Introduction: occupying and colonising

Author(s):  
Gavin Brown ◽  
Fabian Frenzel ◽  
Patrick McCurdy ◽  
Anna Feigenbaum

The book’s second section - ‘Occupying and Colonizing’ - addresses a different set of spatial politics posed by protest camps. The authors are concerned here with the politics of occupying (public) space for protest and the tensions that can arise from this. Urban protest camps, in particular, frequently seek to occupy public space in order to draw attention to the policies of political and economic elites. The authors question how certain ‘publics’ are brought into being by protest camps, whilst the existence of others might be elided or erased. This section addresses the constitutive power of protest camps as a political and communicative space. Here, the spatial character of a protest camp as its own sphere of life and communication creates a disposition between the two, something that leads to various relationships from clear cut antagonism between ‘the camp’ and ‘the outside’ to more heterotopic overlaps, as well as more blurred boundaries in communication and action.

Author(s):  
Christian D. Liddy

Urban liberties—the privileges and responsibilities linked to citizenship—were understood spatially. This chapter argues that urban politics were spatial politics. Space was not only the terrain upon which wider political battles were fought, but the object of contestation in its own right. The chapter identifies an idea of public space, in which ordinary citizens were anxious about and sensitive to its proper use. Spatial politics in towns were specifically about boundaries. Townspeople conceived a connection between three seemingly separate practices: encroachment upon streets and lanes; the segregation of religious houses within ecclesiastical closes; and the enclosure of common lands. In the course of their disputes, townspeople learned to become citizens.


Author(s):  
Samuel Llano

This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.


2017 ◽  
Vol 17 (1) ◽  
pp. 54-74 ◽  
Author(s):  
Jillian M Rickly

With individuals continually on the move, mobility fosters constellations of places at which individuals collectively moor and perform community. By focusing on one climbing destination—the Red River Gorge—this article works across scales to highlight the spatial politics of mobilizing hospitality. In so doing, it summarizes the ways hosting/guesting thresholds dissolve with the growth of particular rock climbing–associated infrastructures and moves to examine the ways climbers’ performances of community result in the (semi-)privatization of public space and attempts at localization. Furthermore, this article highlights the ways mobility is employed to maintain a political voice from afar, as well as to forge “local” identities with The Red as place with distinct subcultural (in)hospitality practices. Hospitality practices affirm power relations, and they communicate who is at “home” and who has the power in a particular space to extend hospitality. The decision to extend hospitality is not simply the difference between an ethical encounter and a conditional one; it takes place in the very performance of identity. Thus, integrating a mobilities perspective into hospitality studies further illuminates the spatial politics that are at play in an ethics of hospitality.


2012 ◽  
Vol 42 (166) ◽  
pp. 151-162
Author(s):  
Michael Janoschka ◽  
Jorge Sequera

The radical conquest of public space and its transformation into political spacehave introduced major alterations of the Spanish public sphere after the outbreak of the 15-Mmovement. Such modifications refer also to a topic of symbolical interest, which is the conceptionand configuration of urban space – a space that in the course of neoliberal urbanproduction has been characterized as a residual category and a place of controlled and profitorientedactivities. By analysing key practices of the protest movement, the article brings togetherdebates from critical urban geography and political theory. In a first step, it develops aconceptual perspective towards the multiple logics of neoliberal urbanism and the transformationof public space. Subsequently, counter-hegemonic spatial politics and urban demandswill be discussed through the conceptualization of protest as acts of citizenship, proclaimingthe construction of the public sphere and public space via strategic disobedience and thetransgression of rules and laws. Protest camps, public political assemblies and recent squattingcan be analysed as newly created spaces of citizenship that reconstruct the meaning of publicspace and of a political and politicised public sphere, claiming different ways of policy making.


Author(s):  
Angelika Psenner

As proven in the preceding pilot study the historical Viennese ground floor originally presented an intruiging and essential semi-public sphere with no clear-cut boundary between inside and out. Rather, doors and windows were left open most of the time so that there were many points that gave access to the ground-floor premises. Original photos from the period attest to this: the ground-floor facades were permeable; semi-public or even private uses of the ground floor extended to the street, and conversely, the premises were easily accessible to the “public flow.” In addition many of the ground-floor premises in the chosen research area were connected with basement floors or cellars underneath, which meant a further extension of the urban parterre. The (commercial) use of the street-facing premises in most cases also included the interior courtyard. Today, interior courtyards mostly accommodate garbage cans or dumpsters; more intensive, diversified uses of this part of the StadtParterre nowadays are rare. Thus the historical StadtParterre was a ramified, varied, much-used and hence engaging space. Permeable ground-floor facades provided a flexible interface between public and semi-public spaces; intensely interacting with one another. First and foremost, though, the point here is to acknowledge the significance of the urban parterre for the functoning of a city—a fact that has somewhat fallen into oblivion in the noughties of the 21st century ever since the emergence of 3D city modeling. The reason for this may be that conventional 3D city models canot really represent intricate, small-scale, multilayered, and ramified ground-floor structures und thus prevent us from perceiving them in a broader functional perspective.The paper discusses reasons and socio-urban effects of a dis-linked, malfunctioning urban parterre.References Anderson, S. ed. (1978): On Streets. Cambridge, MA, and London: MIT Press. Appleyard, D. (1981): Livable streets. Berkeley: University of California Press. Davis, H. (2012): Living Over the Store: Architecture and Urban Life. London and New York: Routledge. Gehl, J. (1996): Life between Buildings: Using Public Space. Translated by Jo Koch. Copenhagen: Arkitektens Forlag (orig. Livet mellem husene. 1978). Krusche, J. and Vogt, G. (2011): Strassenräume Berlin, Shanghai, Tokyo, Zürich: Eine foto-ethnografische Untersuchung. Baden, CH: Lars Müller Publishers. Scheuvens, R. and Schütz, T. (2012): Perspektive Erdgeschoss, Werkstattbericht 121. Vienna: Magistratsabteilung 18, Stadtentwicklung und Stadtplanung. 


