scholarly journals Semiotics Analysis of a Principal Character in Balem Hiwot Ande Ken

2019 ◽  
Vol 7 (3) ◽  
pp. 61
Author(s):  
Lidiya Teka Gebremichael
Keyword(s):  
Principal Character

Dancing without Space – On Nijinsky'sL'Après-midi d'un Faune(1912)

2009 ◽  
Vol 27 (1) ◽  
pp. 28-64 ◽  
Author(s):  
Hanna Järvinen
Keyword(s):  
Three Dimensional ◽  
Two Dimensional ◽  
Theatrical Space ◽  
Principal Character ◽  
Vaslav Nijinsky ◽  
Important Shift ◽  
Dimensional Picture

Three-dimensional theatrical space is often taken for granted as a precondition of dance. Already in 1912, the choreographer Vaslav Nijinsky provoked much discussion with a work that seemingly turned the performance into a moving, two-dimensional picture. L'Après-midi d'un Faune has achieved notoriety because of the objections some contemporary critics raised against the ‘immoral’ behaviour of the principal character, but I argue the style of the work brought about an important shift in how dancing was conceptualised as something composed by a choreographic author.

L’absence qui devient présence : la vie et l’Idée dans Sixtine de Remy de Gourmont

2011 ◽  
pp. 32-38
Author(s):  
Agata Sadkowska-Fidala
Keyword(s):  
The Novel ◽  
Principal Character ◽  
Ideal Woman ◽  
The Ideal

Sixtine by Remy de Gourmont marks the refusal of nature and tangible reality and the choice of imagination to the detriment of reality. Its principal character, Hubert d’Entragues is a faithful disciple of idealism of symbolism. Since he chooses to think rather that to live, it is not surprising that the plot of the novel is almost nonexistent. The plot develops around of d’Entragues’ desire to win the beautiful Sixtine, which is in itself condemned to failure since he is doing nothing to reach her and refuses to take any effort. The woman, who could have served as the principal impulse of the plot, is practically inexistent in this story (though it is a passionate story) and is replaced by the ideal woman: the story is doubled by the second story, e.g. a novel written by the character which is a transposition of his “cerebral” relation with Sixtine and a realisation of presence of the latter. Art replaces life and life does not exist in itself. It is shaped by thought. But the chosen absence of any facts of life is fruitful: it gives birth to a novel. It is a story of a prisoner in love with the statute of the Virgin which he sees while taking a daily walk. In this novel the carnal accomplishment is not necessary in order for a true and sincere passion to develop and the satisfaction of desire may destroy the dream and the ideal.

‘Je ne parle pas français’: Reading Mansfield’s Underground Man

2017 ◽  
pp. 11-23
Author(s):  
David Rampton
Keyword(s):  
Belief Systems ◽  
Good Faith ◽  
Principal Character ◽  
Emotional Commitment ◽  
The Way

Mansfield’s “Je ne parle pas francais”, a story about unrequited desire and its effects, is narrated by its principal character. He is an unscrupulous, unsavoury type, which has helped make Mansfield’s critics quasi-unanimous in condemning him for his role in the events portrayed and questioning the way he describes them. His bitterness and scepticism have reminded some of Mansfield’s readers of Dostoevsky’s “Notes from Underground”. The proto-existentialist aspect of the stories, their preoccupation with “good faith”, their scepticism concerning belief systems and grand abstractions more generally, the difficulties of escaping various kinds of isolation, the difficulties of sustained emotional commitment, all these help make the case for reading the stories in conjunction. Mansfield use a number of strategies – literary allusions, thematic echoes, self-reflexiveness –to help readers negotiate the story’s complexities. In the end, the large questions may remain unanswered, but that is as may be. “Je ne parle pas francais” firmly establishes her as an important modernist writer and a valuable link with Dostoevsky and the great Russian forebears in whom she took such an interest.

