scholarly journals TRANSKULTURASI MUSIK ANTARAGAMELAN JAWA, ANGKLUNG, DAN MUSIK TRADISI THAILAND

2020 ◽  
Vol 2 (2) ◽  
pp. 158
Author(s):  
Surasak Jamnongsarn
Keyword(s):  
Qualitative Method ◽  
Field Research ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Material Object ◽  
New Development ◽  
The Impact

Javanese gamelan and angklung to Thailand music gives the impact on the development of Thailand traditional music. That musical transculturation exists in the musical instrument of angklung and the musical concept of Javanese gamelan that are then mixed with the system of Thailand traditional music involving gamut (tuning system), presentment method, and its function in society. This transculturation shows the understanding of cultural relation between Thailand traditional music that has the background of Buddhism philosophy and Gamelan that has the background of Kejawen syncretism. These two kinds of music have formed the new characteristic and identity of Thailand music. Angklung played with the concept of Javanese gamelan called as angklung Thailand that then becomes Thailand traditional music. The article aims at revealing the transculturation of Javanese gamelan and angklung into the traditional music and its impact on the development of Thailand traditional music. This research used qualitative method with the accentuation in field research that involved researcher with the material object to delve various musical experiences by participating as the player of those two musical instruments. The transculturation of Javanese gamelan and angklung with Thailand traditional music has given the new development in Thailand traditional music. Keywords: Transculturation, Javanese gamelan, angklung, and Thailand traditional music  ABSTRAKTranskulturasi gamelan Jawa dan angklung ke Thailand memberikan dampak pada perkembangan musik tradisi Thailand. Transkulturasi musik itu berwujud pada alat musik angklung dan konsep musikal gamelan Jawa, kemudian bercampur dengan sistem musik tradisi Thailand, yang mencakup pada tangga nada (tuning system), carapenyajian, dan fungsinya dalam masyarakat. Transkulturasi inimemunculkan pemahaman relasi kebudayaan antara musik tradisi Thailand yang berlatar belakang filosofi Buddhisme dan gamelan yang berlatar belakang sinkretis kejawen. Kedua musik ini telahmembentuk ciri dan identitas baru musik Thailand.Angklung yang dimainkan dengan konsep gamelan Jawa yang disebut angklung Thailand selanjutnya menjadi musik tradisi Thailand. Artikel bertujuan mengungkap transkulturasi gamelan Jawa dan angklung ke musik tradisi serta dampaknya pada perkembangan musik tradisi Thailand. Penelitian ini menggunakan metode kualitatif dengan penekanan pada penelitian lapangan yang melibatkan peneliti dengan objek materialuntuk menggali berbagai pengalaman musikal dengan ikut serta bermain kedua musik itu. Transkulturasi gamelan Jawa dan angklung dengan music tradisi Thailand telah memberikan perkembangan baru pada musik tradisi Thailand. Kata kunci: transkulturasi, gamelan Jawa, angklung, dan musik tradisi Thailand 

scholarly journals Learning Media Applications and Introduction of Javanese Gamelan Musical Instruments Based on Android

2021 ◽  
Vol 1 (2) ◽  
Author(s):  
Muchammad Sofyan Ariefbillah ◽  
Cindy Taurusta
Keyword(s):  
Health Sector ◽  
Problem Formulation ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Survey Method ◽  
The Times ◽  
Media Applications ◽  
Education Business

The role of technology, especially information technology, is very helpful in people's lives, from the aspects of education, business, to the health sector. In this day and age, many modern musical instruments have begun to shift the existence of traditional music, especially this typical Javanese musical instrument, namely Gamelan. With the development of the times, the public's interest in this traditional Gamelan instrument is decreasing. So that this application has a problem formulation, namely how to design and create an android application that concerns the introduction and learning of various types of gamelan musical instruments. This study aims to produce an application for the introduction of an Android-based gamelan instrument that can be used by all groups to be more familiar with and interested in learning and preserving gamelan instruments. This research was conducted with a survey method to obtain data or opinions to test this application. Based on the research that has been done, a conclusion can be drawn with this research which results in an application that can help and make it easier for people to know the various types of Javanese gamelan.

