L’absence qui devient présence : la vie et l’Idée dans Sixtine de Remy de Gourmont

2011 ◽  
pp. 32-38
Author(s):  
Agata Sadkowska-Fidala

Sixtine by Remy de Gourmont marks the refusal of nature and tangible reality and the choice of imagination to the detriment of reality. Its principal character, Hubert d’Entragues is a faithful disciple of idealism of symbolism. Since he chooses to think rather that to live, it is not surprising that the plot of the novel is almost nonexistent. The plot develops around of d’Entragues’ desire to win the beautiful Sixtine, which is in itself condemned to failure since he is doing nothing to reach her and refuses to take any effort. The woman, who could have served as the principal impulse of the plot, is practically inexistent in this story (though it is a passionate story) and is replaced by the ideal woman: the story is doubled by the second story, e.g. a novel written by the character which is a transposition of his “cerebral” relation with Sixtine and a realisation of presence of the latter. Art replaces life and life does not exist in itself. It is shaped by thought. But the chosen absence of any facts of life is fruitful: it gives birth to a novel. It is a story of a prisoner in love with the statute of the Virgin which he sees while taking a daily walk. In this novel the carnal accomplishment is not necessary in order for a true and sincere passion to develop and the satisfaction of desire may destroy the dream and the ideal.

Author(s):  
Tony Williams

Burning Daylight reflects the personal and political contradictions in Jack London’s work in terms of his own version of the “American Adam” discourse. Taking well-known elements from London’s fiction such as the Klondike narrative, the urban nightmare of capitalist corruption, and the new Edenic promise of a now defunct Jeffersonian ideal available to only the privileged few, the novel exhibits both the failure of the American dream of material success as well as the fantastic premises behind the agrarian dream. The hero passes from innocence into urban decline but experiences a regeneration via a romantic union with the “ideal woman” and a return to a much more positive version of the wilderness within which he earlier thrived. Yet Daylight’s nightmare vision of a return of the repressed capitalist economy within his “Promised Land” reveals that total escape from American industrialism and economic pollution of the land is problematic at best.


Author(s):  
Katherine Ovens

This paper proposes that the dominant imageof Margaret Atwood's The Edible Woman is that of the female as prey or commodity, and that this image can also be understood as the female as burlesque performer. As her marriage looms, Marian negotiates a complex set of social instructions on how to present herself as the ideal woman. This desired image involves strategic teasing and revealing for a male spectator: Marian’s appearance, as well as her behaviour, should be calculated to satisfy, but not sate, her male audience’s appetites. Lucy, Marian’s colleague, and Ainsley, Marian’s roommate, perform their own versions of femininity within what Judith Butler has since identified as “the obligatory frame of reproductive heterosexuality.” The cake that Marian bakes in her own image, and then consumes, demonstrates her rejection of this compulsory, commodified bawdy role. However, she searches in vain for an alternative definition of femininity—one that did not yet exist when the novel was written in the early 1960s.


2021 ◽  
Vol 02 (09) ◽  
pp. 8-14
Author(s):  
Aziza Komilovna Akhmedova ◽  

The article analyzes the results of the research on the representation of the aesthetic ideal through the image of the ideal hero in two national literatures. For research purposes, attention was paid to highlighting the category of the ideal hero as an expression of the author's aesthetic views. In Sinclair Lewis’s “Arrowsmith” and Pirimkul Kodirov's “The Three Roots”, the protagonists artistically reflect the authors' views on truth, virtue, and beauty. In these novels, professional ethics is described as a high noble value. The scientific novelty of the research work includes the following: in the evolution of western and eastern poetic thought, in the context of the novel genre, the skill, common and distinctive aspects of the creation of an ideal hero were revealed by synthesis of effective methods in world science with literary criteria in the history of eastern and western literary studies, in the example of Sinclair Lewis and Pirimkul Kodirov.


