After the collapse of the Meroitic Empire, three independent kingdoms arose within its former territory. Because of a lack of centralized political authority and artistic production, their early development, although based on the Meroitic inheritance, was determined by different sources of influence. From the 8th century two united northern kingdoms became a powerful state, which is also reflected in its art. Rising creativity from the 9th century onwards reflected local needs and ambitions. In the course of time, surrounded by Islamic neighbors, Nubian art on one hand remained independent in its forms of art, but on the other hand absorbed a new style and iconographic details, which is most visible in 12th-century wall painting. Most probably it reflected a changing lifestyle, inspired by the wider Middle Eastern world at that time. The late period, although characterized by much less activity and financial possibilities of individuals or communities, still shows flourishing activities of Nubian artists. Christian Nubian culture ended almost simultaneously with the Byzantine empire, leaving almost one thousand years of its unique heritage.
Optimized Method for Mapping Inorganic Pigments by Means of Multispectral Imaging Combined with Hyperspectral Spectroscopy for the Study of Vincenzo Pasqualoni’s Wall Painting at the Basilica of S. Nicola in Carcere in Rome