Semiotic approaches to “traditional music”, musical/poetic structures, and ethnographic research

Semiotica ◽  
2019 ◽  
Vol 2019 (229) ◽  
pp. 123-150
Author(s):  
Irene Theodosopoulou
Keyword(s):  
Field Research ◽  
Traditional Music ◽  
Musical Instruments ◽  
Musical Performance ◽  
Ethnographic Research ◽  
Analysis Tool ◽  
Musical Analysis ◽  
Semiotic Approach ◽  
Modal Systems

AbstractThis text is a first attempt of approaching traditional music, musical/poetic structures and ethnographic research semiotically. The basic elements of traditional music (motives, rhythms, phonetics, performance speeds, modal systems, musical instruments, repertoire), the musical/poetic structures with morphological types and formulas (musical and poetic), musical and non-musical codes (verbal and nonverbal) during a musical performance (nods, movements, etc.) as well as the ethnographic research itself with its own “performances” (discussions with musicians, recordings, transcriptions, analyses) constitute groups of “signs” and codes that, combined together, create complex frames of meanings and re-definitions not only among musicians and revelers but also among ethnographers and their interlocutors and among ethnographic “texts” and their representations after multiple readings. This text presents elements that emerged after an enduring field research in Crete (1998–2008). The use of semiotics in the study of traditional music and musical analysis can constitute a useful analysis tool for ethnographic research from planning to composing ethnographic “texts” (texts, transcriptions, analyses). This text highlights the necessity of initiating a dialogue concerning the aspects and perspectives of a semiotic approach to musicology and music ethnography.

scholarly journals JURNAL INGGRIS ANGKLUNG TRAINING FOR PAUD TEACHERS

Empowerment ◽  
2019 ◽  
Vol 8 (1) ◽  
pp. 30
Author(s):  
Sulastri Sulastri
Keyword(s):  
Early Childhood ◽  
Data Collection ◽  
Professional Competence ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Early Age ◽  
West Java ◽  
Childhood Education ◽  
Qualitative Descriptive

West Java is the area that is rich in traditional music, one of them is angklung, which is a musical instrument made of bamboo and played by shaking . As one of the traditional musical instruments, angklung as musical instrument should be maintained by the community so that it can still be heard and played and even preserved to the next generation. One effort to appreciate and preserve angklung traditional music, IGTKI (Bandung Kindergarten Teachers Association) held a Training to improve the professional competence of early childhood education teachers as a target audience in mastering traditional angklung music to be able to transfer knowledge to children early age in PAUD. The purpose of this study  analyzed the implementation of angklung extracurricular learning in PAUD in Bandung as a vehicle for the preservation of traditional music in West Java. This study uses qualitative descriptive as the method. Data collection techniques used were observation, interviews, and documentation. By preserving angklung traditional music, it is hoped that angklung music will remain a cultural heritage of West Java without fear of being seized by other countries.Keywords; Training, Education Teachers, PAUD, Angklung

scholarly journals Akademi Lalare Orchestra Sebagai Pengembang Kreativitas Musik Pada Anak Di Kabupaten Banyuwangi

2021 ◽  
Vol 4 (1) ◽  
pp. 11
Author(s):  
Gandhes Sembodro Budy
Keyword(s):  
Music Education ◽  
Qualitative Method ◽  
Educational Institution ◽  
Traditional Music ◽  
Musical Instruments ◽  
Educational Institutions ◽  
The People ◽  
Analysis Technique ◽  
Orchestra Music ◽  
The Right

Abstract: Creativity is a talent possessed by every individual and can be honed or nurtured through the right educational institutions. In a creativity formation, children need help to build their creativity. Supporting factors and the formation of creativity in children, namely with the full support of the people or the environment around them. The Lalare Orchestra Academy is an educational institution that teaches children to be more creative in playing musical instruments. This research uses descriptive qualitative method with data collection using observation and interview techniques, while the analysis technique uses the stages of reduction, presentation, and drawing conclusions. The research objective was to describe the background of the Lalare Academy Institute for orchestra and the process of developing musical creativity in children. The results showed that the background for the establishment of the Lalare Orchestra Academy was driven by the interest of the chairman of the Blambangan Arts Council, namely Syamsudin and Kadafi Kadiso as art enthusiasts to provide space and opportunities for academic music education to children. In its performances, the Lalare Orchestra Academy always presents Banyuwangi traditional music games with a number of musical instruments that are not only one device, but use many traditional musical instruments so that they are called orchestra music games. In its development, the Lalare Orchestra Academy is in great demand by children because children are given the opportunity to develop game techniques, thus motivating children to be creative. The process of developing creativity is carried out by teaching Banyuwangi traditional music playing techniques, improvisation, and its application when playing music in an orchestra. Thus children will be able to improvise existing songs and be able to play music well.Keywords: Lalare Orchestra Academy, Creativity 

