Josephus’ Portrait of the Flavian Triumph in Historical and Literary Context

Author(s):  
Steve Mason
Keyword(s):  
Author(s):  
Michael D. Hurley ◽  
Marcus Waithe

This chapter evaluates the competing ways that ‘style’ has been said to operate in language. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, this chapter recommends a messier relationship, whereby writing is not a simple act of translating but also a means of clarifying or generating ideas. The twenty subsequent chapters of this book exemplify this account of style as a mode of thinking through. Outlines of these individual essays are given, and correspondences drawn. The value of the book as a whole is addressed, as it contributes to scholarship on style and on the essay, and to nineteenth-century studies in particular: by revaluating some of the most influential figures of that age, providing a literary context for those celebrated ‘minds’ and ‘moralists’, while also re-imagining the possible alliances, interplays, and generative tensions between thinking, thinkers, style, and stylists.


Author(s):  
Adam J. Silverstein

This book examines the ways in which the biblical book of Esther was read, understood, and used in Muslim lands, from ancient to modern times. It zeroes-in on a selection of case studies, covering works from various periods and regions of the Muslim world, including the Qur’an, premodern historical chronicles and literary works, the writings of a nineteenth-century Shia feminist, a twentieth-century Iranian dictionary, and others. These case studies demonstrate that Muslim sources contain valuable materials on Esther, which shed light both on the Esther story itself and on the Muslim peoples and cultures that received it. The book argues that Muslim sources preserve important, pre-Islamic materials on Esther that have not survived elsewhere, some of which offer answers to ancient questions about Esther, such as the meaning of Haman’s epithet in the Greek versions of the story, the reason why Mordecai refused to prostrate himself before Haman, and the literary context of the “plot of the eunuchs” to kill the Persian king. Furthermore, throughout the book we will see how each author’s cultural and religious background influenced his or her understanding and retelling of the Esther story: In particular, it will be shown that Persian Muslims (and Jews) were often forced to reconcile or choose between the conflicting historical narratives provided by their religious and cultural heritages respectively.


Author(s):  
Émile Zola

Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola’s most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his ‘most finely worked’ novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context.


Author(s):  
Dirk J. Human

Without doubt the final hymn of the Psalter can be described as the climax, or grand finale, of the Israelite faith’s most known hymnbook. In this psalm, sound and action are blended into a picture of ecstatic joy. The whole universe is called upon to magnify Yah(weh), the God of Israel. The text poses various exegetical challenges. In the past, Psalm 150 was traditionally analysed as a single text; but with the advent of the canonical and redactionhistorical approaches to the interpretation of the Book of Psalms, Psalm 150 can be interpreted as part of the final Hallel (Pss 146–150), or Book V (Pss 107–150) of the Psalter. This view opens up new possibilities for reading the psalm in broader contexts and its broader literary context(s) illuminate its theological significance. This article is an attempt at reflecting on the psalm’s context(s), structure, Gattung and dates of origin, tradition-historical relations to the Pentateuch, Psalms and other Old Testament texts. Ultimately some reflections on the psalm’s theological significance will be suggested.


Author(s):  
Vitaliy Yu. Darenskiy

The article analyzes the motive for spiritual transformation (“second birth”, initiation) as the “cross-cutting” topic in the poetry of E. A. Boratynsky. Within the framework of this motive, the author analyzes the poem “Nedonosok” and a number of others, embodying this motive in its various figurative and thematic variations. He shows the archetypal nature of this motive and its significance for the existential perception of poetry. This motive is included in the literary context of the era, as well as in the context of understanding the nature of poetry as the word that transforms the soul and existence of a person.


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