Gender, Genre, and the (Missing) Gazelle: Arab Women Writers and the Politics of Translation

2012 ◽  
Vol 38 (1) ◽  
pp. 17-49
Author(s):  
Michelle Hartman
Keyword(s):  
1970 ◽  
pp. 4-5
Author(s):  
Rose Ghurayyib

Rima Alamuddin's premature death occured only 14 years ago (1963); yet, she may be considered a pioneer in the sense that she was one of the few Lebanese or Arab women writers who chose to express themselves in English. Moreover, she was a pioneer in her efforts to create her own original style and to inaugurate personal modes of expression inspired through her knowledge of the English language and modern Western Literature.


2020 ◽  
Vol 3 (1) ◽  

This paper addresses the issue of assimilation and identity as seen through some work that is written by Arab American women writers. The paper provides a brief history of Arab American immigration to USA. It primarily, examines three Arab American writers and highlights their impact on the American culture. The paper explores the three writers’ impact on the literature on showing assimilation and identity conflict as Arab women born, raised or lived in America. This paper explores some of their work to examine how they tackle the issue of race, identity, and ethnicity in their work. The three Arab American writers this paper studies are Diana Abu Jaber, Leila Ahmad, and Naomi Shihab Nye. Finally, this paper argues whether Arab American women writers manage to achieve the assimilation and whether they utilize the issue of their identity in what they have written as fictional and nonfictional work.


Author(s):  
Nuha Ahmad Baaqeel

This essay will examine the concept of traumatic identity in My Name is Salma, exploring theories of traumatic identity and their relationship to the self in Arab Literature, the social context of the text and its historical resonance, and representation and identity via the female traumatic experience. The analysis will seek to reflect upon the impact and convergence of feminism, trauma and post colonialism within issues like the construction of the self, belonging, and the juxtaposition of homeland and exile. This essay argues, in part, that Arab women writers embrace trauma in their texts, while simultaneously critiquing the effects of trauma on the construction of personal identity. In particular, the work of Jordanian author, Fadia Faqir, in her novel, My Name is Salma (2007), provides a first-person narrative of the narrator and protagonist, Salma, who defines her personal identity as constructed from trauma, yet who is unable to process, mediate, or overcome her traumatic past. As she nevertheless attempts to construct a coherent narrative of self, the character of Salma allows readers insights into her thoughts, actions, and the way she views herself. This essay asserts further that the types of trauma that inform Salma’s narrative of self also speak to the experiences of many women in Arab states, such as the social stigmatization of so-called illegitimate birth, the violence of honour killing, racial abuse, Othering, and the dire circumstances and suffering inherent in life as a refugee.


1993 ◽  
pp. 443-462 ◽  
Author(s):  
Miriam Cooke
Keyword(s):  

Journeys ◽  
2021 ◽  
Vol 22 (1) ◽  
pp. 1-20
Author(s):  
Bernadette Andrea

This article focuses on two twentieth-century Anglophone Arab women writers’ accounts of their travels to “the West”: Leila Ahmed’s A Border Passage: From Cairo to America—A Woman’s Journey (1999), and Fatema Mernissi’s Scheherazade Goes West: Different Cultures, Different Harems (2001). While their engagement with orientalist conceptions of the harem has received some attention, how and why they deploy Sufi texts, concepts, and cosmologies to advance their “double critique” of local and colonial patriarchies has not been subject to a sustained analysis, despite its salience in their travelogues. This article establishes that the Sufi praxis of travel ( safar ) becomes a facilitating framework, and ultimately a methodology derived from culturally grounded ways of knowing and being, for their overdetermined journeys toward what has been called “Islamic feminism.”


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