scholarly journals O CONTO DE FORMAÇÃO COMO SUBGÊNERO AUTOFICCIONAL EM KATHERINE MANSFIELD E CLARICE LISPECTOR

2021 ◽  
Author(s):  
Edson Ribeiro da Silva
Keyword(s):  
Clarice Lispector ◽  
Katherine Mansfield

O presente estudo focaliza a possibilidade do conto de formação como subgênero, tomando como paradigmas os contos “A casa de bonecas”, de Katherine Mansfield, e “Felicidade clandestina”, de Clarice Lispector. Esses contos são observados como obras autoficcionais, por se inserirem em um gênero ficcional, mas evidenciarem sua natureza autobiográfica. A noção de Bildung aparece neles e, de modo geral, no subgênero como crise que resulta em aprendizado. Teóricos como Lejeune, Searle, Doubrovsky, Alberca, Klinger e Puga servem como base para os conceitos que evidenciam a natureza formadora e autoficcional desses contos.

scholarly journals “A Bela e a Fera ou a Ferida Grande Demais”, de Clarice Lispector: transtextualidade e transcriação

Em Tese ◽  
2012 ◽  
Vol 10 ◽  
pp. 128
Author(s):  
Luciene Guimarães de Oliveira
Keyword(s):  
Clarice Lispector ◽  
Katherine Mansfield ◽  
Jean Cocteau ◽  
Gerard Genette

A partir do corpus literário constituído pelos  contos “A Bela e a Fera ou a ferida grande demais”, de Clarice Lispector, “Uma xícara de chá” de Katherine Mansfield,  do conto deencantamento “La Belle et la Bête”, e do filme de Jean Cocteau A Bela e a Fera, articula-se a teoria da transtextualidade, desenvolvida pelo francês Gérard Genette, com o conceito de transcriação, de Haroldo de Campos.

scholarly journals A Insuportável Contenção: Clarice Lispector e Katherine Mansfield

Magma ◽  
1996 ◽  
pp. 45
Author(s):  
Ricardo Iannage
Keyword(s):  
Mikhail Bakhtin ◽  
Clarice Lispector ◽  
Katherine Mansfield

Trata-se de um estudo comparado dos contos "Amor", de Clarice Lispector, e "Bliss", de Katherine Mansfield. Os conceitos do historiador da literatura Mikhail Bakhtin acerca de dialogismo e polifonia dão suporte teórico à análise das duas narrativas,  cujas personagens centrais figuram esposas da média  burguesia que, ao se defrontarem com insólitas experiências, deixam transparecer seus reservados conflitos existenciais.     

scholarly journals El género de la intimidad: Katherine Mansfield y Clarice Lispector

Cadernos Pagu ◽  
2010 ◽  
pp. 301-329
Author(s):  
Alejandra Josiowicz
Keyword(s):  
Clarice Lispector ◽  
Katherine Mansfield

El artículo analiza problemas teóricos y críticos en relación a la escritura de la intimidad en los Diarios de Katherine Mansfield y en las crónicas del Jornal do Brasil de Clarice Lispector. En primer lugar, aborda la relación entre género literario y género sexual y entre feminismo y autobiografía. En segundo lugar, analiza la constitución de la voz en los géneros íntimos y problematiza la idea de intimidad tomando como punto de partida la teoría psicoanalítica. Luego, propone el análisis comparativo de ambas escritoras en torno a la idea de literatura periférica y a la de relación entre obra literaria e intimidad exhibida. Finalmente, se pregunta por el rol de la imagen de mujer y la comunidad femenina en su textualidad.

Katherine Mansfield and Literary Influence

2015 ◽  
Keyword(s):  
Cultural Differences ◽  
Virginia Woolf ◽  
Katherine Mansfield ◽  
Anton Chekhov ◽  
Evelyn Waugh ◽  
Literary Influence ◽  
Artistic Production ◽  
Key Issues ◽  
John Middleton Murry

Katherine Mansfield and Literary Influence seeks to understand influence, a powerful yet mysterious and undertheorised impetus for artistic production, by exploring Katherine Mansfield’s wide net of literary associations. Mansfield’s case proves that influence is careless of chronologies, spatial limits, artistic movements and cultural differences. Expanding upon theories of influence that focus on anxiety and coteries, this book demonstrates that it is as often unconscious as it is conscious, and can register as satire, yearning, copying, homage and resentment. This book maps the ecologies of Mansfield’s influences beyond her modernist and postcolonial contexts, observing that it roams wildly over six centuries, across three continents and beyond cultural and linguistic boundaries. Katherine Mansfield and Literary Influence identifies Mansfield’s involvement in six modes of literary influence - Ambivalence, Exchange, Identification, Imitation, Enchantment and Legacy. In so doing, it revisits key issues in Mansfield studies, including her relationships with Virginia Woolf, John Middleton Murry and S. S. Koteliansky, as well as the famous plagiarism case regarding Anton Chekhov. It also charts new territories for exploration, expanding the terrain of Mansfield's influence to include writers as diverse as Colette, Evelyn Waugh, Nettie Palmer, Eve Langley and Frank Sargeson.

Katherine Mansfield and Translation

2015 ◽  
Keyword(s):  
Twentieth Century ◽  
Central Place ◽  
Literary Texts ◽  
Katherine Mansfield ◽  
Literary Language ◽  
Specific Interest ◽  
Literary Traditions ◽  
Political Ideas ◽  
Key Features ◽  
Critical Interest

Our understanding of Anglophone modernism has been transformed by recent critical interest in translation. The central place of translation in the circulation of aesthetic and political ideas in the early twentieth century has been underlined, for example, as well as translation’s place in the creative and poetic dynamics of key modernist texts. This volume of Katherine Mansfield Studies offers a timely assessment of Mansfield’s place in such exchanges. As a reviewer, she developed a specific interest in literatures in translation, as well as showing a keen awareness of the translator’s presence in the text. Throughout her life, Mansfield engaged with new literary texts through translation, either translating proficiently herself, or working alongside a co-translator to explore the semantic and stylistic challenges of partially known languages. The metaphorical resonances of translating, transition and marginality also remain key features of her writing throughout her life. Meanwhile, her enduring popularity abroad is ensured by translations of her works, all of which reveal sociological and even ideological agendas of their own, an inevitable reflection of individual translators’ readings of her works, and the literary traditions of the new country and language of reception. The contributions to this volume refine and extend our appreciation of her specifically trans-linguistic and trans-literary lives. They illuminate the specific and more general influences of translation on Mansfield’s evolving technique and, jointly, they reveal the importance of translation on her literary language, as well as for her own particular brand of modernism.

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