A Reversal of Fortunes: Daniel among the Scholars

2018 ◽  
Vol 16 (2) ◽  
pp. 107-130
Author(s):  
Amy C. Merrill Willis

Scholarship on the book of Daniel has undergone a significant shift since the publication of K. Koch’s groundbreaking work, The Rediscovery of Apocalyptic, in 1972. Despite significant achievements in understanding the historical-critical issues of the book, scholarship viewed Daniel’s apocalyptic visions as embarrassing. The renaissance in Daniel studies that began in the 1970s has since produced a robust conversation and newer theory-driven insights around well-established areas of interest. These include Daniel’s textual traditions and compositional history, the function of its genres, the social settings of its writers, and Daniel’s near eastern literary and cultural milieu. New areas of interest identified in the landmark study of J.J. Collins and P.W. Flint (2001; 2002), namely the history of reception and political theologizing, have also gained ground. Daniel’s reversal of fortunes is due to new methodologies as well as a fundamental paradigm shift in interpretation; this change has seen Daniel scholarship move away from the search for Daniel’s historical meaning, narrowly construed, and toward the quest to understand what Daniel does to and for its readers.

Africa ◽  
2004 ◽  
Vol 74 (3) ◽  
pp. 383-410 ◽  
Author(s):  
Alice Bellagamba

AbstractThe practice of entrustment is a form of voluntary allegiance for the sake of protection, one which historically lies at the core of host–stranger relationships along the River Gambia. Deeply woven into the social fabric of local communities, it was appropriated by various historical subjects during the twentieth century in order to construct networks of political confidence and mutual assistance at a local and national level. This article traces this dynamic process of re-elaboration. In so doing, it takes into account the history of a Mandinka commercial settlement in eastern Gambia from the late nineteenth century to post-Independence times, and questions the shifts that occurred in the political significance of entrustment with changing social and economic scenarios. Contextualised in the longue durée, the practice of karafoo shows its relevance as a cultural resource encouraging the creation of networks of trust and interdependence in social settings historically characterised by seasonal and more stable forms of migration.


The Oxford Handbook of the Historical Books of the Hebrew Bible offers thirty-six essays on the so-called “Historical Books”: Joshua, Judges, 1–2 Samuel, 1–2 Kings, Ezra-Nehemiah, and 1–2 Chronicles. The essays are organized around four nodes: contexts, content, approaches, and reception. Each essay takes up two questions: (1) what does the topic/area/issue have to do with the Historical Books? and (2) how does this topic/area/issue help readers better interpret the Historical Books? The essays engage traditional theories and newer updates to the same, and also engage the textual traditions themselves which are what give rise to compositional analyses. Many essays model approaches that move in entirely different ways altogether, however, whether those are by attending to synchronic, literary, theoretical, or reception aspects of the texts at hand. The contributions range from text-critical issues to ancient historiography, state formation and development, ancient Near Eastern contexts, society and economy, political theory, violence studies, orality, feminism, postcolonialism, and trauma theory—among others. Taken together, these essays well represent the variety of options available when it comes to gathering, assessing, and interpreting these particular biblical books.


Author(s):  
Stephen J. Spencer

Emotions in a Crusading Context is the first book-length study of the emotional rhetoric of crusading. It investigates the ways in which a number of emotions and affective displays—primarily fear, anger, and weeping—were understood, represented, and utilized in twelfth- and thirteenth-century western narratives of the crusades, making use of a broad range of comparative material to gauge the distinctiveness of those texts: crusader letters, papal encyclicals, model sermons, chansons de geste, lyrics, and an array of theological and philosophical treatises. In addition to charting continuities and changes over time in the emotional landscape of crusading, this book identifies the underlying influences which shaped how medieval authors represented and used emotions; analyses the passions crusade participants were expected to embrace and reject; and assesses whether the idea of crusading created a profoundly new set of attitudes towards emotions. Emotions in a Crusading Context calls on scholars of the crusades to reject the traditional methodological approach of taking the emotional descriptions embedded within historical narratives as straightforward reflections of protagonists’ lived feelings, and in so doing challenges the long historiographical tradition of reconstructing participants’ beliefs and experiences from these texts. Within the history of emotions, it demonstrates that, despite the ongoing drive to develop new methodologies for studying the emotional standards of the past, typified by recent experiments in ‘neurohistory’, the social constructionist (or cultural-historical) approach still has much to offer the historian of medieval emotions.


