The Archeology of Divine Guidance in Corinth

2020 ◽  
pp. 31-45
Author(s):  
John A. Jillions
Keyword(s):  
Religious Experience ◽  
Fourth Century ◽  
Point Of View ◽  
Human Beings ◽  
Divine Intervention ◽  
Fourth Century Bce ◽  
Healing Cult ◽  
Household Shrines ◽  
The Temple ◽  
Divine Guidance

This chapter looks at some of the archeological discoveries in Corinth that reflect popular attitudes toward the gods, religious experience, and divine guidance. The most prominent was the healing cult centered in the Temple of Asklepios, where interpretation of dreams was a key feature. Other sites and household shrines would have brought to mind Fortuna, family ancestors, the oracle of Delphi, and mythical stories of divine intervention with a Corinthian slant (Venus, Medea, Glauce, Bellerophon, Sisyphus, Dionysus). But for an alternative point of view, there was the tomb of Diogenes the Cynic (fourth century BCE), who settled in Corinth “to be where fools were thickest.” He was highly critical of superstitious piety and advised instead to follow the inscription at Delphi, “Know Thyself.” He concluded that oracles are deceptive not because the gods are deceitful but because human beings are incapable of properly understanding the gods.

A Turning-Point in Political Thought

2019 ◽  
Vol 25 (1-3) ◽  
pp. 292-320
Author(s):  
Isaiah Berlin
Keyword(s):  
Sixteenth Century ◽  
Political Thought ◽  
Turning Point ◽  
Fourth Century ◽  
Point Of View ◽  
Human Beings ◽  
Distinctive Character ◽  
The Third ◽  
Fourth Century Bce ◽  
The Individual

Berlin discerns three great crises in Western political thought, each challenging one of its three primary tenets. The three tenets are (1) that questions about correct human actions are answerable, whether the answers are yet known or not; (2) that the answers to those questions, insofar as they are true, cannot contradict each other; and (3) that human beings have a distinctive character, which is essentially social. Each of these tenets has been attacked, the first by the German Romantics of the late eighteenth century, the second by Machiavelli in sixteenth-century Florence, and the third by the Epicureans and Stoics in the late fourth-century BCE. Berlin’s extended examination of this third case demonstrates both how firmly established was the idea that human beings found meaning only in relation to others in the polis and how great and sudden was the transition toward focus on the individual fostered by the Cynics, Epicureans, and Stoics. The suddenness and irruptive nature of this transition cannot be satisfactorily understood as a reflection of political changes alone, but its deeper roots are obscured by the dominance of Plato, Aristotle, and others who subscribed to the polis-centered point of view and regarded possible precursors of the transition as their philosophical opponents.

scholarly journals The Types, Interpretations and Functions of Myth

2012 ◽  
Vol 22 (27) ◽  
pp. 45-56
Author(s):  
Michał Mazurkiewicz
Keyword(s):  
20Th Century ◽  
Religious Experience ◽  
Sigmund Freud ◽  
Point Of View ◽  
Human Beings ◽  
Interesting Fact ◽  
Religious Background ◽  
Contemporary World ◽  
The World ◽  
The Individual

In this article, the author analyses the phenomenon of myth—a significant element of culture—by presenting miscellaneous types of myths that have accompanied human beings from the dawn of time to the present, interpreting them from the point of view of (for example) philosophy or psychoanalysis, the functions of myths, and their ways of influencing human beings in the contemporary world. Myths are complex cultural phenomena, difficult to assess unambiguously. One of the main reasons is the fact that they are not only holy tales having some religious background; we can also talk about secular myths, for example in art or in sport. As far as our contemporary world—brazenly hi-tech and filled with the spirit of logos—is concerned, it is an interesting fact that myths do not surface but remain hidden, as it were; they are in many cases a subconscious way of seeing things. It depends on the individual whether he or she somehow notices those wisdoms existing somewhere under the mask of the world, industrialized and permeated by unemotional technology as it is. Without a shadow of a doubt, myths fulfil many important functions—they are a wonderful source of wisdom, teach people humility, and give hope and strength in difficult periods. Undoubtedly, they are not—as some people would probably prefer—mere relics of a distant past. The forms of myths may, however, evolve. Looking closely into this phenomenon, one can notice that myths may occur (in different realms of life) in somewhat changed, modernized forms. The author of this article has based his analysis on numerous works of a group of illustrious researchers who specialize in exploring the phenomenon of myth, e.g., among others: Bronisław Malinowski (a Polish anthropologist, one of the most important anthropologists of the 20th century), Mircea Eliade (a Romanian historian of religion, one of the leading interpreters of religious experience), and Sigmund Freud (an Austrian neurologist, founder of the discipline of psychoanalysis).

