A Portrait of the Novel: James, Flaubert, and the Quest for Literary Autonomy

2021 ◽  
Vol 42 (3) ◽  
pp. 213-228
Author(s):  
Elisa Sotgiu
Keyword(s):  

2017 ◽  
Vol 41 (2) ◽  
pp. 297-324
Author(s):  
Stephen Buttes

Este artículo estudia las tensiones entre los elementos barrocos y los elementos góticos en Aura (1962) de Carlos Fuentes. Estableciendo conexiones entre esta novela y La región más transparente (1958), el ensayo argumenta que en Aura Fuentes radicaliza la teatralidad de las formas barrocas y las góticas para señalar sus límites. Con el uso de la segunda persona singular, la novela desarrolla un concepto de modernidad que no se subordina a los modelos políticos existentes, un modelo parecido al arte anti-teatral en su variante pastoral estudiado por Michael Fried. Palabras clave: Carlos Fuentes, lo barroco, lo gótico, la antiteatralidad, la autonomía literaria  The present study examines the tensions between Baroque and Gothic elements in Carlos Fuentes’ Aura (1962). Analyzing unstudied connections between La región más transparente (1958) and Aura, the essay argues that Fuentes radicalizes the theatricality of Baroque and Gothic forms in his novel in order to signal their limits. With his use of the second person singular to narrate the novel, he seeks to develop a new concept of modernity, one that would not be subordinated to already existing political models. This concept of literary form parallels the pastoral conception of antitheatrical art studied by Michael Fried. Keywords: Carlos Fuentes, Baroque, Gothic, antitheatricality, literary autonomy



2010 ◽  
Vol 34 (8) ◽  
pp. S33-S33
Author(s):  
Wenchao Ou ◽  
Haifeng Chen ◽  
Yun Zhong ◽  
Benrong Liu ◽  
Keji Chen




2004 ◽  
Vol 171 (4S) ◽  
pp. 380-380
Author(s):  
Cleber E. Teixeira ◽  
R. Clinton Webb




Author(s):  
Doug Underwood
Keyword(s):  


Author(s):  
Suzanne Keen
Keyword(s):  


Author(s):  
Fabrice B. R. Parmentier ◽  
Pilar Andrés

The presentation of auditory oddball stimuli (novels) among otherwise repeated sounds (standards) triggers a well-identified chain of electrophysiological responses: The detection of acoustic change (mismatch negativity), the involuntary orientation of attention to (P3a) and its reorientation from the novel. Behaviorally, novels reduce performance in an unrelated visual task (novelty distraction). Past studies of the cross-modal capture of attention by acoustic novelty have typically discarded from their analysis the data from the standard trials immediately following a novel, despite some evidence in mono-modal oddball tasks of distraction extending beyond the presentation of deviants/novels (postnovelty distraction). The present study measured novelty and postnovelty distraction and examined the hypothesis that both types of distraction may be underpinned by common frontally-related processes by comparing young and older adults. Our data establish that novels delayed responses not only on the current trial and but also on the subsequent standard trial. Both of these effects increased with age. We argue that both types of distraction relate to the reconfiguration of task-sets and discuss this contention in relation to recent electrophysiological studies.



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