The Importance of Handwriting Speed in Adult Writing

2006 ◽  
Vol 29 (1) ◽  
pp. 197-216 ◽  
Author(s):  
Stephen T. Peverly
2013 ◽  
Vol 27 (1) ◽  
pp. 1-30 ◽  
Author(s):  
Stephen T. Peverly ◽  
Joanna K. Garner ◽  
Pooja C. Vekaria

1997 ◽  
Vol 17 (4) ◽  
pp. 280-287 ◽  
Author(s):  
Margaret Wallen ◽  
Mary-Ann Bonney ◽  
Lyn Lennox

The Handwriting Speed Test (HST), a standardized, norm-referenced test, was developed to provide an objective evaluation of the handwriting speed of school students from approximately 8 to 18 years of age. Part of the test development involved an examination of interrater reliability. Two raters scored 165 (13%) of the total 1292 handwriting samples. Using intraclass correlation coefficients, the interrater reliability was found to be excellent (ICC=1.00, P<0.0001). The process of examining interrater reliability resulted in modification to the scoring criteria of the test. Excellent interrater reliability provides support for the HST as a valuable clinical and research tool.


1969 ◽  
Vol 62 (5) ◽  
pp. 198-200
Author(s):  
Tim Gust ◽  
Deborah Schumacher

2021 ◽  
Vol 17 ◽  
pp. 01-30
Author(s):  
Walter Omar Kohan ◽  
Magda Costa Carvalho

The present text is a childlike exercise in writing. In responding to an invitation to write an adult, academic text, we the authors found that the presence of a child's standpoint acted to change the expressions that were to be elucidated, and that the project that adult writing represents was suspended by the creative force of childhood. "Philosophy for children" became "children for philosophy"; "moral education" became "the end (of) morality" and "conceptions of childhood" became the "childhood of conceptions." As such our text is divided into different sections, in each of which we explore the implications of allowing ourselves to be transformed in our practice by recognition of the child’s voice; the problematization of conventional educational programmatics for one, and the opening of new pedagogical pathways, which recognize childhood as a moving force of thinking, as opposed to an object of study and manipulation. To this end, we engage several interlocutors from different fields--literature, philosophy, education, "philosophy for children", and from chronological children themselves. We conclude by proposing, based on an encounter with the work of H. Cisoux and J. Derrida, that we think about the relations between deconstruction and childhood in such a way that our affirmation of childhood leads to a transformation of the text itself—not only in its content but in its form. As such, we present the reader with a fundamentally childlike text. 


2019 ◽  
Vol 2 (1) ◽  
pp. 14-27
Author(s):  
Rob Breton

The paper examines the ways in which juvenilia has been or can be "used" to help construct the image of the mature writer. Examining mostly the childhood writing of the Chartist Ernest Jones, I question the relationship between the early and mature writings, suggesting that determining this relationship should not be part of a campaign to promote an image of the mature man. In other words, the relationship between youthful writing and adult writing needs to be interpreted, not assumed.


2017 ◽  
Vol 10 (1) ◽  
pp. 74-88 ◽  
Author(s):  
Anto Thomas Chakramakkil

This essay attempts to map historical, literary and social constructions of childhood in India and to explore ways in which these differ from Western-dominated, globalised attitudes to childhood. Evidence about Indian childhood is drawn from across a narrative spectrum including children's books and films and some adult writing and media. Notions of childhood are different within and across the cultures of the world; while there is no ‘correct’ version of childhood, many have common features and sometimes the influences of one culture can be strongly felt in another. In India, for example, a dominant construction of childhood was imported through Western education.1After Independence (1947), Indian children's literature in English became caught up in the mass postcolonial project of nation-building. As part of becoming emancipated from colonial rule, a dominant image of the child in fiction based on Western childhood had to be replaced by one that is hybrid and multicultural. This construction of Indian childhood is now itself being buffeted by forces of cultural homogenisation.2


2012 ◽  
Vol 27 (1) ◽  
pp. 115-126 ◽  
Author(s):  
Stephen T. Peverly ◽  
Pooja C. Vekaria ◽  
Lindsay A. Reddington ◽  
James F. Sumowski ◽  
Kamauru R. Johnson ◽  
...  

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