Pendampingan Siswa SMP Dan SMA Dalam Memainkan Alat Musik Tradisional Sasando Daun Untuk Melestarikan Alat Musik Tradisional Etnik Nusa Tenggara Timur

2020 ◽  
Vol 4 (1) ◽  
pp. 33
Author(s):  
Muntasyir Basri ◽  
Lewi Jutomo ◽  
Caro David Hadel Edon ◽  
Marline Mayners ◽  
Sri Prilmayanti Awaluddin
Keyword(s):  
High School ◽  
High School Students ◽  
Community Service ◽  
Monitoring And Evaluation ◽  
Traditional Music ◽  
Musical Instrument ◽  
Community Empowerment ◽  
Musical Instruments ◽  
School Students ◽  
Senior High School Students

This community service aims to empower junior and senior high school students to improve their knowledge, abilities and skills in playing NTT ethnic traditional musical instruments as an effort to preserve local culture, especially traditional musical instruments. Implementation methods are designed based on community empowerment methods including identification of schools and target participants, preparation of training tools and materials, provision of materials, introduction of sasando daun traditional musical instruments, recognition of tone and sound, training and use of playing sasando daun traditional musical instruments and monitoring and evaluation and sustainability. This activity is carried out on St. Catholic Catholic Middle School students Familia and Kupang Superior Generation Christian High School, each 20 students. The results of the activity showed that as many as 40 participants were able to play the Sasando Daun  traditional musical instrument skillfully, skillfully and well. It is expected that with the presence of 40 students the students will be able to direct and motivate other students to play the traditional Sasando Daun musical instrument so as to be able to preserve the NTT ethnic culture, especially maintaining the ability to play this instrument. For the continuation of the activities of all these students will be included in the appearance of the traditional Sasando Daun musical instrument play in various events in Kupang and outside Kupang and formed the Sasando Traditional Music Art Unit.

THE IMPACT OF ACOUSTIC OF SELECTED SPACES ON PERCUSSION INSTRUMENTS

Akustika ◽  
2020 ◽  
pp. 37-85
Author(s):  
Vojtěch Ondrejka ◽  
Tomáš Gergeĺ ◽  
Anna Danihelová ◽  
Martin Čulík ◽  
Dagmara Bednárová ◽  
...  
Keyword(s):  
Sound Quality ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Acoustic Properties ◽  
Reverberation Time ◽  
Percussion Instruments ◽  
Percussion Instrument ◽  
The Impact ◽  
Physical Quantities

The results of the investigation of the room acoustic properties influence on the perception of the sound of percussion musical instruments are presented in the paper. At first, the acoustic properties of two rooms were determined without musical instrument. Subsequently, the acoustic properties of the rooms were determined during the presentation of cajon music. On the base of reverberation time (EDT, T30), Clarity C80, Definition D50 and bass index BI) we can conclude that the room of the Hron cinema is more suitable for musical presentation, but it cannot be considered as ideal one. The Royal Hall of Zvolen Castle has a smaller influence on the sound of a percussion instrument. The influence of room acoustic properties on the resulting sound of the instrument was evaluated only on the base of results obtained with using the objective methods by the physical quantities measurement. Finally, the design of these rooms modification is presented to achieve a better sound quality of percussion instruments.

scholarly journals Implications of cultural commodification of sinden on authenticity of local culture: a case study in Jimbe Village, Blitar District, East Java, Indonesia

2020 ◽  
Vol 12 ◽  
pp. 290-301
Author(s):  
Andiwi Meifilina ◽  
Darsono Wisadirana ◽  
Anif Fatma Chawa ◽  
Siti Kholifah
Keyword(s):  
Qualitative Method ◽  
Musical Instruments ◽  
Local Culture ◽  
Intangible Cultural Heritage ◽  
Case Study Approach ◽  
Study Approach ◽  
The People ◽  
Cultural Commodification ◽  
The Impact

