Interrogation, Torture, and Confession in William Faulkner’s Light in August

Author(s):  
W. Fitzhugh Brundage

This chapter explores the issue of police brutality Faulkner's seventh novel, Light in August. The novel locates the violent questioning of an African American detainee by the Yoknapatawpha County sheriff and his deputies within a national debate over custodial interrogation tactics that arose in the years after World War I, which became “a staple in American popular culture” as Faulkner was reaching maturity as a novelist. It shows that “the third degree,” as it came to be called, could be found not only in the legal and penal spaces of the Jim Crow South but also in the nation's metropolitan police departments. Faulkner demonstrates how “the difficulty of knowing, the indeterminacy of truth, and the ambiguity of identity” work to elicit and to compound the racialized violence of Light in August.

2019 ◽  
Vol 65 (3) ◽  
pp. 191-216
Author(s):  
Mark A. Tabone

This article focuses on the representation of history in African American author John A. Williams’s 1999 novel, Clifford’s Blues, a fictional account of a Black, queer American expatriate’s internment and enslavement in a Nazi concentration camp. Through a critical perspective that incorporates the imaginative recovery of (often silenced) history that Toni Morrison (1987) called “rememory,” along with what Holocaust scholar Michael Rothberg (2009) calls “multidirectional memory,” this article details Williams’s daring exploration of spaces of overlap between the histories of American slavery, Jim Crow, and the Nazi Holocaust. The article demonstrates how the novel’s unconventional and controversial emplotment allows Williams to create a distinctive historical critique not only of slavery and the Holocaust but, more broadly, of otherization, racialized violence, and modernity itself, while making a number of historiographic interventions. These include inscribing a largely absent history of the experience of Black people affected by the Holocaust and the mapping of theretofore underacknowledged resonances between American and German ideologies and practices. Through its transnational, transcultural “multidirectionality,” the novel opens up a broad, structural critique of apartheid everywhere; however, this article also argues that the novel also offers models for liberatory communities of resistance. The article demonstrates how Williams accomplishes this through his novel’s allegorical and literal use of the blues.


2003 ◽  
Vol 37 (1) ◽  
pp. 119-133 ◽  
Author(s):  
OWEN ROBINSON

Joe Christmas, the central figure of William Faulkner's Light in August (1932), is in many ways the archetypal character of the fictional Yoknapatawpha County, largely because his engagement with so many regional and theoretical archetypes undermines the authority of any one of them while displaying dramatically their cumulative effect as a multiform, created life. Such is the complexity of his presence and role in Light in August and Yoknapatawpha, that he suggests himself strongly as a means of considering the personal manifestations of the county's sprawling network of readings and writings as a theoretical mass. Indeed, for one of the most apparent characters in Faulkner's work, in terms of the strength of his actions and their results, he is phenomenally hard to pin down; this, indeed, is at the root of many of his problems and the problems of those who try to define him. To an extreme extent, Christmas forces us to see creative activity on every level of the fictive process: Faulkner and his reader, Joe himself and the numerous interpreters he has in the novel, and, crucially, in the encounters and tensions between them. As such, he is a pertinent means of comprehending the analogous nature of the writing and reading to be found within Yoknapatawpha with that of the series of novels in which the county is sited. In attempting to understand Joe Christmas, therefore, we must abandon any hope of discovering any singular or defining answers, and engage with him on the dialogic terms he demands.


Author(s):  
Jorge Luis Borges

This chapter discusses the work of William Faulkner, describing him as a man of genius, although a willfully and perversely chaotic one. Faulkner was born in Oxford, Mississippi; in his vast work the provincial and dusty town, surrounded by the shanties of poor whites and Negroes, is the center of his fictional Yoknapatawpha County. During World War I, Faulkner enlisted in the Royal Canadian Air Force. He then became a poet, a journalist connected with New Orleans publications, and the author of famous novels and movie scenarios. In 1950 he was awarded the Nobel Prize. Faulkner represents in American letters that feudal and agrarian South which lost in the Civil War. Among his works are The Sound and the Fury, As I Lay Dying, Light in August, Absalom, Absalom!, and Intruder in the Dust.