Innus: A God of Archaic Latium and His Sanctuary at Fosso dell’Incastro (Ardea)

2013 ◽  
Vol 16 (2) ◽  
pp. 263-286
Author(s):  
Mario Torelli
Keyword(s):  
Sand Dunes ◽  
Fourth Century ◽  
Fifth Century ◽  
Second Century ◽  
Religious Buildings ◽  
Imperial Period ◽  
Literary Sources ◽  
Fourth Century Bce ◽  
Ancient Site ◽  
The Temple

Abstract In 2006, the Soprintendenza Archeologica del Lazio began an excavation at the site of Fosso dell’Incastro on the coastline of Ardea. A well-preserved settlement buried under huge sand dunes was discovered, featuring a Roman castrum created in the fourth century BCE around a sanctuary dating back to the mid-sixth century BCE. Its characteristics not only suggested that the ancient site was Castrum Inui, previously known only through the ancient literary sources (e.g., Virgil, Servius and Macrobius), but also that its sanctuary could be attributed to an inconspicuous local deity, Inuus—often correlated with Pan and Sol. In its final phase (the early Imperial period), the sanctuary housed three sacred buildings: Temple A, Temple B, and a small shrine dedicated to Aesculapius. Temple B, the site of Inuus’ worship, was constructed in the Etrusco-Italic style during the first quarter of the fifth century BCE, while Temple A was built during the mid-second century BCE. Temple B was oriented to the southwest, one typical for religious buildings connected to chthonic cults; two altars built during the fourth century BCE were placed along the façade of the temple, one facing the east and on the axis of the temple, the second close to its southwest corner. It was also enhanced with an acroterion depicting the head of a warrior with the skin and horns of a goat or cow over his helmet, a motif that establishes a connection between Innus, Pan and Faunus. Temple A, on the other hand, faced the northeast and was enhanced with a sculpted pediment in high relief showing an assembly of gods and possibly Aeneas. Both its orientation and the iconography of the pediment suggest that it was dedicated to Aeneas Indiges, a pan-Latin version of the old cult of Inuus.

On the Power of the Object

2017 ◽  
Author(s):  
Liubov Vetoshkina ◽  
Yrjö Engeström ◽  
Annalisa Sannino
Keyword(s):  
Point Of View ◽  
The Political ◽  
Material Objects ◽  
Human Beings ◽  
Work Activities ◽  
Skilled Performance ◽  
Rich Domain ◽  
Boat Building ◽  
Building Activity ◽  
History Of

By skillfully shaping and producing objects human beings externalize and make real their future-oriented imaginaries and visions. Material objects created by skilled performance make human lifeworlds durable. From the point of view of history making, wooden boat building is a particularly rich domain of skilled performance. This chapter is based on two research sites, one in Finland and the other in Russia. The analysis is divided into four layers or threads of history making, namely personal history, the history of the wooden boat community, the political history of the nations and their relations, and the history of the boats themselves as objects of boat-building activity. The chapter ends by discussing our findings and their implications for the understanding of skilled performance and history making in work activities and organizations.

Influence on Early Christian Worship

2020 ◽  
pp. 377-391
Author(s):  
Paul F. Bradshaw
Keyword(s):  
Early Christianity ◽  
Fourth Century ◽  
Early Christian ◽  
Hebrew Scriptures ◽  
Christian Worship ◽  
The Temple ◽  
Ritual Practices

This chapter traces the various ways in which the cultic language and imagery of the Hebrew Scriptures influenced and shaped the liturgical thought and ritual practices of early Christianity, from the first to the fourth century ce. At first, this was primarily through the metaphorical or spiritual application of such concepts as priesthood and sacrifice, but eventually there are indications of the beginnings of the adoption of a more literal correspondence between some elements of the Temple cult and aspects of Christian worship. Both corporate and individual practices of prayer are covered, including the use of the canonical psalms, as well as the appropriation of traditional ritual gestures and the emergence of Christian holy days out of biblical festivals.

