The Role of Artists in Cultural Regeneration of the Red-light District : A Case Study on the Seonmi-village, Korea

2021 ◽  
Vol 14 (2) ◽  
pp. 199-226
Author(s):  
Seulgi Kang ◽  
2013 ◽  
Vol 38 (1) ◽  
pp. 47-61
Author(s):  
MARCUS CHENG CHYE TAN

Roysten Abel's The Manganiyar Seduction is perhaps the most popular performance of Indian folk music on the global festival market today. This performance of Rajasthani folk music is an apt exemplification of an auto-exoticism framed as cultural commodity. Its mise en scène of musicians framed, literally, by illuminated red square boxes ‘theatricalizes’ Rajasthan's folk culture of orality and gives the performance a quality of strangeness that borders on theatre and music, contemporary and traditional. The ‘dazzling’ union of the Manganiyars' music and the scenography of Amsterdam's red-light district engendered an exotic seduction that garnered rave reviews on its global tour. This paper examines the production's performative interstices: the in-betweenness of sound and sight where aural tradition is ‘spectacularized’. It will also analyse the shifting convergences of tradition and cultural consumption and further interrogates the role of reception in the construction of such ‘exotic’ spectacles.


Urban History ◽  
2013 ◽  
Vol 41 (1) ◽  
pp. 22-41
Author(s):  
MARION PLUSKOTA

ABSTRACT:This article examines the origins of a red-light district in a French provincial city before the implementation of official regulation. It aims at redefining the role of prostitutes, police and society in the development of ‘reserved districts’. Based on the study of judicial archives over a 60-year period, the mapping of the spatial distribution of prostitutes in Nantes reveals the spread of prostitution in most of the city's districts. However, the migrations and movement of prostitutes within the city show a gradual clustering over two districts: this was motivated by economic rationales and was initiated by the prostitutes and, only later in the century, encouraged by the police and community.


1987 ◽  
Author(s):  
William A. Worrall ◽  
Ann W. Stockman

2019 ◽  
Vol 3 (1) ◽  
pp. 1-9
Author(s):  
Robert M. Anderson ◽  
Amy M. Lambert

The island marble butterfly (Euchloe ausonides insulanus), thought to be extinct throughout the 20th century until re-discovered on a single remote island in Puget Sound in 1998, has become the focus of a concerted protection effort to prevent its extinction. However, efforts to “restore” island marble habitat conflict with efforts to “restore” the prairie ecosystem where it lives, because of the butterfly’s use of a non-native “weedy” host plant. Through a case study of the island marble project, we examine the practice of ecological restoration as the enactment of particular norms that define which species are understood to belong in the place being restored. We contextualize this case study within ongoing debates over the value of “native” species, indicative of deep-seated uncertainties and anxieties about the role of human intervention to alter or manage landscapes and ecosystems, in the time commonly described as the “Anthropocene.” We interpret the question of “what plants and animals belong in a particular place?” as not a question of scientific truth, but a value-laden construct of environmental management in practice, and we argue for deeper reflexivity on the part of environmental scientists and managers about the social values that inform ecological restoration.


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