scholarly journals Book Review: Deepak Kumar and Raj Sekhar Basu, eds, Medical Encounters in British India; Samiksha Sehrawat, Colonial Medical Care in North India: Gender State and Society c. 1840–1920; Poonam Bala, ed., Contesting Colonial Authority: Medicine and Indigenous Responses in Nineteenth and Twentieth Century India; and Madhuri Sharma, Indigenous and Western Medicine in Colonial India

2019 ◽  
Vol 56 (1) ◽  
pp. 112-116
Author(s):  
Madhwi

Deepak Kumar and Raj Sekhar Basu, eds, Medical Encounters in British India, New Delhi: Oxford University Press, 2013, 329 pp.; Samiksha Sehrawat, Colonial Medical Care in North India: Gender State and Society c. 1840–1920, New Delhi: Oxford University Press, 2013, 292 pp.; Poonam Bala, ed., Contesting Colonial Authority: Medicine and Indigenous Responses in Nineteenth and Twentieth Century India, Delhi: Primus Books, 2016, 158 pp.; and Madhuri Sharma, Indigenous and Western Medicine in Colonial India, Delhi: Foundation Books, 2012, 177 pp.

2021 ◽  
Vol 41 (3) ◽  
pp. 453-456
Author(s):  
Bikash Das

Sujata Mukherjee, Gender, Medicine, and Society in Colonial India: Women’s Health Care in Nineteenth and Early Twentieth-Century Bengal (New Delhi: Oxford University Press, 2017), xxxv + 223 pp.


1996 ◽  
Vol 30 (3) ◽  
pp. 549-571 ◽  
Author(s):  
William R. Pinch

According to Sir George Grierson, one of the pre-eminent Indologists of the early twentieth century, Ramanand led ‘one of the most momentous revolutions that have occurred in the religious history of North India.’Yet Ramanand, the fourteenth-century teacher of Banaras, has been conspicuous by his relative absence in the pages of English-language scholarship on recent Indian history, literature, and religion. The aims of this essay are to reflect on why this is so, and to urge historians to pay attention to Ramanand, more particularly to the reinvention of Ramanand by his early twentieth-century followers, because the contested traditions thereof bear on the vexed issue of caste and hierarchy in colonial India. The little that is known about Ramanand is doubly curious considering that Ramanandis, those who look to Ramanand for spiritual and community inspiration, are thought to comprise the largest and most important Vaishnava monastic order in north India. Ramanandis are to be found in temples and monasteries throughout and beyond the Hindi-speaking north, and they are largely responsible for the upsurge in Ram-centered devotion in the last two centuries. A fairly recent anthropological examination of Ayodhya, currently the most important Ramanand pilgrimage center in India, has revealed that Ramanandi sadhus, or monks, can be grouped under three basic headings: tyagi (ascetic), naga (fighting ascetic), and rasik (devotional aesthete).4 The increased popularity of the order in recent centuries is such that Ramanandis may today outnumber Dasnamis, the better-known Shaiva monks who look to the ninth-century teacher, Shankaracharya, for their organizational and philosophical moorings.


2019 ◽  
Vol 35 (1) ◽  
pp. 37-58
Author(s):  
Vijayakumar M. Boratti

Literary writings such as poetry, drama or novel in colonial India manifest themselves into, react or subscribe to the larger discourse of colonialism or nationalism; rarely do they hold uniformity in their articulations. As colonial experiences and larger nationalist consciousness varied from region to region, cultural articulations—chiefly dramas—not only assumed different forms but also illustrated different thematic concerns. Yet, studies on colonial drama, thus far, have paid attention to either colonialism/orientalism or nationalism. There is a greater focus on British India in such studies. However, the case of princely states demands a momentary sidestep from the dichotomy of colonialism versus nationalism to understand the colonial dramas. The slow and gradual entry of nationalism in the princely states did not have to combat the British chiefly and directly. Much before its full blossom in the princely states, it had to grapple with a range of issues such as monarchy, democratic institutions, constitutionalism, bureaucracy and other pressing issues locally. In the present article, the Kannada dramas of Devanahalli Venkataramanaiah Gundappa (DVG) in the early decades of the twentieth century are examined to throw light on the ways in which they act as political allegories which imagine and debate democracy and its repercussions in the social and political spheres of the Mysore princely state.


2019 ◽  
Vol 56 (1) ◽  
pp. 110-112
Author(s):  
Brannon D. Ingram

Moin Ahmad Nizami, Reform and Renewal in South Asian Islam: The Chishti-Sabris in 18th–19th Century North India, New Delhi: Oxford University Press, 2017, 305 pp.


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