Hesiod and Comedy

2018 ◽  
Author(s):  
Jeffrey Henderson
Keyword(s):  
Fourth Century ◽  
Cultural Authority ◽  
Sixth Century ◽  
Cultural Currency ◽  
Fourth Century Bce

Comic dramas, attested as early as the later sixth century bce in Sicily and from ca. 486 bce in Attica, reflect familiarity with Hesiodic poetry from the time our actual documentation begins in the 470s for Sicily and 430s for Attica and into the mid-fourth century bce. Comic poets engaged with Hesiodic poetry at the level of specific allusion or echo and (more frequently) with Hesiodic stories, thought, themes, ideas, and style, now common cultural currency. They also engaged with the poet and his poetic persona, whether bracketed with Homer as a great cultural authority, distinguished as the anti-Homer in subjects or style, or showcased as an emblematic persona of poet and (didactic) sage. Aristophanes, for one, adopted elements of the Hesiodic persona in fashioning his own.

Plato’s Hesiods

2018 ◽  
Author(s):  
Marcus Folch
Keyword(s):  
Fourth Century ◽  
Political Debates ◽  
Manuscript Tradition ◽  
Fourth Century Bce ◽  
The Status

This chapter surveys Hesiodic reception in fourth-century bce prose, with emphasis on Plato and especially the Laws. Passages of the Laws are read in context and used to illuminate the status of Hesiodic poetry in the fourth century. Topics discussed include rhapsodic performance, Hesiod’s relationship to Homer, study of Hesiodic poetry in schools, the fourth-century manuscript tradition, citation of Hesiod’s poems in conversation and Athenian courtrooms, and the politics of Hesiodic quotation. Whether understood as part of the rhapsode’s canon, a gnomic poet, a proto-sophist or proto-philosopher, or an allegorist, Hesiod remained a dynamic site for the production of the philosophical, literary, and political debates that animated fourth-century prose.

Paschal Politics: Deploying the Temple's Destruction against Fourth-Century Judaizers

2008 ◽  
Vol 62 (3) ◽  
pp. 233-260 ◽  
Author(s):  
Christine Shepardson
Keyword(s):  
Fourth Century ◽  
Jerusalem Temple ◽  
John Chrysostom ◽  
Political Boundaries ◽  
The Temple

AbstractThe fourth-century Syriac writings of Aphrahat and Ephrem, and Greek homilies by the Syrian John Chrysostom, warn Christian congregants against joining Jewish festival celebrations such as Passover. In light of the respected age of Judaism's scriptures and traditions, not all of these authors' church attendees were easily convinced by supersessionist claims about Judaism's invalidity. These authors surpass earlier Christian claims that the Temple's destruction revealed God's rejection of the Jews, by arguing that Jewish scripture requires ritual sacrifices that were confined to the Jerusalem Temple. us without the Temple sacrifices, fourth-century Jewish festivals, these authors claimed, defied God's biblical commands, a declaration with sharp implications for Judaizing Christians. Demonstrating the nuances of this argument, which crossed eastern linguistic and political boundaries, contributes to complex discussions regarding these texts' audiences, highlights distinctive elements that their contexts shared, and reveals an unrecognized role that the Temple's destruction played in fourth-century anti-Judaizing discourse.

scholarly journals The Concept of Villain in Shakespeare’s Othello

2016 ◽  
Vol 6 (4) ◽  
pp. 75 ◽  
Author(s):  
Marwan Alqaryouti ◽  
Ala Sadeq
Keyword(s):  
Sigmund Freud ◽  
Divine Comedy ◽  
Point Of View ◽  
The Other ◽  
Human Beings ◽  
P 75 ◽  
The Divine Comedy ◽  
Psychological Point

The concept of evil has been researched since the Medieval era, leading to the conclusion that human beings have the freedom to choose good from bad, or evil from good. The origin of evil based on the religious teachings is Satan, who is described as the Rebel Angel, as explained by Dante in The Divine Comedy (Alighieri, 1957). Satan tempts human beings into sinning, as revenge against God for placing him in Hell. Based on the psychological point of view developed by Sigmund Freud, the source of evil is id which is distinctive (Freud, 1966). Villain motivations are driven by the tendency of the ego to make realistic decisions about meeting the unrealistic and unreasonable desires by the id. The other aspect that motivates villain actions include jealousy, anger and revenge, as indicated in the play. Shakespeare presents the villain character perfectly in his play Othello (1604) through Iago, whose main focus in life is to destroy others “So will I turn her virtue into pitch And out of her own goodness make the net That shall enmesh them all” (Shakespeare, 1993, p. 99). Through his manipulative skills, he makes the other characters trust him “Iago most honest” (Shakespeare, 1993, p. 75) and then fuel conflicts among them. Iago is motivated by anger, revenge and jealousy to commit the evil acts.

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