as a result, some of the Siberian poems were written in free verse, to which V. Yanchevetsky had never used before.


2021 ◽  
Vol 9 (09) ◽  
pp. 728-731
Author(s):  
Hajri Mandri

Frederik Rreshpja, a famous Albanian poet, was born in Shkoder in 1940 and died in 2006. His   first literary work, the poetry collection, "Albanian Rhapsody" was published in 1967. He was imprisoned and served 17 years in prison during the communist regime.After he was released from prison, lived in Tirana and published the volumes "The time has come to die again" - 1994, "Selected lyrics" - 1996, a collection that was announced the best national book of the year, as well the volume of poetry "In solitude " was to be published in 2004.The focus of the article is on the features of the poetic style specifically on the grotesque as an author’s poetic preference that constitutes a special point of view of the author.The grotesque as an archetype of the poetic state in Rreshpa's poetry is conceived as a way of artistic reflection and as a style of writing. The key function of the metaphor-grotesque is the transfer, within the form of expression, from one context to another context with poetic undertones.Grotesque is a way of expression or way of presentation in which exaggerated sides are put together in powerful and unexpected contrast, or the most mixed, distorted and isolated forms of reality…


2021 ◽  
pp. 238-251
Author(s):  
Margaret Mare
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