At Home in Renaissance Bruges

How did citizens in Bruges create a home? What did an ordinary domestic interior look like in the sixteenth century? And more importantly: how does one study the domestic culture of bygone times by analysing documents such as probate inventories? These questions seem straightforward, yet few endeavours are more challenging than reconstructing a sixteenth-century domestic reality from written sources. This book takes full advantage of the inventory and convincingly frames household objects in their original context of use. Meticulously connecting objects, people and domestic spaces, the book introduces the reader to the rich material world of Bruges citizens in the Renaissance, their sensory engagement, their religious practice, the role of women, and other social factors. By weaving insights from material culture studies with urban history, At Home in Renaissance Bruges offers an appealing and holistic mixture of in-depth socio-economic, cultural and material analysis. In its approach the book goes beyond heavy-handed theories and stereotypes about the exquisite taste of aristocratic elites, focusing instead on the domestic materiality of Bruges’ middling groups. Evocatively illustrated with contemporary paintings from Bruges and beyond, this monograph shows a nuanced picture of domestic materiality in a remarkable European city.

Reagire alla pandemia: l’arte e la ricerca che (r)esistono

This paper examines the impact of Covid-19 pandemic on the ‘situated art’ and on the geo-social methodology of research. The centralization of daily activities in the domestic spaces, caused by the pandemic, has had important repercussions on the topic of the doctoral research – the artistic use of public space – and on the ‘design’ of the research itself. So, the aims of the work are to show how a research project can change as needed and how the geo-social researcher must constantly adapt to reality and its transformations. In addition to presenting the criticalities encountered by ‘buskers’ and by the researcher, particular importance will be given to the alternative working methods introduced to overcome this collective crisis.

Contextualizing Caves within an Animate Maya Landscape: Caves as Living Agents in the Past and Present

After groundbreaking work by multiple archaeologists in the latter half of the 20th century, caves in the Maya world are currently acknowledged as fundamentally ritual rather than domestic spaces. However, a more nuanced read of the anthropological literature and conversations with Indigenous collaborators in the past and present pushes us to move still farther and see caves not as passive contexts to contain ceremonies directed elsewhere but animate beings with unique identities and personalities in their own right. This article combines archaeological, ethnohistoric, and ethnographic documentation of Maya cave use in central Guatemala to build a foundation for examining caves as living beings, with particular attention played to the role they play as active agents in local politics and quotidian life. Through ritual offerings, neighboring residents and travelers maintain tight reciprocal relationships with specific caves and other geographic idiosyncrasies dotting the landscape to ensure the success of multiple important activities and the continued well-being of families and communities.

Iconography and Social Practice in the Domestic Sphere

This chapter examines the role of images in the Roman domestic sphere, focusing on the contribution of paintings, mosaics, and other forms of representation to the construction of the Roman house as a place of self-representation and social interaction. Images were essential to the purposes of both shaping the environmental quality of domestic spaces and informing visitors about their character, function, and the behavior that was required from them. The case study of an apparently minor genre of Roman wall painting, that of still-life pictures (i.e., images of food and silverware), allows in-depth discussion of how the choice and understanding of subject matters depended on and relied upon shared mechanisms of recognition, as well as a tight semantics of meanings, values, and habits.

Acculturating Architectural Sublimity: Experimenting with themes of Japanese experientiality within New Zealand housing

<p>It has been argued that domestic architecture within New Zealand is increasingly dominated by international styles since the rise of modernism. According to Bill Wilson (the Group’s leader), there is a lack of understanding of foreign design principle within New Zealand modernist architecture, denying any psychological or spiritual connection within the home. This has caused a shift from what was considered a vernacular architecture to a hybrid of adopted building styles, imitated largely for their aesthetic value rather than any theoretical grounding. In New Zealand, a lack of national identity or sense of belonging within a home is said to be problematic. This thesis aims to help redefine a national vernacular and the experience of domestic space through the implementation of experientiality. The design reconsiders domestic spaces through design-research methodologies derived from two early modernist architectural groups: the Bunriha (co-founded in 1920) with the locality of Auckland’s the Group (established in 1946). These were chosen as both groups provided manifestos for reviving each respective nation’s architecture (Japan and New Zealand) post war. The Group’s work is based purely on functionalism and economically viable solutions. It will provide the basis of architectural thought for the exploration of multiple design strategies within this thesis. While the Bunriha’s ideas are utilised for their experiential approach to modernist architecture. As The Groups’ Japanese equivalent, the Bunriha provides a successful precedent for mediating between new technology, experientiality and a vernacular style. The Bunriha’s design methodologies are extracted and appropriated to the Group’s vision for New Zealand modernism through multiple case study houses. The aim here is to introduce a new dimension of domestic architecture within specific sites chosen within Auckland. This intends to strengthen the relationships between inhabitant, home and landscape through several explorations. The research led design results from a series of architectural strategies that respond to six design theories of shadow, reflection, permeability, materiality, interior/exterior relationship and construction. The first three are derived from the intangible considerations of Japan’s Bunriha, while the remaining respond to the tangible considerations of the Group. This is intended to transcend the preconceptions of a contemporary home through the reconsideration of intangible qualities and their value. It is proposed that this strategy will result in a heightened sense of self through the foreign concept of experientialism. The split between the different members of the Group meant a discontinuation of their early explorations of intangible qualities of space within a vernacular architecture. A continuation of their work will be intended through this thesis work.</p>

Acculturating Architectural Sublimity: Experimenting with themes of Japanese experientiality within New Zealand housing

