scholarly journals The loss of semi-public spheres within the Vienna urban parterre system—cause and effect study

2017 ◽  
Author(s):  
Angelika Psenner
Keyword(s):  
New York ◽  
Public Space ◽  
Research Area ◽  
Effect Study ◽  
Urban Life ◽  
Small Scale ◽  
Ground Floor ◽  
The Public ◽  
Clear Cut ◽  
City Modeling

As proven in the preceding pilot study the historical Viennese ground floor originally presented an intruiging and essential semi-public sphere with no clear-cut boundary between inside and out. Rather, doors and windows were left open most of the time so that there were many points that gave access to the ground-floor premises. Original photos from the period attest to this: the ground-floor facades were permeable; semi-public or even private uses of the ground floor extended to the street, and conversely, the premises were easily accessible to the “public flow.” In addition many of the ground-floor premises in the chosen research area were connected with basement floors or cellars underneath, which meant a further extension of the urban parterre. The (commercial) use of the street-facing premises in most cases also included the interior courtyard. Today, interior courtyards mostly accommodate garbage cans or dumpsters; more intensive, diversified uses of this part of the StadtParterre nowadays are rare. Thus the historical StadtParterre was a ramified, varied, much-used and hence engaging space. Permeable ground-floor facades provided a flexible interface between public and semi-public spaces; intensely interacting with one another. First and foremost, though, the point here is to acknowledge the significance of the urban parterre for the functoning of a city—a fact that has somewhat fallen into oblivion in the noughties of the 21st century ever since the emergence of 3D city modeling. The reason for this may be that conventional 3D city models canot really represent intricate, small-scale, multilayered, and ramified ground-floor structures und thus prevent us from perceiving them in a broader functional perspective.The paper discusses reasons and socio-urban effects of a dis-linked, malfunctioning urban parterre.References Anderson, S. ed. (1978): On Streets. Cambridge, MA, and London: MIT Press. Appleyard, D. (1981): Livable streets. Berkeley: University of California Press. Davis, H. (2012): Living Over the Store: Architecture and Urban Life. London and New York: Routledge. Gehl, J. (1996): Life between Buildings: Using Public Space. Translated by Jo Koch. Copenhagen: Arkitektens Forlag (orig. Livet mellem husene. 1978). Krusche, J. and Vogt, G. (2011): Strassenräume Berlin, Shanghai, Tokyo, Zürich: Eine foto-ethnografische Untersuchung. Baden, CH: Lars Müller Publishers. Scheuvens, R. and Schütz, T. (2012): Perspektive Erdgeschoss, Werkstattbericht 121. Vienna: Magistratsabteilung 18, Stadtentwicklung und Stadtplanung. 

Analysis on Building Readable Image of Urban Public Spaces

2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng
Keyword(s):  
New York ◽  
Public Space ◽  
Urban Space ◽  
Public Spaces ◽  
Urban Life ◽  
Space Images ◽  
Urban Public Space ◽  
Good Image ◽  
The Public ◽  
The City

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.

scholarly journals Neighbourhood events and the visibilisation of everyday life: The cases of Turro (Milan) and Norra Fäladen (Lund)

2017 ◽  
Vol 26 (1) ◽  
pp. 50-64 ◽  
Author(s):  
Sebastiano Citroni ◽  
Mattias Karrholm
Keyword(s):  
Everyday Life ◽  
Public Space ◽  
Public Life ◽  
Urban Life ◽  
Small Scale ◽  
The Public ◽  
The Everyday ◽  
City District ◽  
Public Character ◽  
Comparative Ethnography

While scholars agree on the reasons behind the current proliferation of urban, small-scale, pre-organised events, the implication of these events for public life is more controversial, and involves polarised debates between enthusiasts and critics. This paper develops an international comparison between one city district in Milan (Italy) and one in Lund (Sweden), in order to explore how the variety of events that took place there between 2013 and 2015 possibly affected the local and on-going everyday public life. In both cases, the observed events aimed to de-stigmatise the broader urban districts in which they were staged, as well as to enhance a vibrant urban life in relatively disadvantaged areas. In the study, we identify three different ways in which these events make the public character of everyday life visible, and even redefine patterns of urban civility. The main argument deriving from our comparative ethnography is that the salience of events in the everyday life that they supposedly disrupt can be analytically addressed by developing a pragmatist approach to public space, discussing it in terms of territorial complexity.

