‘Music in the Dark’: A Reflective Case Study on Music Therapy Work with One Woman in a Red-Light District in Kolkata, India

2015 ◽  
Vol 29 (2) ◽  
pp. 21-30
Author(s):  
Alice Laing
2013 ◽  
Vol 3 (2) ◽  
pp. 79-95
Author(s):  
Zuzana Vlachová

The paper presents a qualitative empirical research project, research design and research methods used in the preparation of a dissertation which deals with music therapy interventions in children with autism. The reason for examining this issue is a considerable lack of research activity in this area, and thus also a lack of relevant results on which clinical practice could rely. The results of future investigations should bring answers to the question of how children with autism receive and experience music therapy intervention and also what the effect of music therapy intervention in the social interaction of children is; research will be directed to a deeper understanding of this influence and its characteristics using the multiple case study design.


2021 ◽  
Vol 53 (1) ◽  
pp. 139-143
Author(s):  
Hanan Hammad

What does a casual confrontation in a rundown shack between a landlady and her factory-worker tenant tell us about the history of gender and class relations in modern Egypt? Could a lost watch in a red-light district in the middle of the Nile Delta complicate our understanding of the history of sexuality and urbanization? Can an unexpectedly intimate embrace on a sleeping mat illuminate a link in the history of class, gender, and urbanization in modern Egypt?


2019 ◽  
pp. 127-139
Author(s):  
Simanti Dasgupta

Drawing on ethnographic work with Durbar Mahila Samanwaya Committee (DMSC), a grassroots sex worker organisation in Sonagachi, the iconic red-light district in Kolkata, India, this paper explores the politics of the detritus generated by raids as a form of state violence. While the current literature mainly focuses on its institutional ramifications, this article explores the significance of the raid in its immediate relation to the brothel as a home and a space to collectivise for labour rights. Drawing on atyachar (oppression), the Bengali word sex workers use to depict the violence of raids, I argue that they experience the raid not as a spectacle, but as an ordinary form of violence in contrast to their extraordinary experience of return to rebuild their lives. Return signals both a reclamation of the detritus as well as subversion of the state’s attempt to undermine DMSC’s labour movement.


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