ARTMargins ◽  
2017 ◽  
Vol 6 (2) ◽  
pp. 27-49
Author(s):  
Paloma Duong

Despite the home's long history as a locus of cultural and political action in Cuba, serious studies of its informal residential culture are only now beginning to emerge. This article explores how the exhibition of art in private homes intervenes in debates about public space in Havana. It situates these exhibition practices historically with respect to the spatial politics of the Cuban Revolution of 1959, while mapping the reorganization of official and unofficial cultures after the demise of the Soviet bloc. Bringing into relief how these home exhibits problematize state and market alliances in the postsocialist context, I argue that these practices are doubly embedded in local as much as global polemics regarding the place—literally and metaphorically—of art today.


2019 ◽  
Vol 64 ◽  
pp. 02004
Author(s):  
Caroline Claus ◽  
Burak Pak

This paper reflects the preliminary findings of a PhD research on the spatial politics and potentials of noise and vibration, and the affective or attractive and repulsive power of sonic force. We focus on the public space of a railway area in transformation in Brussels, where sonic conflicts are prevalent. To explore the affordances of a sonic urbanism as critical spatial practice and thus to break free from prevailing modes of urbanism which focus on sonic risk and vibrational nuisance − we constitute a working practice exploiting and nurturing the productive encounters between disciplines such as sound art, urbanism and urban architecture. By setting up an experimental design studio at the KU Leuven Faculty of Architecture, embedded in local auditory culture and in connection to ongoing planning processes, we aimed to facilitate an open learning ground for sonic design experimentation in the development of innovative sonic spatial tools and approaches. The studio was oriented to students of the International Master in Architecture summoned to research the multiple (sonic) vibrations of the L28 railway area, to exploit and contrast these vibrational forces, transforming them to into actions and opportunities. From a critical sonic understanding of urban space, students played and explored a contradictory role compared to the widespread noise control practices, reformulated environments, perimeters and relations of urban phenomena and searched for interactivity with vibrational dynamics that already exist in the territory.


2015 ◽  
Vol 11 (1) ◽  
Author(s):  
Piotr Cap

AbstractThis paper is a tentative attempt to identify some basic-level conceptual and theoretical problems underlying the mainstream genre theory, which adversely affect the analysis of rapidly evolving, complex and hybrid genres in the modern communicative space. Having discussed these problems, I go on to I argue that the space of contemporary public communication should be viewed as not only an “analytic problem”, but also/rather a domain whose explorations could potentially revise the existing principles of genre theory. In particular, I suggest such explorations should focus on the conception of (public communication) genres as (i) abstractions, (ii) activators and realizers of context, (iii) flexible macrostructures, (iv) social field entities, (v) assigners of interpersonal roles. Notwithstanding a possible advancement of genre theory resulting from this approach, I conclude that it is only a first and admittedly uncertain step in trying to establish a sound theoretical framework for communicative genres in the modern discourse space.


2020 ◽  
pp. 353-367
Author(s):  
Suzannah Griffith

Play in Melbourne City outlines a series of playful incursions in Melbourne, Australia’s central city that hopes to act as a reminder of the potential power and influence that individual citizens have in disrupting, creating and recovering public space. This is a practice-based exploration that uses Melbourne city as its site. Through a series of playful guerrilla theatre style incursions, the artist creates and embodies fictional characters that spontaneously appear throughout the city. Notions of the carnivalesque are harnessed through the use of masks, costumes and puppetry. Each character investigates and responds to a specific issue of spatial politics within the city, with the works importantly sitting outside of the scheduled template of gallery exhibitions and festivals. For the conceptual framework, the artist draws on Henri Lefebvre’s ideas of the production of space and Chantal Mouffe’s ‘agonistic’ model of public space.


2017 ◽  
Vol 49 (2) ◽  
pp. 327-330 ◽  
Author(s):  
Mona Atia

Though a multidisciplinary field, Middle East studies has historically had little engagement with the theoretical and methodological contributions of the discipline of geography. In the wake of the Arab Spring, there was a turning point, as scholars of the region noted the importance of public space to the uprisings, thus sparking engaging debates about urban spatial politics. In fact, Middle East studies is not alone in its newfound affinity to geography; a shift to what many have called “the spatial turn” across the social sciences and humanities has put geography in the limelight. Geography is in fact the original “area” studies—geographers of the early 20th century saw the main rationale of their discipline as identifying and describing regions, and the region was the core geographical concept. The post–World War II area studies boom occurred much at the expense of the discipline; after Harvard University closed its geography program in 1948, the University of Pennsylvania, Yale University, Columbia University, and other Ivy League schools soon followed and Title VI essentially led to the closing of numerous other geography programs around the country—including Stanford University, the University of Michigan, Northwestern University, and the University of Chicago. A growing sentiment within the ivory tower found the discipline too ambiguous and asserted that a university did not need geography to be a great institution.


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