scholarly journals Narodowy geniusz, czyli portret Fryderyka Chopina w Ostatnim koncercie Stanisławy Fleszarowej-Muskat

2021 ◽  
pp. 301-326
Author(s):  
Maria Jolanta Olszewska
Keyword(s):  
Turning Point ◽  
Single Event ◽  
Wide Audience ◽  
National Community ◽  
Radio Play

The drama Ostatni koncert (The Last Concert) (1960) by Stanisława Fleszarowa-Muskat, originally written as a radio play, sits on the border between popular and fictional literature. The text was intended for a wide audience. The plot focuses on a single event – Frédéric Chopin’s last concert in Warsaw, just before his departure to France, which took place on October 11, 1830. Youth, as it was understood by the romantics, turns out to be a time that shaped Chopin’s artistic personality. In this drama, the independence background is important as it highlights Chopin’s ties to the fate of his homeland, which gives his music a patriotic and revolutionary dimension. In sounds, Chopin’s brilliant music expresses the essence of the Polish soul: its nobility and love of freedom. Chopin’s concert took place at a turning point both for the composer and for the nation whose spirit he expressed through sounds. The drama about Chopin, the national genius, is at the same time a drama about a national community that acquires its identity by identifying with his music.

scholarly journals Narrative Coherence of Turning Point Memories: Associations With Psychological Well-Being, Identity Functioning, and Personality Disorder Symptoms

2021 ◽  
Vol 12 ◽  
Author(s):  
Elien Vanderveren ◽  
Annabel Bogaerts ◽  
Laurence Claes ◽  
Koen Luyckx ◽  
Dirk Hermans
Keyword(s):  
Personality Disorder ◽  
Turning Point ◽  
Life Story ◽  
Well Being ◽  
Personality Pathology ◽  
Interpersonal Functioning ◽  
Narrative Coherence ◽  
Single Event ◽  
Psychological Well Being ◽  
Unique Variance

Individuals develop a narrative identity through constructing and internalizing an evolving life story composed of significant autobiographical memories. The ability to narrate these memories in a coherent manner has been related to well-being, identity functioning, and personality pathology. Previous studies have particularly focused on coherence of life story narratives, overlooking coherence of single event memories that make up the life story. The present study addressed this gap by examining associations between narrative coherence of single turning point memories and psychological well-being, identity functioning, and personality disorder (PD) symptoms among 333 Belgian emerging adults (72.1% female; Mage = 22.56, SD = 3.13, age range = 18–30). In addition, the present study tested whether narrative coherence could predict unique variance in PD symptoms above and beyond identity and interpersonal functioning, both considered key components of personality pathology. The findings showed that narrative coherence was not significantly related to psychological well-being, but yielded significant negative associations with disturbed identity functioning and antisocial PD symptoms. Furthermore, narrative coherence predicted unique variance in antisocial PD symptoms above and beyond identity functioning, but did not predict unique variance in borderline and antisocial PD symptoms above and beyond both identity and interpersonal functioning. Collectively, these findings suggest that narrative incoherence within single event memories might be characteristic for disturbed identity functioning and antisocial personality pathology.

Developing projection in student songwriters: Writing popular songs that are actually popular

2019 ◽  
Vol 3 (1) ◽  
pp. 105-111 ◽  
Author(s):  
Chris Sampson
Keyword(s):  
Turning Point ◽  
Audience Participation ◽  
Wide Audience ◽  
Performance Style ◽  
Popular Songs

An important turning point in the development of a young songwriter occurs when they transition from writing songs that might only be meaningful to themselves to writing songs with the intention of connecting to a wider audience. This accomplishment can be described as a student achieving good projection through their songs. More specifically, good projection in songwriting happens when student’s successfully leverage elements of the craft that effectively produces audience participation through groove, melody, form and lyrics. An artist’s persona can also contribute significantly to connecting with a wide audience through their unique and compelling performance style. Through understanding these elements, songwriting instructors at all levels can craft lessons that focus on these fundamentals with the explicit goal of improving projection in their students writing. Furthermore, the concept of projection helps create baseline criteria for the assessment of songs in the classroom regardless of genre or subgenre.

Psychometric Properties of the Hebrew Version of the PTCI Following Single Event Trauma

2008 ◽  
Author(s):  
Ayala Daie-Gabai ◽  
Idan Aderka ◽  
Edna Foa ◽  
Naama Shafran ◽  
Eva Gilboa-Schechtman
Keyword(s):  
Psychometric Properties ◽  
Single Event ◽  
Hebrew Version

Summary

1999 ◽  
pp. 95
Author(s):  
Editorial board Of the Journal
Keyword(s):  
Turning Point ◽  
Religious Studies ◽  
The Self ◽  
Social Teaching ◽  
World Outlook ◽  
The Social

In the 10th issue of the Bulletin “Ukrainian Religious Studies” in the rubric “Scientific Reports and Announcements” there are in particular the following papers: “Religious Studies and Theology” by A.Kolodny, “Activity of the Orthodox Mission in Ukraine on the Turning Point of the XIX-XXth Centuries” by G.Nadtoka, “Religion in the Spiritual Heritage of V.Lypinsky” by L.Kondratyk, “Church as a Factor of the Self-identification of the Nation in the Cultural and Civilization Environment” by O.Nedavnya, “The Problems of Development of The Social Teaching of the Catholicism” by V.Sergyiko, “The God-Thunder Perun in the Pagan World-outlook of the Ancient Rus’” by N.Fatyushyna and other papers

Sign in / Sign up

Export Citation Format

Share Document