PMLA ◽  
1954 ◽  
Vol 69 (5) ◽  
pp. 1038-1059
Author(s):  
Reino Virtanen

Goethe with his elective affinities, Stendhal with his cristallisation, are among Marcel Proust's forerunners in the use of scientific analogies in fiction. In our time, D. H. Lawrence has made his readers familiar with electricity as an analogue for the passion of love. But it seems safe to say that no writer has ever made more varied and skillful use of metaphors from science than Proust. This is the more remarkable because A la Recherche du Temps perdu is better known for the allusions to painting and music than for the allusions to science. Admirers like André Maurois, Camille Vettard, and Jean Mouton content themselves with citing a few examples. A study of Proust's analogies from the sciences is interesting for several reasons. There is, for one thing, the question of Proust's scientific culture. Another question is the value of these analogies for clarification of the phenomena described. A third point of interest concerns their artistic value. Do they come up to the ideal of the author who wrote: “Je crois que la métaphore seule peut donner une sorte d'éternité au style … ”? What is the function of these metaphors in the novel conceived as a work of art?


2021 ◽  
pp. 119-134
Author(s):  
Li Xiaoyu ◽  
I.I. Evlampiev

This article deals with the controversial issue of F.M. Dostoevsky’s concept of “Higher Individuals.” The latter are people who rise above other people and have a special influence on society and on history. The authors argue that this concept is most clearly expressed in “The Diary of a Writer” (1876) as well as in the story “The Sentence”, along with Dostoevsky’s commentaries on this story. By means of a detailed analysis of Raskolnikov’s “theory” within the novel “Crime and Punishment”, it is demonstrated that only a superficial version of the concept of “higher individuals” is refuted in the heroes’ argumentations; at the same time, the novel’s characters – Marmeladov, his wife Katerina Ivanovna, and Raskolnikov – can be viewed as examples of different degrees in the personal accomplishment of this “higher personality” state. In conclusion, it is observed how a person must go through three stages of development in order to become a “higher character”: firstly, the experience of an existential crisis and the understanding of the lack of meaning in one’s life; secondly, the “rebellion” against the Creator of the world and its laws along with the rejection of the traditional church faith, whose rejection leads this person on the edge of suicide; thirdly, the acquisition of a new faith, first of all, a faith in one’s immortality, which happens in an unusual, unorthodox form, as is well demonstrated by the character of Svidrigailov in Dostoevsky’s novel. According to Dostoevsky’s doctrine, the meaning ofimmortality lies in the continuation of a person’s existence in a new form in the earthly world or in a “parallel” world similar to the earthly one, and not in the ideal Kingdom of Heaven, as the church claims. Finally, the authors maintain that the process of a character’s transformation into a “higher individual” was consistently and fully described by Dostoevsky in the stories of Raskolnikov and Ivan Karamazov.


2010 ◽  
Vol 4 (2) ◽  
pp. 241-254
Author(s):  
Shaul Regev

AbstractResearchers of Jewish History dealing with the topic of women’s character and status in Medieval Jewish texts drew their information mainly from Rabbinical Responsa and tended to neglect other types of literature: sermons and Biblical commentaries. Responsa were a primary source for two reasons—convenience and availability of the material. However, this type of literature was written out of necessity and dealt with the problematic situations in a woman’s life, whether with regard to her private life (as for instance in matters of marriage or divorce), her financial situation or other difficult issues. It may be possible to put together a clearer picture of women and their position in the Middle Ages, including their treatment by the men of their immediate surroundings, by examining and researching the vast literature of sermons and Biblical commentaries.Using an interpretation of Chapter 31 of the book of Proverbs (“Woman of Valor”), the preacher draws an image of the ideal woman and uses it to present his opinion on women, their shortcomings and their virtues. The main topic that preachers and interpreters discussed was the question of the perfection of women’s intellectual souls. As women did not usually acquire great intellectual learning, it stands to reason that they could not achieve perfection. Therefore, replacements were created that allowed women’s perfection to surpass that of men’s.