1959 ◽  
Vol 9 ◽  
pp. 51-79
Author(s):  
K. Edwards

During the last twenty or twenty-five years medieval historians have been much interested in the composition of the English episcopate. A number of studies of it have been published on periods ranging from the eleventh to the fifteenth and early sixteenth centuries. A further paper might well seem superfluous. My reason for offering one is that most previous writers have concentrated on analysing the professional circles from which the bishops were drawn, and suggesting the influences which their early careers as royal clerks, university masters and students, secular or regular clergy, may have had on their later work as bishops. They have shown comparatively little interest in their social background and provenance, except for those bishops who belonged to magnate families. Some years ago, when working on the political activities of Edward II's bishops, it seemed to me that social origins, family connexions and provenance might in a number of cases have had at least as much influence on a bishop's attitude to politics as his early career. I there fore collected information about the origins and provenance of these bishops. I now think that a rather more careful and complete study of this subject might throw further light not only on the political history of the reign, but on other problems connected with the character and work of the English episcopate. There is a general impression that in England in the later middle ages the bishops' ties with their dioceses were becoming less close, and that they were normally spending less time in diocesan work than their predecessors in the thirteenth century.


2019 ◽  
Vol 42 ◽  
Author(s):  
Peter C. Mundy

Abstract The stereotype of people with autism as unresponsive or uninterested in other people was prominent in the 1980s. However, this view of autism has steadily given way to recognition of important individual differences in the social-emotional development of affected people and a more precise understanding of the possible role social motivation has in their early development.


1997 ◽  
pp. 3-8
Author(s):  
Borys Lobovyk

An important problem of religious studies, the history of religion as a branch of knowledge is the periodization process of the development of religious phenomenon. It is precisely here, as in focus, that the question of the essence and meaning of the religious development of the human being of the world, the origin of beliefs and cult, the reasons for the changes in them, the place and role of religion in the social and spiritual process, etc., are converging.


This collection of essays, drawn from a three-year AHRC research project, provides a detailed context for the history of early cinema in Scotland from its inception in 1896 till the arrival of sound in the early 1930s. It details the movement from travelling fairground shows to the establishment of permanent cinemas, and from variety and live entertainment to the dominance of the feature film. It addresses the promotion of cinema as a socially ‘useful’ entertainment, and, distinctively, it considers the early development of cinema in small towns as well as in larger cities. Using local newspapers and other archive sources, it details the evolution and the diversity of the social experience of cinema, both for picture goers and for cinema staff. In production, it examines the early attempts to establish a feature film production sector, with a detailed production history of Rob Roy (United Films, 1911), and it records the importance, both for exhibition and for social history, of ‘local topicals’. It considers the popularity of Scotland as an imaginary location for European and American films, drawing their popularity from the international audience for writers such as Walter Scott and J.M. Barrie and the ubiquity of Scottish popular song. The book concludes with a consideration of the arrival of sound in Scittish cinemas. As an afterpiece, it offers an annotated filmography of Scottish-themed feature films from 1896 to 1927, drawing evidence from synopses and reviews in contemporary trade journals.


Author(s):  
James McElvenny

This chapter sets the scene for the case studies that follow in the rest of the book by characterising the ‘age of modernism’ and identifying problems relating to language and meaning that arose in this context. Emphasis is laid on the social and political issues that dominated the era, in particular the rapid developments in technology, which inspired both hope and fear, and the international political tensions that led to the two World Wars. The chapter also sketches the approach to historiography taken in the book, interdisciplinary history of ideas.


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