Images of Exile: Representations of the “Exile” and “Empty Land” in Sixth to Fourth Century BCE Yehudite Literature

2010 ◽  
Keyword(s):  
Fourth Century ◽  
Fourth Century Bce

Hesiod and Comedy

2018 ◽  
Author(s):  
Jeffrey Henderson
Keyword(s):  
Fourth Century ◽  
Cultural Authority ◽  
Sixth Century ◽  
Cultural Currency ◽  
Fourth Century Bce

Comic dramas, attested as early as the later sixth century bce in Sicily and from ca. 486 bce in Attica, reflect familiarity with Hesiodic poetry from the time our actual documentation begins in the 470s for Sicily and 430s for Attica and into the mid-fourth century bce. Comic poets engaged with Hesiodic poetry at the level of specific allusion or echo and (more frequently) with Hesiodic stories, thought, themes, ideas, and style, now common cultural currency. They also engaged with the poet and his poetic persona, whether bracketed with Homer as a great cultural authority, distinguished as the anti-Homer in subjects or style, or showcased as an emblematic persona of poet and (didactic) sage. Aristophanes, for one, adopted elements of the Hesiodic persona in fashioning his own.

Plato’s Hesiods

2018 ◽  
Author(s):  
Marcus Folch
Keyword(s):  
Fourth Century ◽  
Political Debates ◽  
Manuscript Tradition ◽  
Fourth Century Bce ◽  
The Status

This chapter surveys Hesiodic reception in fourth-century bce prose, with emphasis on Plato and especially the Laws. Passages of the Laws are read in context and used to illuminate the status of Hesiodic poetry in the fourth century. Topics discussed include rhapsodic performance, Hesiod’s relationship to Homer, study of Hesiodic poetry in schools, the fourth-century manuscript tradition, citation of Hesiod’s poems in conversation and Athenian courtrooms, and the politics of Hesiodic quotation. Whether understood as part of the rhapsode’s canon, a gnomic poet, a proto-sophist or proto-philosopher, or an allegorist, Hesiod remained a dynamic site for the production of the philosophical, literary, and political debates that animated fourth-century prose.

scholarly journals From Commentary to paribhāṣās: Kātyāyana and Patañjali vis-à-vis Vyāḍi

2018 ◽  
Vol 72 (2) ◽  
pp. 515-566
Author(s):  
Maria Piera Candotti ◽  
Tiziana Pontillo
Keyword(s):  
Fourth Century ◽  
Second Century ◽  
Third Century ◽  
Integrative Approach ◽  
Fourth Century Bce

Abstract The present paper is targeted on three landmarks in the long story of the paribhāṣās’ development. Two of these landmarks descended from the earliest testimony of Vyākaraṇa meta-rules, i. e. those included in Pāṇini’s grammar (fifth–fourth century BCE), and one which has been handed down as the first independent collection of paribhāṣās and attributed to Vyāḍi. In particular a shift is highlighted between Kātyāyaṇa’s (third century BCE) integrative approach (vacana) and Patañjali’s (second century BCE) recourse to implicit paribhāṣās in the Aṣṭādhyāyī as a powerful hermeneutical tool. A shift that helps in interpreting the need for a validation and collection of implicit pāṇinian paribhāṣās as carried out by authors such as Vyāḍi.

The Archeology of Divine Guidance in Corinth

2020 ◽  
pp. 31-45
Author(s):  
John A. Jillions
Keyword(s):  
Religious Experience ◽  
Fourth Century ◽  
Point Of View ◽  
Human Beings ◽  
Divine Intervention ◽  
Fourth Century Bce ◽  
Healing Cult ◽  
Household Shrines ◽  
The Temple ◽  
Divine Guidance

This chapter looks at some of the archeological discoveries in Corinth that reflect popular attitudes toward the gods, religious experience, and divine guidance. The most prominent was the healing cult centered in the Temple of Asklepios, where interpretation of dreams was a key feature. Other sites and household shrines would have brought to mind Fortuna, family ancestors, the oracle of Delphi, and mythical stories of divine intervention with a Corinthian slant (Venus, Medea, Glauce, Bellerophon, Sisyphus, Dionysus). But for an alternative point of view, there was the tomb of Diogenes the Cynic (fourth century BCE), who settled in Corinth “to be where fools were thickest.” He was highly critical of superstitious piety and advised instead to follow the inscription at Delphi, “Know Thyself.” He concluded that oracles are deceptive not because the gods are deceitful but because human beings are incapable of properly understanding the gods.

Greco-Roman Surgical Instruments

2018 ◽  
pp. 554-590
Author(s):  
Lawrence J. Bliquez
Keyword(s):  
Fourth Century ◽  
Fifth Century ◽  
Surgical Instruments ◽  
First Century ◽  
Bladder Stones ◽  
Greco Roman ◽  
Fourth Century Bce

The chapter looks at Greek and Roman surgical instruments. The survival of Greco-Roman surgical instruments falls into two divisions: tools available in Hippocratic times (fifth to fourth century bce), and instruments at the disposal of surgeons, mostly Greek, from the late Republic through the Empire (first century bce to fifth century ce). From the former, most survivals are cupping vessels from graves. The texts suggest the Hippocratic physician often created his tool on the spot or had a tool prepared for an immediate need, whereas most of an Imperial surgeon’s repertoire consisted of instruments professionally made and sold by smiths. The various kinds of instruments are described, explained, and illustrated: cupping vessels, scalpels, phlebotomes (for phlebotomy), lithotomes (for bladder stones), needles, probes, cauteries, hooks, forceps, saws, drills, chisels, files, levers, tubes, douches, specula, and abortives.

THE PRESERVATION AND DISPLAY OF A FOURTH-CENTURY BCE PAINTED THRACIAN TOMB IN BULGARIA

2006 ◽  
Vol 51 (sup2) ◽  
pp. 211-216 ◽  
Author(s):  
Zdravko Barov ◽  
Veneta Groudeva ◽  
Maria Karazlateva ◽  
Kitan Kitanov ◽  
Todor Marinov
Keyword(s):  
Fourth Century ◽  
Fourth Century Bce

scholarly journals Psalm 136: ’n Liturgie as herinnering en herbelewenis van God se krag in die skepping en in die geskiedenis

2005 ◽  
Vol 61 (4) ◽  
Author(s):  
Dirk J. Human
Keyword(s):  
Fourth Century ◽  
Composition And Structure ◽  
Ancient Israel ◽  
Sitz Im Leben ◽  
Fourth Century Bce ◽  
Unique Composition

Psalm 136: A liturgy as remembrance and reenactment of God’s power in creation and historyPsalm 136 is a litany in which elements of the Israelite thanksgiving hymn give expression to the celebration of the character and deeds of Yahweh. In the cult of ancient Israel this poem has probably functioned as liturgy to express God’s power over and against all other powers in creation and in history. In a polemic manner it serves as a remembrance and re-enactment of the incomparable God’s power as the “God of gods” and the “Lord of lords”. The psalm has a unique composition and structure in the Psalter. It also reflects a variety of poetic features that serve as literary vehicles to enhance the psalm’s theological content. For the cultic Sitz im Leben a variety of possibilities exists where Psalm 136 could have functioned. Although it is difficult to exactly date the text, there are indications in the psalm that it could be dated back to the end of the fifth or to the beginning of the fourth century BCE.

Sign in / Sign up

Export Citation Format

Share Document