The New Toryism and the Imperial Reaction at the Accession of George III

Author(s):  
James M. Vaughn

This chapter focuses on the conservative reaction to the emergence of radical Whiggism in the 1750s and 1760s —termed the New Toryism—that developed during the 1760s and early 1770s. What was the character of the New Toryism? How and why did it transform British overseas expansion as a whole, from the colonies of North America and the West Indies to the trading settlements of South Asia? Before examining in detail the rise and development of the New Toryism during the early reign of King George III and the shift it led to in Britain's imperial expansion, it first settles accounts with the Namierite interpretation that has remained prominent for over six decades in the historiography on the politics of empire during the 1760s and 1770s.

1982 ◽  
Vol 23 (2) ◽  
pp. 141-149 ◽  
Author(s):  
David D. Mays

On Monday, October 16, 1758., Hugh Gaine reported a novelty. “Friday last,” he told his readers in the New-York Mercury, “arrived here from the West Indies, a Company of Comedians; some Part of which were here in the Year 1753.” This brief notice, which went on to assure its readers that the company had “an ample Certificate of their Private as well as publick Qualifications,” marks the beginning of the most significant event in American theatre history: the establishment of the professional theatre on this continent. The achievements of the Company of Comedians during its sixteen-year residence in North America are virtually without parallel in the history of the theatre, and have not received sufficient recognition by historians and scholars.


1930 ◽  
Vol 62 (4) ◽  
pp. 84-87 ◽  
Author(s):  
M. C. van Duzee

Male: Length 2.6-3 mm. Head, thorax, abdomen, legs and feet thickly white pruinose, but the ground color showing through; face moderately wide, wholly pollinose, this pollen yellow in the middle, reaching the orbits at the suture, sides of upper part narrowly, below the suture widely white pollinose, sonsetimes the yellow pollen covers most of upper part and extends onto the inner part of the palpi; palpi with snow white pollen, each nearly as large as upper part of face; antennae wholly yellow, small, arista whitish; orbital cilia white, rather long on the sides; occiput, front, thorax and abdomen reddish coppery, posterior margins of abdominal segments sometimes green ; bristles of thorax small, black; hairs of ahdomen very short, white; pleura and coxae black with ground color nearly concealed with white pollen, tips of coxae yellow; hypopygium small, with a long, straight, black appendage extending forward under the abdomen and small yellowish appendages inside of this long one; femora, tibiae and tarsi pale yellow, last two joints of all tarsi blackish; the minute hairs on all femora and tibiae white, the small bristles on tibiae black; fore tibiae with a row of long white hairs on upper surface, which are as long as diameter of tibiae and extend to fourth tarsal joint, becoming shorter towards the end; apical joint of middle tarsi very slightly widened; pulvilli not enlarged ; joints of fore tarsi as 20-8-6-5-7 ; of middle ones as 32-14-9-6-6; joints of posterior pair as 25-19-11-6-7.


Author(s):  
Anne-Marie Lee-Loy

Asians in the West Indies are primarily migrants and their descendants from either South Asia or China. The representation of the Chinese in West Indian fiction is integrally connected to the specific development of the region. Indeed, to consider the role that the Chinese play in West Indian fiction is to engage, more generally, in the act of imaginatively locating the West Indies. Despite the fact that numerically, they have always held a marginal status in the region, the Chinese are very much present in West Indian literary landscapes. The recurring representations of the Chinese and Chineseness in such fiction are intimately tied to locating the metaphorical and discursive contours of the West Indies and of West Indians. In this context, depictions of the Chinese in West Indian literary texts tend to follow three lines of representation: (1) defining the region as an exotic “other place”; (2) negotiating the boundaries of West Indian belonging; and (3) complicating settled narratives of West Indian identity.


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