2019 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Ines Testoni ◽  
Giulia Branciforti ◽  
Adriano Zamperini ◽  
Livia Zuliani ◽  
Felice Alfonso Nava

Purpose Gender inequality and sexism are often at the root of domestic violence against women and children, with both serving to justify male domination. This runs in parallel with mother-blaming bias, which constitutes a pervasive common sense and scientific error derived from the myth of the good and the bad mother, characterising a large part of studies on deviance. The purpose of this paper is to consider the possible role of sexism in prisoners’ deviant biographies; for this, the authors considered the role of the mother in the biographies of prisoners, and the results lend support to the idea that mother-blaming is a serious fallacy. Starting from a critical psychology point of view and following the retrospective methodology, the authors interviewed 22 drug-addicted prisoners through Interpretative Phenomenological Analysis (IPA) regarding their biographies and their relationships with parents and partners. Design/methodology/approach In the survey, the authors followed the same intention, and the results lend support to the idea that mother-blaming is a serious fallacy. The authors interviewed 22 drug-addicted prisoners through IPA concerning their biographies and their relationships with parents and partners. Findings The main result of this qualitative study was the recognition of a fundamental sexism assumed by participants, characterised by a paradox between the representation of the mother and the representation of the ideal woman. Despite the mother being their positive affective referent, and battered by her husband/partner, the same participants had been witnesses of domestic violence, and sometimes victims, they interiorised from their father an ambivalent sexism: benevolent sexism with regard to their mother and exhibited hostile sexism with their partner. On the one hand, it emerged that female empowerment was desirable with respect to the mothers. On the other hand, the ideal woman was exactly as their mother was, that is, being absolutely subordinated to men (a patient, caring, submissive housewife, totally dedicated to her children and her husband). Research limitations/implications From a mainstream psychological perspective, the limits of the research are linked to the utilisation of the narrative method. Also, this methodology does not verify any hypotheses, so quotations from the participants are used to illustrate themes, and thus, it is difficult to report the informational complexities arising from the dialogues. However, the literature has emphasised that these limitations do not invalidate qualitative research findings, despite the difficulties in generalising the results of the qualitative studies. Thereafter, the critical analysis moved within the intersection of experience-centred approaches and the culturally oriented treatment of narratives, so that the focus on the stories of the prisoners makes meaning because it applies structure to experience, albeit, with the form and content of the texts. This research did not permit us to measure and evaluate post-hoc any post-traumatic hypotheses, which, in turn, would give room for further research. Another limitation of the research was that the relationship between culture of origin and gender biases, especially with participants from non-European countries, was not analysed. This topic would require an important in-depth study, which encompasses how women are treated in different countries and its effects on social maladjustment for immigrants in Italy. Practical implications The outcome of this study suggests that within similar structures in the Institute of Mitigated Custody, the theme of sexism should be considered in more depth. Since sexism justifies violence against women, and is therefore a factor that can cause recidivism in the antisocial behaviour of prisoners once they have served their sentences. It is important to allow them to analyse the relationship between their sexist attitudes, witnessing violence in childhood and the possibility of changing moral values of reference in favour of equality. This type of psychological intervention must necessarily be based not only on the elaboration of traumas suffered during childhood with an abusive father, but also on issues related to gender equality and the theme of social inclusion. Social implications The study suggests the idea that male sexism can be a factor responsible for suffering and maladjustment for men and that therefore an education that promotes equality of gender differences can also help prevent the social distress associated with drug addiction and deviance. Originality/value The paper considers some cogent issues inherent to ambivalent sexism that pervades prisoners’ aspirations for their future.


1987 ◽  
Vol 7 (4) ◽  
pp. 411-427 ◽  
Author(s):  
Deborah A. Stiles ◽  
Judith L. Gibbons ◽  
Jo Schnellmann

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