Author(s):  
Jennifer Ritterhouse

Distinctive patterns of daily life defined the Jim Crow South. Contrary to many observers’ emphasis on de jure segregation—meaning racial separation demanded by law—neither law nor the physical separation of blacks and whites was at the center of the early 20th-century South’s social system. Instead, separation, whether by law or custom, was one of multiple tools whites used to subordinate and exclude blacks and to maintain notions of white racial purity. In turn, these notions themselves varied over time and across jurisdictions, at least in their details, as elites tried repeatedly to establish who was “white,” who was “black,” and how the legal fictions they created would apply to Native Americans and others who fit neither category. Within this complex multiracial world of the South, whites’ fundamental commitment to keeping blacks “in their place” manifested most routinely in day-to-day social dramas, often described in terms of racial “etiquette.” The black “place” in question was socially but not always physically distant from whites, and the increasing number of separate, racially marked spaces and actual Jim Crow laws was a development over time that became most pronounced in urban areas. It was a development that reveals blacks’ determination to resist racial oppression and whites’ perceived need to shore up a supposedly natural order that had, in fact, always been enforced by violence as well as political and economic power. Black resistance took many forms, from individual, covert acts of defiance to organized political movements. Whether in response to African Americans’ continued efforts to vote or their early 20th-century boycotts of segregated streetcars or World War I-era patterns of migration that threatened to deplete the agricultural labor force, whites found ways to counter blacks’ demands for equal citizenship and economic opportunity whenever and wherever they appeared. In the rural South, where the majority of black Southerners remained economically dependent on white landowners, a “culture of personalism” characterized daily life within a paternalistic model of white supremacy that was markedly different from urban—and largely national, not merely southern—racial patterns. Thus, distinctions between rural and urban areas and issues of age and gender are critical to understanding the Jim Crow South. Although schools were rigorously segregated, preadolescent children could be allowed greater interracial intimacy in less official settings. Puberty became a break point after which close contact, especially between black males and white females, was prohibited. All told, Jim Crow was an inconsistent and uneven system of racial distinction and separation whose great reach shaped the South’s landscape and the lives of all Southerners, including those who were neither black nor white.


Author(s):  
Joshua Kotin

This book is a new account of utopian writing. It examines how eight writers—Henry David Thoreau, W. E. B. Du Bois, Osip and Nadezhda Mandel'shtam, Anna Akhmatova, Wallace Stevens, Ezra Pound, and J. H. Prynne—construct utopias of one within and against modernity's two large-scale attempts to harmonize individual and collective interests: liberalism and communism. The book begins in the United States between the buildup to the Civil War and the end of Jim Crow; continues in the Soviet Union between Stalinism and the late Soviet period; and concludes in England and the United States between World War I and the end of the Cold War. In this way it captures how writers from disparate geopolitical contexts resist state and normative power to construct perfect worlds—for themselves alone. The book contributes to debates about literature and politics, presenting innovative arguments about aesthetic difficulty, personal autonomy, and complicity and dissent. It models a new approach to transnational and comparative scholarship, combining original research in English and Russian to illuminate more than a century and a half of literary and political history.


Author(s):  
Benjamin Mangrum

This chapter examines the transformation of postwar liberalism by identifying the development of an American idiom within the existential thought that became influential after the Second World War. I frame the concerns and historical development of American existentialism through the work of Ralph Ellison, Richard Wright, Saul Bellow, and Stanley Donen’s film Funny Face (starring Audrey Hepburn and Fred Astaire). Contrasts are drawn between Ellison and two other writers: Carlos Bulosan and Ann Petry. In addition, the chapter discuses Cold War containment politics, McCarthy era anxieties about communism, changes in perceptions of organized labor, Jim Crow laws, segregation, and cultural attitudes regarding the American welfare state and political action.


2017 ◽  
Vol 52 (1) ◽  
pp. 187-189
Author(s):  
Davarian L Baldwin
Keyword(s):  
Jim Crow ◽  

2016 ◽  
Vol 51 (3) ◽  
pp. 833-864
Author(s):  
JOHN DAVID SMITH

This essay examines the broad and understudied contributions of pioneer American anthropologist Alexander Francis Chamberlain (1865–1914), who earned America's first PhD in anthropology at Clark University under the legendary anthropologist Franz Boas. Before his untimely death on the eve of World War I, and Boas's rise as a leading scientific spokesman of antiracism at Columbia University, Chamberlain contributed as significantly as Boas to the fields of linguistic and cultural anthropology, cross-cultural psychology, child development, comparative folklore, and Native American and African American culture, and to the cause of equality and justice for all humans. Chamberlain subscribed to an antiracist cultural evolutionism, frequently and passionately condemning ethnocentrism and insisting on the “generic humanity” of all persons, of all races. Close reading of Chamberlain's work suggests not that Boas's work mattered less, but rather that both men participated in an emerging debate on the nature and meaning of race that informed social policy and shaped academic interests during the Progressive Era.


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