6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period

1983 ◽  
Vol 15 (5) ◽  
pp. 639-661 ◽  
Author(s):  
I J Smith ◽  
M J Taylor

This paper explores the regional dimension of plant and firm closure in the United Kingdom using data for the ironfoundry industry over the whole of the postwar period but with particular emphasis on the 1967–1980 period. The impact of ownership on plant closure is stressed, and patterns of ownership change are shown to seriously prejudice the survival of plant in the industry in UK peripheral regions.


Author(s):  
Valerie Peters

This chapter examines how music education can benefit from the use of new electronic tools and materials for music making that allow learners to combine their interests and prior understandings toward deepening their engagement in music. By exploring how rhythmic video games like Rock Band bridge the large chasm that exists between youths’ music culture and traditional music education; how inexpensive recording hardware and software such as Audacity and GarageBand have provided youth with opportunities to compose and perform as only professional musicians could in the past; and how software like Impromptu successfully engages youth in music composition and analysis by enabling users to create and remix tunes using virtual blocks that contain portions of melodies and rhythmic patterns, this chapter argues that twenty-first-century music education, with the help of new technology, has the potential for engaging greater numbers of young learners in authentic music making and performance.


1996 ◽  
Vol 28 (1) ◽  
pp. 157-172 ◽  
Author(s):  
J Doling ◽  
J Ford

During the postwar period as a whole homeownership in Britain has been generally considered to be a desirable form of tenure. For many observers the present, since 1989, downturn in the market—characterised by high levels of arrears, stagnant or falling prices, negative equity, and so on—is a temporary blip from which sooner or later the enthusiasm for owning will recover. In the first part of this paper we analyse the British Social Attitudes Surveys for 1989 and 1991 in order to identify which groups in the population have most reduced their support for owning. The main conclusions are that the largest reduction has been amongst those groups who were already most marginal to the tenure and can be related to experiences in and expectations of the future of the economy as well as to specific, rather than general, characteristics of the tenure. In the second part of the paper we suggest that the basis of these attitudinal changes is to be found in the changing nature of work in Britain with there being a contradiction between the long-term commitment of ownership as it is currently organised and the insecurities of the labour market.


Author(s):  
Yuriko Furuhata

This chapter theorizes an afterlife of Imperial Japan's biological metaphors of lifeworld and circulation in the work of Japanese architect Tange Kenzō and his associates who came to form the internationally renowned movement of Metabolism in the early 1960s. Transposing these imperial metaphors onto postwar Japan's national body politic, Tange and other Metabolist architects frequently used the biological metaphors of blood circulation and the central nervous system to articulate their vision of urban planning. Focusing on the impact of electronic communication technologies on architecture, this chapter will explore how the modern biopolitical idea of maintaining the organic life of the nation persisted into the postwar period, and how this perspective on biopolitics in turn compels us to rethink certain assumptions we make about electronic media and information technologies.


Res Publica ◽  
1999 ◽  
Vol 41 (4) ◽  
pp. 451-480
Author(s):  
Bart Distelmans

During the postwar period, the Flemish press-scene changed fundamentally.  Alongside further commercialization and concentration, a process of structural depoliticization or depillarization took place: (financial) links betweenparties and trade unions on the one hand and newspapers on the other disappeared. This article examines the impact ofthese structural transformations on the newspapers' content. We emphasize marks of (de)pillarization in Flemish newspapers during cabinet formations. In 1958, the press took undeniably sides in the battle between the pillars: information about the formation of the new cabinet formed the background for these fights. In 1981 most attention went to the cabinet formation itself. The pillarization ofthe content was however on a more latent level not neglectable. Compared to 1958 and 1981 the old alliances between press and ideological institutions were far less visible in the content of 1995's newspapers. Apparently the depillarization ofthe Flemish press-content is an ongoing, longlasting process.


2020 ◽  
Author(s):  
Bryan Jun-Keat Choo ◽  
Thai-Shawn Cheok ◽  
David Gunasegaran ◽  
Kum-Seong Wan ◽  
Yuan Sheng Quek ◽  
...  

