SLAVE RESISTANCE AND DECOLONIZING CARIBBEAN HISTORY IN ANDREA LEVY’S THE LONG SONG

Set during the final days of Slavery on the island of Jamaica, Andrea Levy’s 2010 novel, The Long Song is a neo-slave narrative that explores the nature of slave resistance and colonial historiographical control. When read through a postcolonial lens, The Long Song takes the form of a counter-discourse, where the main character of Miss July offers a corrective to the dominant white narratives of Caribbean history. This essay argues that the experience of resistance in Levy’s narrative is one of literary mimicry, analysing July’s written resistance as it answers back to and confronts the colonial narratives that disregard the oppressed individual experience from history. Levy, in reanimating the history of Jamaican slavery by aligning her text with the unheard ‘History From Below’ perspective, demonstrates and replicates the unreliable narratives orchestrated by those ‘From Above’. As such, both Levy and her fictional July employ a method of historiographic metafiction to reclaim the previously silenced voice of the Jamaican slaves that the hegemonic White Planter class seek to oppress and obliterate from historical record. <p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/edu_01/0751/a.php" alt="Hit counter" /></p>

Artisanal and Aboriginal Subsistence Whaling in Saint Vincent and the Grenadines (Eastern Caribbean): History, Catch Characteristics, and Needs for Research and Management

Whaling has been a contentious international environmental issue for decades and carries complex ecological and socioeconomic implications. In Saint Vincent and the Grenadines (SVG), a small archipelagic nation located in the Eastern Caribbean, present-day whaling traces its origin to local interaction with American-based whalers during the nineteenth and early twentieth centuries. When American whaling in the region ceased, local shore-based whaling arose to fill the niche and to exploit the remaining, though diminished, stocks of large whales, as well as stocks of small cetaceans that the American whalers had not targeted as heavily. After a period of expansion throughout the late nineteenth and early twentieth centuries, which saw shore-whaling operations established on at least 11 islands in the region, Eastern Caribbean whaling experienced a period of attrition, during which most local whaling operations ceased. Two operations, both based in SVG, continue regularly today. This paper reviews the past and present status of whaling activities in SVG from the literature and using recent data collected from 2007 to 2017 through logbook data, interview surveys, and ethnographic observations. Small cetacean captures have been documented since 1949, and at least 15 species of odontocetes have been captured (primarily delphinids). From 1949 to 2017, a total of 13,856 small cetacean captures has been recorded, including 5,896 short-finned pilot whales (Globicephala macrorhynchus), 109 killer whales (Orcinus orca), and 7,851 other small cetaceans. Small cetacean catch records are largely incomplete and total catch estimates could not be attempted. Reliable abundance estimates do not exist. Consistent records for the take of large whales are only available for the period 1986–2020, during which 45 humpback whales (Megaptera novaeangliae) and 2 Bryde’s whales (Balaenoptera edeni) were taken. Additionally, 8 sperm whale (Physeter macrocephalus) captures were reported from 1967 and 1974. We also review whaling practices, existing national policy on whaling, management techniques outside of formal policy regimes, research needs, and future management perspectives. Future monitoring and management of whaling activities in SVG are strongly needed to assess the sustainability of small cetacean exploitation.