This article is a critical review of the impact of tourism that causes the commodification of local culture. Through a study in the Sinden Village in Jimbe Village, as the pioneer of the development of the Sinden art in Blitar District that has been established as pioneering village by the Tourism, Culture, Youth and Sport Services (DISPARBUDPORA) of Blitar Regency, this article attempts to discuss the cultural commodification of Sinden art as one of the Intangible Cultural Heritage. This article uses a qualitative method with a case study approach. Therefore, the data in this article was obtained by the researcher by using the interview techniques and direct observation. The findings show that the commodification of the Sinden culture does not completely change the authenticity of the Sinden culture. It is because the people of Jimbe village only commodify the supporting facilities of the Sinden culture, such as songs, the use of musical instruments, and wardrobes. Whereas, the authenticity of the Sinden culture itself is not determined by those, but rather from the delivery of messages and special singing techniques.

scholarly journals FATWA MUI TENTANG VASEKTOMI Tanggapan Ulama dan Dampaknya terhadap Peningkatan Medis Operasi Pria (MOP)

Al-Ahkam ◽  
2014 ◽  
Vol 24 (1) ◽  
pp. 69 ◽  
Author(s):  
Muhyiddin Muhyiddin
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Qualitative Method ◽  
Field Research ◽  
Central Java ◽  
The Impact ◽  
Descriptive Qualitative

This field research aims to determine three things: the background of the changing fatwa  MUI on Vasectomy from ‘haram’ to ‘halal on condition’; responses from the Moslem scholars; and the impact of fatwa on increasing the number of Vasectomy participants in Central Java. The data collection was done by using documentation and interviews while data analysis was done by using descriptive qualitative method. The results of this research are: 1) The reason for the changing fatwa on Vasectomy from ‘haram’ to ‘halal on condition’ is due to a new ‘<em>illat</em>, namely the success of recanalization. 2) Against the new fatwa, Ulama Muhammadiyah approved it by tightening and adding certain requirements. While Ulama NU disagree on the fatwa as evidence of the success of recanalization is considered not convincing <em>(muhaqqaqah)</em>. 3) The new fatwa has not been an impact on increasing the number of Vasectomy participants in Central Java.

scholarly journals Kajian Organologi Pembuatan Alat Musik Tradisi Saluang Darek Berbasis Teknologi Tradisional

Panggung ◽  
2019 ◽  
Vol 29 (2) ◽  
Author(s):  
Ediwar Ediwar ◽  
Rosta Minawati ◽  
Febri Yulika ◽  
Hanefi Hanefi
Keyword(s):  
Performing Arts ◽  
Qualitative Method ◽  
Traditional Music ◽  
Musical Instrument ◽  
Study Data ◽  
Musical Culture ◽  
Traditional Technology ◽  
Wind Instrument ◽  
Library Research