Early Debates

2018 ◽  
Author(s):  
Samuel Llano
Keyword(s):  
Eighteenth Century ◽  
Public Space ◽  
Domestic Space ◽  
Limited Resources ◽  
Public And Private ◽  
Conduct Manuals ◽  
The Public ◽  
Clear Cut ◽  
The Social ◽  
Undeserving Poor

This chapter provides an account of how organilleros elicited public anger because their activity did not fit into any of the social aid categories that had been in place since the late eighteenth century. Social aid in Spain relied on a clear-cut distinction between deserving and undeserving poor in order to rationalize the distribution of limited resources and reduce mendicancy on the streets. Organilleros could not, strictly speaking, be considered idle, since they played music, but their activity required no specific skills and was regarded with suspicion as a surrogate form of begging. The in-betweenness of the organillero caused further anger as it challenged attempts to establish a neat distinction between public and private spaces. On one hand, organillo music penetrated the domestic space, which conduct manuals of the nineteenth century configured as female; on the other, it brought women into the public space, which those manuals configured as male.

scholarly journals Public space: an exhibition of photography and video

2021 ◽  
Author(s):  
Martin Franchi
Keyword(s):  
New York ◽  
Public Space ◽  
General Public ◽  
Private Property ◽  
Urban Environments ◽  
First Century ◽  
The Public ◽  
Unrestricted Access ◽  
Private Corporations ◽  
The Public Sphere

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.

scholarly journals NYC POPS: Exploring Human Agency of the Public Sphere

2021 ◽  
Author(s):  
◽  
Anna Constable
Keyword(s):  
New York ◽  
Public Space ◽  
Social Life ◽  
Social Space ◽  
Public Spaces ◽  
Test Case ◽  
Late 20Th Century ◽  
The Public ◽  
The Public Sphere ◽  
Privately Owned

<p>This thesis aims to investigate, through design, spatial agency within the realm of New York City’s Privately Owned Public Spaces. The notion of agency in architecture is directly linked to social and political power. Starting in 1961, New York’s city planners introduced an incentive zoning scheme (POPS) which encouraged private builders to include public spaces in their developments. Many are in active public use, but others are hard to find, under surveillance, or essentially inaccessible. Within the existing POPS sites, tension is current between the ideals of public space - completely open, accessible - and the limitations imposed by those who create and control it. Designed to be singular, contained, and mono-functional, POPS do not yet allow for newer ideas of public space as multi-functional, not contained/bounded but extending and overlapping outward.  As public-private partnerships become the model for catalyzing urban (re)development in the late 20th century, bonus space is an increasingly common land use type in major cities across the world. The quality and nature of bonus spaces created in exchange for floor area bonuses varies greatly. In many cases, tensions in privately owned space produce a severely constricted definition of the public and public life. Incentive zoning programmes continue to serve as a model for numerous urban zoning regulations, so changing ideas of public space and its design need to be tested in such spaces.  These urban plazas offer a test case through which to examine agency, exploring how social space is also political space, charged with the dynamics of power/ empowerment, interaction/ isolation, control/ freedom. This thesis looks at one such site, the connecting plaza sites along Sixth Avenue between West 47th St and West 51st St. This is an extreme example of concentrated POPS sites in New York City. Here one’s perception and occupation of space is profoundly affected by the underlying design of that space which reflects its private ownership. Privately Owned Public Space can be designed that is capable of/ challenging the notion of the public in public space, and modifying the structure of the city and its social life.</p>

scholarly journals Cambridge Servicemen’s Memorial (Breuer, 1945): espacio público para el recuerdo