Prince Valiant (1937)

2016 ◽  
Author(s):  
Chris Bishop
Keyword(s):  
King Arthur ◽  
Principal Character

As a body of work, Foster’s Prince Valiant celebrates the paradoxical. Essentially modernist in its oeuvre, the strip is set in the ‘days of King Arthur.’ Ostensibly American in its outlook, the setting is mostly European. Undeniably democratic in its politics, the principal character is, after all, a prince. That the strip should prove so successful for so long attests to the power of its wistful and melancholic nostalgia. It is this nostalgia that has fuelled an American obsession with medievalism and a continuing engagement with the promise of Camelot, a promise that interpreted the poetry of Tennyson through the art of Howard Pyle, refashioned that interpretation into comics and movies and musicals, and finally divested itself into the brief tenure of an assassinated president.

scholarly journals Truth – The Principal Character of Journalism

2015 ◽  
Vol 191 ◽  
pp. 2726-2730
Author(s):  
Kaken Kamzin
Keyword(s):  
Principal Character

Representations of complex imprimitive reflection groups

1983 ◽  
Vol 94 (3) ◽  
pp. 425-436 ◽  
Author(s):  
M. C. Hughes
Keyword(s):  
Weyl Groups ◽  
Unified Theory ◽  
Reflection Groups ◽  
Irreducible Characters ◽  
Common Structure ◽  
Principal Character ◽  
Irreducible Components

In his attempt to give the irreducible characters of the Weyl groups of type A, B and D, Mayer [3] found a unified theory using their common structure as reflection groups. In this paper, we give the characters of the complex imprimitive reflection groups. We are able to give an algorithm which allows us to calculate the irreducible components of the principal character of a ‘Weyl’ subgroup induced up to the whole group. This is a generalization of the algorithm given by Mayer.

scholarly journals The mean values of Dirichlet L-functions at integer points and class numbers of cyclotomic fields

1994 ◽  
Vol 134 ◽  
pp. 151-172 ◽  
Author(s):  
Masanori Katsurada ◽  
Kohji Matsumoto
Keyword(s):  
Positive Integer ◽  
Dirichlet Character ◽  
Class Numbers ◽  
Cyclotomic Fields ◽  
Mean Values ◽  
Integer Points ◽  
Principal Character ◽  
Dirichlet Characters ◽  
The Mean

Let q be a positive integer, and L(s, χ) the Dirichlet L-function corresponding to a Dirichlet character χ mod q. We putwhere χ runs over all Dirichlet characters mod q except for the principal character χ0.

scholarly journals En Litterær Biografi og Narrative Identitetsbilleder

2012 ◽  
Vol 14 (1) ◽  
pp. 45-54
Author(s):  
Maria Krysztofiak
Keyword(s):  
Narrative Construction ◽  
Historical Time ◽  
Literary Biography ◽  
European Context ◽  
Construction Of Identity ◽  
Principal Character ◽  
Starting Point ◽  
Narrative Literature ◽  
Open Dialogue ◽  
Artistic Images

ABSTRACT The article focuses on the narrative construction of identity in the biographical novel about the life of Madame Tussaud written by the Danish author Dorrit Willumsen. A specific biographical narration technique of Willumsen is the starting point for discussing two interweaving layers of biographical discourse: the historical literary biography and the internal biography (lifeline as a story). Willumsen`s open dialogue of images and words shapes the narration to cross the frame of the principal character`s historical time and places Willumsen`s novel in the European context of narrative literature on artistic images of identity.

scholarly journals On congruences for certain sums of E. Lehmer's type

2014 ◽  
Vol Volume 38 ◽  
Author(s):  
Shigeru Kanemitsu ◽  
Takako Kuzumaki ◽  
Jerzy Urbanowicz
Keyword(s):  
Natural Number ◽  
Natural Numbers ◽  
Principal Character ◽  
International Audience

International audience Let n > 1 be an odd natural number and let r (1 < r < n) be a natural number relatively prime to n. Denote by χn the principal character modulo n. In Section 3 we prove some new congruences for the sums T r,k (n) = n r ] i=1 (χn(i) i k) (mod n s+1) for s ∈ {0, 1, 2}, for all divisors r of 24 and for some natural numbers k.We obtain 82 new congruences for T r,k (n), which generalize those obtained in [Ler05], [Leh38] and [Sun08] if n = p is an odd prime. Section 4 is an appendix by the second and third named authors. It contains some new congruences for the sums Ur(n) = n

scholarly journals A transformation formula related to Dirichlet L-functions with principal character

2012 ◽  
Vol 53 ◽  
Author(s):  
Aidas Balčiūnas
Keyword(s):  
Mellin Transform ◽  
Exponential Sum ◽  
Transformation Formula ◽  
Meromorphic Continuation ◽  
Divisor Function ◽  
Principal Character

We prove a transformation formula for the function for the exponential sum involving the divisor function. This formula can be applied to obtain meromorphic continuation for the Mellin transform of the square of Dirichlet L-function with principal character.

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