A Two-Headed Thinker: Rüdiger Bilden, Gilberto Freyre, and the Reinvention of Brazilian Identity

Author(s):  
Maria Lúcia Pallares-Burke

This chapter discusses how the creative use of Franz Boas's ideas to analyze Brazilian culture and society and to “discover” Brazil for the Brazilians was the work of two scholars, the Brazilian Gilberto Freyre and the German Rüdiger Bilden. Freyre has been credited with the invention of Brazilian identity with the publication of his Casa-Grande & Senzala (translated into English as The Masters and the Slaves) in 1933 and is described as Boas's most outstanding Latin American disciple. On the other hand, Bilden, a German scholar who was closer to Boas and once seemed to have a brilliant future, later dropped out of the academic world and disappeared into obscurity.

Author(s):  
Ariana Daniela Del-Pino Espinoza ◽  
Freddy Ronald Veloz de la Torre

Global brands have encouraged the penetration of products in markets, but new contexts have emerged, where brands add value to the productive sectors and promote the creation and growth of new companies. An approach and analysis of the contemporary construction of the sector brand and the value it provides to insert countries, territories, cities and products in global markets is carried out. On the other hand, in the Latin American context, we can observe the emergence of emerging brands that have their origin in the need to meet the demand of priority sectors or undertakings derived from the identification of unattended market niches, with the potential to become trademarks in a higher level


Author(s):  
Nadezhda Radulova

The 13 stories of the collection The Foreign Legion (A legião estrangeira, 1964), the first appearance of Clarice Lispector in Bulgarian, are a piece of hypnotic writing that is difficult to compare with any other writer’s language of that time. On the one hand, this prose has a memory of the European modernism with the experimental spirit of the Left Bank of the Seine, with elements of literary cubism and delicate traces of Judaic mysticism… On the other hand, the European refinement and suffistication are literally shaken by the local culture with its smell of jungle and its colorfully hysterical Latin American Catholicism.


2019 ◽  
pp. 97-122
Author(s):  
Francesca Gargallo

This chapter offers a critical survey of feminism in Latin America, highlighting the contributions of prominent Latin American feminists in art, politics, and philosophy. The essay begins with a discussion of the pioneering feminist ideas of Juana Inés de la Cruz and their reception in Latin American feminist thought; and it continues with an elucidation of contemporary feminist critiques of the neoliberal paradigm of “multiculturalism.” The chapter also discusses how, around 1995, Latin American feminism became split in the academy: on the one hand, there were those Latin American feminists who favored the strategy of diversifying the curriculum and including gender issues within the existing institutional and academic frameworks; and, on the other hand, there were those Latin American feminists who favored a more subversive strategy of ignoring traditional forms of academic recognition and privileging the engaged thought and action of the women’s movement.


2019 ◽  
Vol 17 (1) ◽  
pp. 25
Author(s):  
Sandi Rosadi

The correlation between civil society and democracy is a big discussion in academic world. Democracy that engenders a civic culture usually linked into a tolerant behavior in society. This study aims to understand how the participation of individuals in civil society, in this case is BPK (fire fighter community) in Banjarmasin, cause them to become more tolerance in a pluralistic society. In addition, this study also examines whether the involvement of member to BPK in Banjarmasin make them as an individual who is more attentive and tolerant towards different groups or vice versa. This study argues that there is a correlation between a personal membership in civil society with their augmentation in tolerance attitude. The case of fire fighter community in Banjarmasin shows an establishment of a brotherhood among its members. The attitude of ”sanak ikam” or your brother brings up the attitude of civic members' tolerance of all the differences that exist in other individuals in general and differences in members of BPK in particular. Furthermore, on personal level, a member's attitude towards tolerance can also be affected by the diversity of members in BPK who their affiliated. However, BPK has the possibility of being a place for political contestation. On one side BPK has been playing a role in fostering tolerance in Banjarmasin society, on the other hand, it is possible in the future become a double-edged knife that even destroys the tolerance that has been formed.


Author(s):  
Jesúús-Maríía Silva Sáánchez

The prevailing theory in continental European and Latin American legal literature distinguishes two kinds of punishable omissions: the simple (or "authentic," "genuine") omission and the "inauthentic" or "pseudo" omission (also known as commission by omission, comisióón por omisióón). In this article a tripartite classification of crimes of omission is proposed. On the one hand, there are crimes of omission that are identical to cases of active commission (for which we should reserve the term of commission by omission). These are based on the idea of responsibility for one's own organization. On the other hand, there are simple crimes of omission in which we punish a breach of a duty of minimum solidarity toward our fellow citizens. Somewhere between these two categories lies a third type of aggravated crimes of omission that are based on liability for a breach of a duty of qualified solidarity (derived from specific institutions or relationships between people). Moreover, this threefold classification is based on the idea that differences between such omissions are a matter of degree.


2021 ◽  
Vol 2 (3) ◽  
pp. 1-11
Author(s):  
Silvia RocaMartinez

This article traces Gioconda Belli’s trajectory as a writer, feminist, and political activist. Belli, who is known as one of the organic intellectuals of the Nicaraguan Sandinista Revolution, has consistently used her platform as one of the most renowned contemporary Latin American writers to provide a voice that transcends national borders to the Nicaraguan cause since the early 1970s. Through the analysis of some of her most notable works, some of her contributions in the national and international press, as well as social media publications, we examine the way her many roles have informed each other over the years and accomplished a two-fold goal: on the one hand, she has documented and theorized on the recent history of Nicaragua, in addition to keeping those in power in check; on the other hand, she has become one of the foremothers of Nicaraguan feminism. As this article shows, not only has she crafted—both in writing and action— a roadmap for younger generations of women, but she has also documented and influenced the evolution of feminism in Nicaragua.


