Book Review: Salute to Jesus, Generating Hope, Karl Rahner, An Introduction to the Bible, According to the Scriptures, God in the New Testament, Christ the Center, Apocalyptic Bodies, Millennium and the Book of Revelation, the Story Goes, the Stories of the Torah, Mark's Story, Matthew's Story, Debtor to Grace, Euthanasia, Celebrating the Seasons: Daily Spiritual Redings for the Christian Year

1999 ◽  
Vol 111 (2) ◽  
pp. 70-71
2020 ◽  
pp. 154-170
Author(s):  
Charlotte E. Howell

Eschatological dramas use the biblical Book of Revelation as their premise; however, despite the direct connection with the New Testament, the shows’ creatives disavow the religious nature of their narratives, reframing Christian elements as mythology. Supernatural (the WB/CW, 2005–2020), Dominion (Syfy, 2014–2015), and Constantine (NBC, 2014–2015) all use the Bible as the basis for what they assert is supernatural mythology. Such a strong disavowal of religion is especially necessary for creatives working on these three shows: they had a particularly strong fear of being associated with religious culture and audiences because their narratives are so closely tied to the Bible. The pushback against religion aligns with the assumption that the upscale fan audience these shows target is nonreligious.


2018 ◽  

The Velislav Bible is one of the most beautiful medieval Bohemian manuscripts. It is a heavily illustrated manuscript that contains only short selections of the text, that instruct the reader about the story depicted. The last picture in the manuscript shows a man kneeling before St. Catherine, identified as Velislav, hence the name of the manuscript. The Bible comprises stories from the Books of Genesis and Exodus, visions of Daniel, and the stories of Samson as well as of Judith. The narrative of the Antichrist precedes the Christological part. The New Testament continues with the Book of Revelation, stories following the Ascension of Christ, and key events from the lives of St. Peter and St. Paul. The manuscript closes with the legend of St. Wenceslas, the patron saint of Bohemia. The essays in The Velislav Bible, Finest Picture-Bible of the Late Middle Ages: Biblia depicta as Devotional, Mnemonic and Study Tool analyze the manuscript from historical, textual, art-historical, and iconographic perspectives. However, a shared concern of all the authors is to think about its functions. An edition of the Latin titulis is being published here for the first time.


Author(s):  
Дмитрий Евгеньевич Афиногенов

Трактат 1 из сборника «Амфилохии» св. патр. Фотия на примере истолкования конкретных мест из Библии объясняет методологию библейской экзегезы вообще. Во внимание должен приниматься не только богословский или исторический контекст, но также чисто филологические аспекты: семантика, интонация, языковой узус Нового Завета и Септуагинты, возможные разночтения и т. д. Патриарх убеждён, что при правильном пользовании этим инструментарием можно объяснить все кажущиеся противоречащими высказывания Св. Писания таким образом, что они окажутся в полном согласии друг с другом. The first treatise from «Amphilochia» by the St. Patriarch Photios expounds the general principles of the biblical exegesis on a specific example of certain passages from the Bible. It is not just the theological or historical context that has to be taken into consideration, but also purely philological aspects, such as semantics, intonation, the language usage of the New Testament and Septuagint, possible variant readings etc. The Patriarch is convinced, that the correct application of these tools makes it possible to perfectly harmonize all seemingly contradictory statements of the Scriptures.


2021 ◽  
Vol 90 (1) ◽  
pp. 117-140
Author(s):  
David J. Neumann

AbstractSwami Vivekananda was the most influential pioneer of a Yogi Christ, illustrating well over a century ago how the life and teachings of Jesus might be incorporated within a larger Hindu worldview—and then presented back to Western audiences. Appropriation of Jesus, one of the central symbols of the West, might be viewed as the ultimate act of counter-Orientalism. This article begins by providing a brief biography of Vivekananda and the modern Hinduism that nurtured him and that he propagated. He articulated an inclusivist vision of Advaita Vedanta as the most compelling vision of universal religion. Next, the article turns to Vivekananda's views of Christianity, for which he had little affection, and the Bible, which he knew extraordinarily well. The article then systematically explores Vivekananda's engagement with the New Testament, revealing a clear hermeneutical preference for the Gospels, particularly John. Following the lead of biblical scholars, Vivekananda made a distinction between the Christ of the Gospels and the Jesus of history, offering sometimes contradictory conclusions about the historicity of elements associated with Jesus's life. Finally, the article provides a detailed articulation of Vivekananda's Jesus—a figure at once familiar to Christians but, in significant ways, uniquely accommodated to Hindu metaphysics. Vivekananda demonstrated a robust understanding and discriminating use of the Christian Bible that has not been properly recognized. He deployed this knowledge to launch an important and long-lived pattern: an attractive, fleshed out depiction of Jesus of Nazareth, transformed from the Christian savior into a Yogi model of self-realization. Through his efforts, Jesus became an indisputably Indian religious figure, no longer just a Christian one. The Yogi Christ remains a prominent global religious figure familiar to Hindus, Christians, and those of other faiths alike.


1983 ◽  
Vol 80 (2) ◽  
pp. 282-283
Author(s):  
Roger L. Omanson

2017 ◽  
Vol 129 (4) ◽  
pp. 149-157
Author(s):  
Cherryl Hunt

Ordinary Christians’ responses to a dramatized reading of the New Testament, together with reflection on research in the area of performance criticism, suggests that understanding of the Bible and spiritual encounter with its texts may be promoted by the reading aloud of, and listening to, substantial portions of the Bible in an unfamiliar format; this might be found in a dramatized presentation and/or a previously unencountered translation. This practice should form part of any programme designed to promote biblical engagement within churches.


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