“Todos los negros y todos los blancos y todos tomamos café”: Race and the Cuban Revolution in Nicolás Guillén Landrián's Coffea arábiga

2015 ◽  
Vol 19 (1) ◽  
pp. 55-75
Author(s):  
Anne Garland Mahler
2020 ◽  
Vol 28 (2) ◽  
pp. 25-75 ◽  
Author(s):  
Jackqueline Frost ◽  
Jorge E. Lefevre Tavárez

Abstract In 1968, Aimé Césaire travelled to Cuba to participate in the Havana Cultural Congress, a mass international meeting where delegates discussed the place of culture in the struggle against imperialism, neo-colonialism, and underdevelopment. Among the likes of C.L.R. James, Nicolás Guillén, René Depestre, Michel Leiris, and Daniel Guérin, it was in Havana that the Martinican politician undertook the until-now untranslated interview with Sonia Aratán for the Casa de las Américas revue and delivered his Cultural Congress conference paper – previously believed by Césaire scholars to be lost. Both texts shed light on Césaire’s little-known views on Fidel Castro, the Cuban Revolution and Marxism in the context of late-1960s tricontinentalism. By reconstructing Césaire’s exchanges with Cuban writers before and during the Congress, we propose a consideration of the role of Cuba in Césaire’s political thought as a tragic possibility, combining the catastrophe of Caribbean history with the uncertain potential of new social forms.


2021 ◽  
Vol 25 (2) ◽  
pp. 125-141
Author(s):  
Aisha Z. Cort

In the context of revolutionary Cuba, discourses of identity are veiled behind discussions and performances of nation and nationality. Consideration of the paradoxical relation of blackness and the Cuban Revolution must consider the historical relation of blackness to the Cuban nation, from its inception, to independence, through the Republic and immediately prior to the Revolution. In addition, a discussion of this relation must consider the discreet comments on race made via official policies, speeches, and discourses on the subject. Using Nancy Morejón’s critical analysis in her seminal 1982 work Nación y mestizaje en Nicolas Guillén as a springboard, the objective of this work is two-fold—to explore how the Cuban nation is reimagined in the poetry of Nicolás Guillén and to dissect the use of metaphors such as mestizaje as performances of nation that in turn highlight racial discourse.


CLA Journal ◽  
2017 ◽  
Vol 61 (1-2) ◽  
pp. 5-30
Author(s):  
Thomas Edison
Keyword(s):  

1962 ◽  
Vol 4 (1) ◽  
pp. 105-120 ◽  
Author(s):  
Pedro C. M. Teichert

The Cuban revolution has profoundly shaken the economic and political foundation traditional in most of the 20 Latin American republics. The demand by the rest of Latin America for Cuban type reforms has also required a reappraisal of U. S.-Latin American relations, which with the breaking off of diplomatic intercourse between Cuba and the U. S., January 4, 1961, have reached their lowest point since the initiation in the mid 1930's of the Good Neighbor Policy by President Roosevelt. Furthermore, the spread of the Cuban revolution, with its ideals and aspirations for the fulfilment of the age-old political, social, and economic aspirations of the downtrodden masses, is now an imminent threat for the remaining undemocratic Latin American governments. There is no denying the fact that most Latin American countries are still run by an oligarchy of landlords and the military.


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