Author(s):  
Jay Parini

Beginnings. One of the things I have most prized about working in the academy is the sense of beginnings. There is always a fresh start, with new students, new colleagues, new courses. Even old colleagues somehow look new in September, when the light of the sun seems especially bright, gearing up for a final summery blast before the inevitable decline, what Robert Frost in “The Oven Bird” called “that other fall we name the fall.” It has always seemed ironic to me that one begins anything in the fall, or that a sense of starting over should connect, visually, with the blood-bright failure of so much greenery. Emotionally, the school year ought to open in springtime, when the buds do: there would be a feeling in the air of everything starting over. But it doesn’t work that way. Somewhere, long ago, somebody thought up the notion that academic terms should begin in the fall: probably when the work of harvesting was over, so that farm boys could study with impunity. I often think of “Spring and Fall,” a poem by Gerard Manley Hopkins. In it, the narrator happens upon a young girl, Margaret, who stands amid a typical autumn scene, with the golden leaves tumbling around her. For unknown reasons, she is weeping. The poet, more to himself than to the girl, concludes: . . . Ah! as the heart grows older It will come to such sights colder By and by, nor spare a sigh Though worlds of wanwood leafmeal lie; And yet you will weep and know why. Now no matter, child, the name: Sorrow’s springs are the same. Nor mouth had, no nor mind, expressed What heart heard of, ghost guessed: It is the blight man was born for, It is Margaret you mourn for. . . . In other words, Margaret (like the narrator as well as the poem’s readers) must go the way of all leaves, whether or not she consciously knows it. When we feel sorry in the autumn, we are mourning our own mutability. On the other hand, the rhythm of the academic world runs counter to this natural grieving, so aptly symbolized by the seasons.


Author(s):  
Enrique Ajuria Ibarra

Recently, scholarly criticism has acknowledged the presence of the Gothic in Latin America, which should be distinguished from magic realism and the fantastic. Latin American Gothic evinces regional, tropicalised and hybridised nuances that not only adapt the mode to specific cultural and regional anxieties, but also have helped coin terms such as ‘Tropical Gothic’. On the other hand, Guillermo delToro’s popularity has brought attention to Latin American Gothic horror in twenty-first-century visual media and how it address issues of identity, folklore and haunting. This chapter analyses the appropriation of Gothic motifs in the films Somos lo que hay (We are What We Are, 2010), La casa muda(The Silent House, 2010) and Juan de losmuertos(Juan of the Dead, 2011). It explores Tropical Gothic, medicine and faith in the TV series Niño santo (2011–14) and reviews the #CharlieCharlieChallenge trending topic on social media as an everyday Gothic experience.


2021 ◽  
Vol 30 (1) ◽  
pp. 181
Author(s):  
Paweł Lesiński

<p>The main object of the presented article is to prove that, according to Robert von Mohl’s views on the idea of civil rights, he should be classified as the exponent of moderate early German liberalism. The first section of the study drafts a background for its next two parts. It presents the socio-political circumstances of the German states from the beginning of the 19<sup>th</sup> century to the developments of the Springtime of the Peoples. The analysis of the German scholar views on the citizenship’s idea in the context of the <em>Rechtsstaat</em> and basic rights notion is undertaken in the second part of the article. In the third part, it is proved, that von Mohl was a thinker who chose the path of the “golden mean”. Regarding the citizen’s position in state, on the one hand, he proposed a substantial catalogue of civil rights. On the other hand, he didn’t support the idea of universal political rights.</p>


Author(s):  
Gabriela Cipponeri ◽  
Juan Manuel Lacalle ◽  
Kaila Yankelevich

RESUMEN: La historieta contemporánea latinoamericana que toma el imaginario medieval como base de su construcción ficcional no ha sido suficientemente estudiada por la crítica. En este artículo nos proponemos llevar a cabo un análisis de la serie Almer, del argentino Manuel Loza, publicada durante la segunda década del siglo XXI. Nos centramos, por un lado, en las continuidades que esta ficción presenta con la materia medieval y, por otro lado, en las particularidades que adquieren los personajes y las aventuras acaecidas en un contexto diverso. Entre estos aspectos se destaca la reelaboración de un elemento particular del mito artúrico, la igualdad entre pares, para la creación de un caballero novedoso cuya tarea es, fundamentalmente, la de proteger a los trabajadores y los oprimidos de la sociedad. Al final se incluye como apéndice una entrevista realizada al autor en 2021 con motivo del presente número de Storyca. ABSTRACT: Contemporary Latin-American comics that adopt the medieval world as the basis of their fictional creation have not been sufficiently studied by scholars. In this article we propose to carry out an analysis of the series Almer, by the Argentinian author Manuel Loza, published during the second decade of the 21st century. We focus, on the one hand, on the extensions of the medieval matter found in this fiction and, on the other hand, on the peculiarities that the characters have and the adventures that take place in a diverse context. Among these aspects we highlight the redefinition of one of the elements of the Arthurian myth, that of equality among peers, in order to create a novel knight whose task is, above all, to protect laborers and the oppressed in society. At the end we include, as an appendix, an interview conducted to the author in 2021 on the occasion of the current volume of Storyca.


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