2019 ◽  
Vol 6 (2) ◽  
pp. 27
Author(s):  
Salvador José Sanchís Gisbert ◽  
Pedro Ponce Gregorio ◽  
Ignacio Peris Blat
Keyword(s):  
Public Space ◽  
Large Scale ◽  
Residential Buildings ◽  
Small Scale ◽  
First Year ◽  
Residential Land ◽  
The Public ◽  
International Recognition ◽  
The World ◽  
Strong Commitment

Marcel Breuer was in the first year of architectural technicians to graduate from Bauhaus School. The peculiar education he received there allowed him to explore the concept of design in its broadest sense. In his European stage we find, on the most private and small scale, unique solutions for furniture. In his first American stage we see a strong commitment with solutions related to the residential land and, when he earned international recognition, he developed large scale solutions for his public non-residential buildings and urban equipments in locations all over the world. It is strange to see that an architect like him did not have the opportunity to materialize any of his proposals associated with the public space. The 1945 Cambridge Servicemen’s Memorial project, also known as the Memorial War, is the most significant one he developed in his last years in Cambridge. Had it been built, it would have been a valuable example of modernity and contemporary reinterpretation of the monument in the public space.

scholarly journals Afterword: Ghosts of Slavery

2020 ◽  
Vol 65 (S28) ◽  
pp. 225-236
Author(s):  
Ana Lucia Araujo
Keyword(s):  
New York ◽  
Public Space ◽  
Rio De Janeiro ◽  
Special Issue ◽  
Social Actors ◽  
The Public ◽  
Chattel Slavery ◽  
Urban Slavery

AbstractThis afterword engages with the theme of this Special Issue by discussing the significance of urban slavery in slave societies and societies where chattel slavery existed in Europe, Africa, and the Americas. It discusses how, despite the omnipresence of slavery in cities such as Rio de Janeiro, Salvador, New York, and Charleston, the tangible traces of the inhuman institution were gradually erased from the public space. It also emphasizes that, despite this annihilation, over the last three decades, black social actors have made significant interventions to make the slavery past of Atlantic cities visible again.

Outside the World of Tomorrow

2014 ◽  
Vol 40 (6) ◽  
pp. 1011-1027
Author(s):  
Daniel Hart London
Keyword(s):  
New York ◽  
Public Space ◽  
Trade Unions ◽  
Public Support ◽  
Corporate America ◽  
The Public ◽  
American Federation ◽  
The World ◽  
The Face ◽  
Workplace Rights

This paper analyzes the 1939–1940 New York World’s Fair as a conflicted site of public-sphere formation, and the repercussions of these conflicts on organized labor in New York. Conceived within the liberal administration of Mayor La Guardia and dedicated to the principles of social cooperation, this “closed-shop exposition” granted American Federation of Labor (AFL) trade unions an unprecedented degree of workplace benefits and rhetorical support by the Fair administration. This was undermined, however, by the trade unions’ limited public activities within the fair itself and their refusal of city offers to establish outreach and educational programs through events, rallies, and pavilions. As a result, the public space and discourse of a fair nominally devoted to social interdependence was appropriated by a variety of other interests, particularly those of corporate America. This marginalization would ultimately contribute to delegitimization, as allegations of graft and racketeering by visitors, exhibitors, and the national media framed labor as a direct threat to the “World of Tomorrow” and its visitors. Millions of Americans found their visits marred by exorbitantly inflated prices, delayed by strikes, and disappointed by cancelled exhibits. In the face of outside pressure, and with labor groups unable to address hostile critiques within the fair itself, the exposition administration withdrew its public support for unions while dramatically restricting their workplace rights. In this way, the “business-union” principles of the AFL not only undermined their legitimacy in the eyes of the public, despite the efforts of liberal municipal officials to promote them, but ultimately served to undo those very workplace gains such principles were meant to secure.

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