Why pioneer camps survived the collapse of the Soviet Union

2021 ◽  
pp. 161189442110186
Author(s):  
Anna Kozlova

The article analyses the survival of the children’s centres, Artek and Orlyonok, during the post-socialist transformation. It is based on 50 interviews with employees who worked there starting in the late-Soviet era. Artek and Orlyonok were exemplary children’s camps, subordinated to the Central Committee of the Komsomol. Since the early 1960s, they have functioned as schools for distinguished teenagers who were considered ‘good examples’ for other children. In this article, I have made an ethnographic analysis of Artek and Orlyonok employees’ late-Soviet experiences. This analysis shows how the agency of Soviet counsellors and camp directors became a creative interpretation of the governmental order to raise the children as active Soviet citizens. Camp educators transformed it in line with the idea to base their agency on ‘common human values’, which was spread in the Soviet educational field in the post-Stalin era. As a result, the Soviet teaching experiences gained in these education centres were heterogeneous. When a child-centred paradigm was later introduced to the post-Soviet educational system, the camps adopted the most applicable practices from their Soviet experiences.

2006 ◽  
Vol 8 (1) ◽  
pp. 95-119
Author(s):  
Sergey S. Radchenko

After Nikita Khrushchev's condemnation of some of Stalin's crimes in 1956, the Mongolian People's Republic, following in the footsteps of the “fraternal” Soviet Union, also succumbed to the “thaw.” Khrushchev used de Stalinization to discredit his hardline opponents. Mongolia's leader, Yumjaagiyn Tsedenbal, was a Stalin-era holdover who came under criticism from his rivals for being unenthusiastic about political reforms. Tsedenbal had good reason to downplay de-Stalinization:He shared responsibility with Marshal Horloogiyn Choibalsan for violent repressions in the 1940s. But Tsedenbal outmaneuvered and eliminated his opponents in the late 1950s and early 1960s and consolidated his grip on power by 1964.Toward the end of that year, however, Tsedenbal once again was challenged, this time from an unexpected direction. Several members of the Central Committee of the Mongolian People's Revolutionary Party (MPRP) used the precedent of Khrushchev's forced retirement from his leadership posts in Moscow in October 1964 as a pretext to overthrow Tsedenbal. At a plenum of the MPRP Central Committee in December 1964, Tsedenbal was accused of incompetence, corruption, disrespect for principles of “party democracy,” lack of economic discipline, and overreliance on the Soviet Union for credits. But Tsedenbal rebuffed the “anti-party group” and depicted the affair as an attempted coup engineered by pro-Chinese sympathizers and spies. Soviet leaders were wary of Chinese efforts to “subvert” Moscow's in fluence in the socialist camp and were therefore willing to endorse Tsedenbal's version of events.


Author(s):  
Rósa Magnúsdóttir

Enemy Number One tells the story of Soviet propaganda and ideology toward the United States during the early Cold War. From Stalin’s anti-American campaign to Khrushchev’s peaceful coexistence, this book covers Soviet efforts to control available information about the United States and to influence the development of Soviet-American cultural relations until official cultural exchanges were realized between the two countries. The Soviet and American veterans of the legendary 1945 meeting on the Elbe and their subsequent reunions represent the changes in the superpower relationship: during the late Stalin era, the memory of the wartime alliance was fully silenced, but under Khrushchev it was purposefully revived and celebrated as a part of the propaganda about peaceful coexistence. The author brings to life the propaganda warriors and ideological chiefs of the early Cold War period in the Soviet Union, revealing their confusion and insecurities as they tried to navigate the uncertain world of the late Stalin and early Khrushchev cultural bureaucracy. She also shows how concerned Soviet authorities were with their people’s presumed interest in the United States of America, resorting to monitoring and even repression, thereby exposing the inferiority complex of the Soviet project as it related to the outside world.


Author(s):  
William C. Brumfield

This article examines the development of retrospective styles in Soviet architecture during the Stalin era, from the 1930s to the early 1950s. This highly visible manifestation of communist visual culture is usually interpreted as a reaction to the austere modernism of 1920s Soviet avant-garde architecture represented by the constructivist movement. The project locates the origins of Stalin-era proclamatory, retrospective style in prerevolutionary neoclassical revival architecture. Although functioning in a capitalist market, that neoclassical reaction was supported by prominent critics who were suspicious of Russia’s nascent bourgeoisie and felt that neoclassical or neo-Renaissance architecture could echo the glory of imperial Russia. These critics left Russia after the Bolshevik Revolution, but prominent architects of the neoclassicist revival remained in the Soviet Union. Together with the Academy of Architecture (founded 1933), these architects played a critical role in reviving classicist monumentalism—designated “socialist realism”—as the proclamatory style for the centralized, neoimperial statist system of the Stalin era. Despite different ideological contexts (prerevolutionary and Stalinist), retrospective styles were promulgated as models for significant architectural projects. The article concludes with comments on the post-Stalinist—and post-Soviet—alternation of modernist and retrospective architectural styles.


2013 ◽  
Vol 68 (02) ◽  
pp. 219-258
Author(s):  
Nathalie Moine

This article focuses on the influx and circulation of foreign objects in the Soviet Union during the 1940s in order to investigate the specific role of these objects during World War II. It reveals how the distribution of humanitarian aid intersected with both the (non)recognition of the genocide of Soviet Jews during the Nazi occupation, and with Stalinist social hierarchies. It explains why erasing the origins and precise circumstances through which these objects entered Soviet homes could in turn be used to hide the abuses that the Red Army perpetrated against their defeated enemies. Finally, it revises the image of a Soviet society that discovered luxury and Western modernity for the first time during the war by reconsidering the place and the trajectories of these objects in Stalinist material culture of the interwar period.


Author(s):  
James Heinzen

This chapter reviews the meaning of the bribe in the late-Stalin era of the Soviet Union, focusing on how both the givers and receivers of bribes learned to use the bribe as a flexible tool for manoeuvring inside a disorganized economy and rigid bureaucratic system. Bribery emerged from a set of practices and attitudes that, in many cases, could serve certain practical functions, from distributing scarce goods and services, to establishing personalized relationships among state functionaries and citizens, to cutting through red tape.


Sign in / Sign up

Export Citation Format

Share Document