ABSTRACTThe music of Saluang Darek wind instrument is Minangkabau traditional music that uses the musical instrument of aerophone classification (air as the main source of vibration) and the kind of end-blown without-block flutes musical instrument, and this musical instrument is used to accompany Minangkabau songs or dendangs. Saluang Darek is made of bamboo. The best bamboos for making Saluang Darek are (1) Talang bamboo (Schizostachyum brachycladum kurz), (2) Buluah Kasok bamboo (Gingantocholoa apus), (3) Tamiang bamboo (Schizostachyum zollingeri steud), and (4) Cimanak bamboo (Schizostachyum longispiculatum). The production of Saluang Darek musical instrument uses the traditional technology by still maintaining the quality of instrument that's ready to be used for the performing arts particularly in accompanying dendang. The method used in this research was the qualitative method by using the approach of organology study. Data were collected through the library research, observation, interview, and documentation. This study found the importance of the musical instrument study in order to give information for the musicologists' and ethnomusicologists' works, at once conserve the musical culture in West Sumatera.Keywords: Saluang Darek, Organology, Aerophone, Traditional technology ABSTRAKMusik tiup Saluang Darek adalah musik tradisional Minangkabau yang menggunakan alat musik klasifikasi Aerophone (udara sebagai sumber getaran utama) dan alat tiup jenis end-blown without-block flutes digunakan untuk mengiringi nyanyian atau dendang Minangkabau. Alat musik Saluang darek terbuat dari bambu, yang paling baik untuk alat musik Saluang adalah (1) bambu  talang ( Schizostachyum brachycladum kurz), (2) bambu buluah kasok (Gingantocholoa apus), (3) bambu tamiang (scizostachyum zollingeri steud), (4) bambu cimanak (Schizotachyum longispiculatum). Pembuatan alat musik Saluang darek menggunakan teknologi tradisional dengan tetap menjaga kualitas alat yang siap dipakai untuk seni pertunjukan dalam mengiringi dendang. Metode yang dipakai dalam penelitian ini adalah metode kualitatif dengan pendekatan kajian organologi. Data dikumpulkan melalui studi pustaka, observasi, wawancara dan dokumentasi. Kajian ini mendapati pentingnya   kajian instrumen musik untuk memberikan infomasi dalam pekerjaan musikolog dan etnomusikolog, sekaligus pelestarian budaya musikal di Sumatera Barat. Kata kunci: Saluang darek, Organology, Aerophone, Teknologi tradisional ABSTRACTThe music of Saluang Darek wind instrument is Minangkabau traditional music that uses the musical instrument of aerophone classification (air as the main source of vibration) and the kind of end-blown without-block flutes musical instrument, and this musical instrument is used to accompany Minangkabau songs or dendangs. Saluang Darek is made of bamboo. The best bamboos for making Saluang Darek are (1) Talang bamboo (Schizostachyum brachycladum kurz), (2) Buluah Kasok bamboo (Gingantocholoa apus), (3) Tamiang bamboo (Schizostachyum zollingeri steud), and (4) Cimanak bamboo (Schizostachyum longispiculatum). The production of Saluang Darek musical instrument uses the traditional technology by still maintaining the quality of instrument that's ready to be used for the performing arts particularly in accompanying dendang. The method used in this research was the qualitative method by using the approach of organology study. Data were collected through the library research, observation, interview, and documentation. This study found the importance of the musical instrument study in order to give information for the musicologists' and ethnomusicologists' works, at once conserve the musical culture in West Sumatera.Keywords: Saluang Darek, Organology, Aerophone, Traditional technology ABSTRAKMusik tiup Saluang Darek adalah musik tradisional Minangkabau yang menggunakan alat musik klasifikasi Aerophone (udara sebagai sumber getaran utama) dan alat tiup jenis end-blown without-block flutes digunakan untuk mengiringi nyanyian atau dendang Minangkabau. Alat musik Saluang darek terbuat dari bambu, yang paling baik untuk alat musik Saluang adalah (1) bambu  talang ( Schizostachyum brachycladum kurz), (2) bambu buluah kasok (Gingantocholoa apus), (3) bambu tamiang (scizostachyum zollingeri steud), (4) bambu cimanak (Schizotachyum longispiculatum). Pembuatan alat musik Saluang darek menggunakan teknologi tradisional dengan tetap menjaga kualitas alat yang siap dipakai untuk seni pertunjukan dalam mengiringi dendang. Metode yang dipakai dalam penelitian ini adalah metode kualitatif dengan pendekatan kajian organologi. Data dikumpulkan melalui studi pustaka, observasi, wawancara dan dokumentasi. Kajian ini mendapati pentingnya   kajian instrumen musik untuk memberikan infomasi dalam pekerjaan musikolog dan etnomusikolog, sekaligus pelestarian budaya musikal di Sumatera Barat. Kata kunci: Saluang darek, Organology, Aerophone, Teknologi tradisional 

scholarly journals National musical instrument; Timbre; Charm; Piano music

2018 ◽  
Vol 1 (4) ◽  
pp. 105
Author(s):  
Xiaolan Cui
Keyword(s):  
Music Education ◽  
20Th Century ◽  
Piano Music ◽  
Traditional Music ◽  
Musical Instrument ◽  
Musical Instruments ◽  
Western Music ◽  
Social Activities ◽  
Music Culture ◽  
Chinese Music

At the beginning of the 20th century, Western music gradually integrated into Chinese music education institutions and various music social activities. The timbre, range and comprehensive expression of Western musical instruments have played an important role in promoting the performance of Chinese national musical instruments. At the same time, Chinese traditional music culture has also had an important impact on the localization of Western music in China, especially for the piano music.

Sign in / Sign up

Export Citation Format

Share Document