<p>It has been argued that domestic architecture within New Zealand is increasingly dominated by international styles since the rise of modernism. According to Bill Wilson (the Group’s leader), there is a lack of understanding of foreign design principle within New Zealand modernist architecture, denying any psychological or spiritual connection within the home. This has caused a shift from what was considered a vernacular architecture to a hybrid of adopted building styles, imitated largely for their aesthetic value rather than any theoretical grounding. In New Zealand, a lack of national identity or sense of belonging within a home is said to be problematic. This thesis aims to help redefine a national vernacular and the experience of domestic space through the implementation of experientiality. The design reconsiders domestic spaces through design-research methodologies derived from two early modernist architectural groups: the Bunriha (co-founded in 1920) with the locality of Auckland’s the Group (established in 1946). These were chosen as both groups provided manifestos for reviving each respective nation’s architecture (Japan and New Zealand) post war. The Group’s work is based purely on functionalism and economically viable solutions. It will provide the basis of architectural thought for the exploration of multiple design strategies within this thesis. While the Bunriha’s ideas are utilised for their experiential approach to modernist architecture. As The Groups’ Japanese equivalent, the Bunriha provides a successful precedent for mediating between new technology, experientiality and a vernacular style. The Bunriha’s design methodologies are extracted and appropriated to the Group’s vision for New Zealand modernism through multiple case study houses. The aim here is to introduce a new dimension of domestic architecture within specific sites chosen within Auckland. This intends to strengthen the relationships between inhabitant, home and landscape through several explorations. The research led design results from a series of architectural strategies that respond to six design theories of shadow, reflection, permeability, materiality, interior/exterior relationship and construction. The first three are derived from the intangible considerations of Japan’s Bunriha, while the remaining respond to the tangible considerations of the Group. This is intended to transcend the preconceptions of a contemporary home through the reconsideration of intangible qualities and their value. It is proposed that this strategy will result in a heightened sense of self through the foreign concept of experientialism. The split between the different members of the Group meant a discontinuation of their early explorations of intangible qualities of space within a vernacular architecture. A continuation of their work will be intended through this thesis work.</p>

The Immune Home: Domestic Enclaves, Diffuse Protections

This essay tracks a paradigm shift in the use of chemicals to control malaria: away from insecticidal approaches, focused on killing mosquitoes within private domestic dwellings, and toward the creation of protective communal atmospheres. An ongoing study of the efficacy of spatial repellents to reduce malaria transmission in rural Tanzania provides an opportunity to rethink the oikographic assumptions of malaria control—and of many global health interventions—and to foreground the specific relationalities of peri-domestic spaces. Yet a sense of moral ambivalence permeates this inquiry, as malaria prevention becomes untethered from any long-lasting material improvement in the house. We reflect on the power of chemicals to reveal chronic forms of neglect and, just possibly, conjugate new, if diffuse, forms of communitas.

Drama Uncloseted in Boston

Chapter 1, “Drama Uncloseted in Boston,” argues that American urbanity began at home. The cosmopolitanism practiced in elite domestic spaces after the American Revolution signaled an urban future; in opening these homes to a broader public, novels would transform it. But not without serious resistance. Instead of embracing urbanity after the revolution, Bostonians strained to negotiate competing desires for republican equality and cosmopolitan sophistication. This tension found a fitting narrative in a public scandal of incestuous infidelity, pregnancy, and suicide involving Perez Morton, a prominent Boston lawyer and drama aficionado; his wife, poet Sarah Wentworth Morton; and her sister, Fanny Apthorp, whose published suicide notes were widely read. I trace the scandal’s circulation through Boston newspapers, as a subplot in William Hill Brown’s 1789 novel The Power of Sympathy, and in three plays, two by Brown himself, that were printed for private performances in Boston, where public theater remained illegal. These texts offer a fascinating case study of the formally diverse and multivocal print culture in which cosmopolitan culture clashed with new ideas about American urbanity. The epistolary novel emerged as a form concerned not with the past or present, I argue, but with the future—a future that writes out of existence the varied voices, especially female and Black voices, present in the plays, poetry, and papers.

The Interplay between Housing Environmental Attributes and Design Exposures and Psychoneuroimmunology Profile—An Exploratory Review and Analysis Paper in the Cancer Survivors’ Mental Health Morbidity Context

Adult cancer survivors have an increased prevalence of mental health comorbidities and other adverse late-effects interdependent with mental illness outcomes compared with the general population. Coronavirus Disease 2019 (COVID-19) heralds an era of renewed call for actions to identify sustainable modalities to facilitate the constructs of cancer survivorship care and health care delivery through physiological supportive domestic spaces. Building on the concept of therapeutic architecture, psychoneuroimmunology (PNI) indicators—with the central role in low-grade systemic inflammation—are associated with major psychiatric disorders and late effects of post-cancer treatment. Immune disturbances might mediate the effects of environmental determinants on behaviour and mental disorders. Whilst attention is paid to the non-objective measurements for examining the home environmental domains and mental health outcomes, little is gathered about the multidimensional effects on physiological responses. This exploratory review presents a first analysis of how addressing the PNI outcomes serves as a catalyst for therapeutic housing research. We argue the crucial component of housing in supporting the sustainable primary care and public health-based cancer survivorship care model, particularly in the psychopathology context. Ultimately, we illustrate a series of interventions aiming at how housing environmental attributes can trigger PNI profile changes and discuss the potential implications in the non-pharmacological treatment of cancer survivors and patients with mental morbidities.