Influences of background music on consumer behaviour has economic potential for businesses, however, the precise parameters for manipulating these effects have remained elusive. In this study, the impact of different genres of background music on consumer spending was examined via a pilot field test conducted in three branches each of both a Japanese-themed and a Mexican-themed restaurant chain in Singapore. Three music genre conditions (‘pop’, ‘traditional’, ‘mix’), corresponding to the restaurants’ cultural theme, were played for a week in each restaurant. Data on total spending and spending per customer were collected and analysed. While direct music genre effects were not statistically significant, results indicated certain trends where higher consumer expenditure was observed in conditions utilizing a mixture of pop and traditional music (‘mix’). Specifically, spending per customer for the ‘mix’ condition was 11.4% higher than for ‘pop’ for the Japanese restaurant, whereas it was 6.3% higher for the ‘mix’ condition than for “traditional” for the Mexican restaurant. The results also further suggest that music could be tailored to different days of the week to appeal to different customer profiles and lend additional support for the leveraging of suitable music parameters to induce consumption behaviours.


2020 ◽  
Vol 2 (2) ◽  
pp. 158
Author(s):  
Surasak Jamnongsarn

Javanese gamelan and angklung to Thailand music gives the impact on the development of Thailand traditional music. That musical transculturation exists in the musical instrument of angklung and the musical concept of Javanese gamelan that are then mixed with the system of Thailand traditional music involving gamut (tuning system), presentment method, and its function in society. This transculturation shows the understanding of cultural relation between Thailand traditional music that has the background of Buddhism philosophy and Gamelan that has the background of Kejawen syncretism. These two kinds of music have formed the new characteristic and identity of Thailand music. Angklung played with the concept of Javanese gamelan called as angklung Thailand that then becomes Thailand traditional music. The article aims at revealing the transculturation of Javanese gamelan and angklung into the traditional music and its impact on the development of Thailand traditional music. This research used qualitative method with the accentuation in field research that involved researcher with the material object to delve various musical experiences by participating as the player of those two musical instruments. The transculturation of Javanese gamelan and angklung with Thailand traditional music has given the new development in Thailand traditional music. Keywords: Transculturation, Javanese gamelan, angklung, and Thailand traditional music  ABSTRAKTranskulturasi gamelan Jawa dan angklung ke Thailand memberikan dampak pada perkembangan musik tradisi Thailand. Transkulturasi musik itu berwujud pada alat musik angklung dan konsep musikal gamelan Jawa, kemudian bercampur dengan sistem musik tradisi Thailand, yang mencakup pada tangga nada (tuning system), carapenyajian, dan fungsinya dalam masyarakat. Transkulturasi inimemunculkan pemahaman relasi kebudayaan antara musik tradisi Thailand yang berlatar belakang filosofi Buddhisme dan gamelan yang berlatar belakang sinkretis kejawen. Kedua musik ini telahmembentuk ciri dan identitas baru musik Thailand.Angklung yang dimainkan dengan konsep gamelan Jawa yang disebut angklung Thailand selanjutnya menjadi musik tradisi Thailand. Artikel bertujuan mengungkap transkulturasi gamelan Jawa dan angklung ke musik tradisi serta dampaknya pada perkembangan musik tradisi Thailand. Penelitian ini menggunakan metode kualitatif dengan penekanan pada penelitian lapangan yang melibatkan peneliti dengan objek materialuntuk menggali berbagai pengalaman musikal dengan ikut serta bermain kedua musik itu. Transkulturasi gamelan Jawa dan angklung dengan music tradisi Thailand telah memberikan perkembangan baru pada musik tradisi Thailand. Kata kunci: transkulturasi, gamelan Jawa, angklung, dan musik tradisi Thailand 


2020 ◽  
pp. 197-230
Author(s):  
Benjamin Lapidus

This chapter explores how Puerto Rican and Nuyorican (New York-born Puerto Rican) musicians in New York City used jazz harmony, arranging, improvisation, and musical aesthetics to broaden the sound of Latin popular music from the postwar period into the 1990s and beyond. It argues that the Puerto Rican connection to jazz was extensive and encompassed a variety of styles and eras. The chapter challenges the debate over salsa's patrimony and development, by demonstrating how particular Puerto Rican musicians in New York City were fluent in jazz and incorporated it into Latin music. Much discourse has unfortunately centered on pitting Puerto Rican against Cuban musicians or looking only at commercial or sociocultural considerations when considering Latin music in New York. Proficiency in both jazz and Latin music allowed Puerto Rican musicians to innovate in ways that did not happen in Puerto Rico or elsewhere. The chapter also explores other themes discussed in the introduction, such as the importance of clave, the impact and extent of music education among Puerto Rican musicians, family lineages, the importance of folklore, and inter-ethnic collaboration.


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