History in the Attic: Search for Roots in Ramabai Espinet’s The Swinging Bridge

In most of diaspora literature there is an attempt to retrieve the past. This makes one measure time in many ways, different calendars, change of seasons, past encounters narrated through wars, defeats, encounters and disasters. It is remembered through family history, ancestral heritage, nostalgia, memory and even through national disasters. This interaction portrays the immigrants caught in flight of memories, relationships and images. The relocation has its disgust for one thing or the other. The author has to live in the reminiscences, a collective memory representing a symbolic relationship between past and present. The Swinging Bridge by Ramabai Espinet chronicles the multiple exiles that are part of the Indian experience in the Caribbean and Canada through two figures one from the past- great grandmother Gainder and the other from the present - Mona, the protagonist. The novel commemorates the maternal roots and routes of Indo-Caribbean history by establishing the subjectivity of widows and young girls from India who crossed the Kala Pani (Black waters of the Atlantic) in search of new beginnings in Trinidad and the great-grand-daughter who engages in an existential quest for selfhood in Canada. Grief motivates a flood of personal memories as Mona begins to remember intimate details of family life that had been repressed under the cover of migration. Bits and pieces of the past, fragments scattered in various places, childhood memories, overheard conversations, prayer songs, all come together in the attic. She explores the secret songs, photographs and letters giving her a powerful voice for her culture, her family, her fellow women and for herself. Mona’s drive to document history enables her to reveal the family’s carefully guarded secrets- domestic violence, drunken rampages, sexual abuse, illegitimate children, and even AIDS. This paper seeks to analyse the novel’s diasporic contents and find out whether this attempt at retrieval of the past brings about a change in the perception of today’s generation. The author brings to light the problems of a plural society calling for need for relationships and need for mutual respect- all to avoid conflict situations through this effective tracing of history in the novel.

Conclusion

Starting from a reading of his late travel book A Turn in the South, this chapter describes how, late in life, Naipaul came to understand his own specific historical vantage point, as a writer with a colonial upbringing, who had lived to see independence. Meditating on the legacy of Booker T. Washington, Naipaul reflects on ‘the prisons of the spirit men create for themselves and for others – so overpowering, so much part of the way things appear to have to be, and then, abruptly, with a little shift, so insubstantial’. My reading of A Turn in the South leads to a discussion of Naipaul’s position within Caribbean history, and literary history. I outline the ways in which Naipaul’s work, on the one hand, now seems outdated, and how, on the other hand and in other ways, his work may still be important today.

Montreal 1968 and the Last Colonial Generation

Held at Montreal’s McGill University from 11 to 14 October 1968, the “Congress of Black Writers: Toward the Second Emancipation—the Dynamics of Black Liberation” was dubbed the largest Black Power conference ever held outside the United States. In Moving Against the System: The 1968 Congress of Black Writers and the Making of Global Consciousness, David Austin has compiled the surviving transcripts of this historic gathering, including the speeches by Walter Rodney, C. L. R. James, Stokely Carmichael, and Richard B. Moore, and he provides an extended introduction locating Montreal within the global politics of the late 1960s. This essay considers Moving Against the System as an archive of black and Caribbean history, examining both the debates that occurred among the participants of the conference and Austin’s role as an archivist and interpreter of Montreal’s radical past.

Rogue Bankers, Black Radicalism, and the Caribbean History of Racial Capitalism

This essay offers a response to two critical commentaries—from diplomatic historian Brenda Gayle Plummer and political theorist Clarisse Burden-Stelly—on the author’s Bankers and Empire: How Wall Street Colonized the Caribbean. While locating both commentaries under the epistemological and political purview of the radical wing of black studies, the essay focuses on four topics that appear in Plummer’s and Burden-Stelly’s comments: (1) the question of class, and in particular the role of the Caribbean middle classes, in the history of finance, banking, imperial expansion, and Caribbean sovereignty; (2) the particular status and nature of the Caribbean region within the history of capitalism; (3) the nature and the meaning of the well-worn term racial capitalism; and (4) the idea of “war” as a fundamental aspect of the modes of regulation and accumulation of said racial capitalism.

Tragedy of the Possible: Aimé Césaire in Cuba, 1968

In 1968, Aimé Césaire travelled to Cuba to participate in the Havana Cultural Congress, a mass international meeting where delegates discussed the place of culture in the struggle against imperialism, neo-colonialism, and underdevelopment. Among the likes of C.L.R. James, Nicolás Guillén, René Depestre, Michel Leiris, and Daniel Guérin, it was in Havana that the Martinican politician undertook the until-now untranslated interview with Sonia Aratán for the Casa de las Américas revue and delivered his Cultural Congress conference paper – previously believed by Césaire scholars to be lost. Both texts shed light on Césaire’s little-known views on Fidel Castro, the Cuban Revolution and Marxism in the context of late-1960s tricontinentalism. By reconstructing Césaire’s exchanges with Cuban writers before and during the Congress, we propose a consideration of the role of Cuba in Césaire’s political thought as a tragic possibility, combining the catastrophe of Caribbean history with the uncertain potential of new social forms.