The excavation of the Dadianshan Cemetery in Changning, Yunan

2017 ◽  
Vol 17 (1) ◽  
pp. 138-151

AbstractIn 2012, 198 burials were excavated in the Dadianshan Cemetery site in Changning County, Yunnan. The striking differences in burial structure and grave goods of these burials suggest that the cemetery was used by two different ethnic groups. The structure of the burials can be classified into earthen cave burials, earthen pit burials and urn burials. The first type has never been seen in the Bronze Age archaeology of Yunnan. They yielded rich assemblage of grave goods predominantly comprising bronze artifacts, the main types of which were sabers, spearheads, bracelets, yue-battle axes, swords, buckles, etc. They were likely associated with the ancient Ailao people of the late Spring-and-Autumn to late Warring-States Periods. The second burial type was prevalent in Bronze Age Yunnan. These burials yielded small number of or no grave goods. In addition to bronze, the grave goods assemblage also comprised of iron, bimetallic, stone and pottery artifacts. They were likely associated with the Di and Qiang people during the mid Warring-States Period to the late Western Han Dynasty.

Author(s):  
Zhang Wenjing ◽  
Wang Xiaokun

In recent years, the Yushu Museum has conducted a systematic investigation on the rock art of the Tongtian River Basin in its prefecture and newly discovered 1230 panels’ rock art (more than 1700 images). This paper is a statistical and comparative analysis of the newly discovered rock art. According to content and production techniques, we divided the rock art of the Tongtian River Basin into two big areas. The West Area is the upper part of the river basin, which is the area above the confluence of Tongtian River and Chumar River (Qumalai River); the East Area is the lower part of the river basin, which is from the confluence to the Batang estuary of Yushu. This area can be subdivided into three subareas. The majority of the Tongtian River Basin’s rock art is categorized as animal type. Yak and deer are respectively the main themes of the West Area and the East Area. In addition, there are other rock art types like symbol, character, pagoda, carriage and so on. The two areas have both commonalities and their own characteristics. Through the typological analysis of production techniques, in the cases of carriage rock art, and deer rock art, we think that the rock art mainly used the whole-image chiseling technique. This technique can be traced back to the Shang Dynasty; the rock art mainly chiseled linearly is dated to the early Zhou Dynasty to the Warring States Period; the rock art that was creates with the line carving technique is dated to the Warring States Period to the Western Han Dynasty; the rock art that was creates with the grind carving technique can be dated back to the Qin and Han dynasties; and the rock art mainly used scratching technique can be traced back to the Ancient Tibetan Empire Period (618-842 AD)


2013 ◽  
Vol 13 (1) ◽  
Author(s):  
Yong Yang

AbstractThe local-styled tombs of the Warring-States Period to the Western Han Dynasty recovered at Kele Site in Hezhang County, Guizhou Province had rich cultural connotations and distinct features, the “head encasing” burial custom of which was especially unique. These tombs showed sharp differences to the Han-styled tombs in the same cemetery and other regional cultural remains in peripheral areas and represented a new archaeological culture in the Xinan Yi (Southwest Barbarians) Region of the Warring-States to the Qin-Han Periods, which could be named as “Kele Culture”. The putting forward of the concept of “Kele Culture” and the research on it had great academic significance; they will positively influence the archaeological researches on the Xinan Yi Region of the Warring-States to the Qin-Han Periods and lay firm foundation for the in-depth archaeological exploration of Yelang Culture.


2015 ◽  
Vol 15 (1) ◽  

AbstractIn 2012 and 2013, the Institute of Archaeology, Chinese Academy of Social Sciences, Shandong Provincial Institute of Cultural Relics and Archaeology and Bureau of Cultural Relics, Linzi District conducted excavation to the remains of a mirror-casting workshop located to the south of Kanjiazhai Village within the large city of the Linzi City Site of the Qi State in Zibo City, Shandong. The recovered remains included casting pits, house foundations, wells, ash pits, kilns, paths and infant burials, the dates of which were mostly the Warring- States Period through the Qin and Han Dynasties; the ones related to the mirror-casting were casting pits, house foundations, wells and some ash pits. The pottery molds unearthed in the excavation were the face molds and back molds of mirrors. The stratigraphy, spatial structure and accumulation status as well as the large amount of mirror molds unearthed from the site all reflected that this site was a mirror-casting workshop site. The stratigraphic relationships and the unearthed artifacts showed that the date of this workshop was the Western Han Dynasty. The excavation of this mirror-casting workshop site provided valuable materials for the development of the relevant researches and can be seen as a great breakthrough of the researches on the bronze mirror-casting industry and technique of the Qin and Han Dynasties even the entire ancient China.


1987 ◽  
Vol 107 ◽  
pp. 182-182
Author(s):  
Reynold Higgins

A recent discovery on the island of Aegina by Professor H. Walter (University of Salzburg) throws a new light on the origins of the so-called Aegina Treasure in the British Museum.In 1982 the Austrians were excavating the Bronze Age settlement on Cape Kolonna, to the north-west of Aegina town. Immediately to the east of the ruined Temple of Apollo, and close to the South Gate of the prehistoric Lower Town, they found an unrobbed shaft grave containing the burial of a warrior. The gravegoods (now exhibited in the splendid new Museum on the Kolonna site) included a bronze sword with a gold and ivory hilt, three bronze daggers, one with gold fittings, a bronze spear-head, arrowheads of obsidian, boar's tusks from a helmet, and fragments of a gold diadem (plate Va). The grave also contained Middle Minoan, Middle Cycladic, and Middle Helladic (Mattpainted) pottery. The pottery and the location of the grave in association with the ‘Ninth City’ combine to give a date for the burial of about 1700 BC; and the richness of the grave-goods would suggest that the dead man was a king.


Author(s):  
Jeyhun T. Eminli

This article is devoted to the consideration and interpretation of a peculiar detail of the funeral rite observed at the cemeteries of ancient period in the historical region of Qabala - the capital of Caucasian Albania. Attention is focused on ceramic vessels with intentionally made holes, which were revealed in the burials among the grave goods. The vessels with holes were found in the ground burials of Uzuntala and Gushlar cemeteries of the 1st century BCE – 1st century CE, along with skeletons in a contracted position on their sides; as well as in the catacomb burial of Salbir, dating to the I-III centuries CE. In burials nos. 3–7 of Uzuntala, vessels of this type had holes in the center of their bases, and were placed upside down in the grave. In the catacomb burial of Salbir, 1st – 3rd centuries CE, two vases of the same type had large holes on the side of the body. The specific detail of the funeral rite, which is of a particular nature, has been episodically traced in the territory of Azerbaijan since the Bronze Age and continued to exist until the Late Antique period. It allows us to talk of the existence of a ritual that was carried out during the funeral ceremony and reflected some religious ideas associated with the funeral ideology. The authors of the paper suppose that these vessels should, according to prevailing beliefs, symbolize the “exodus of the soul” of the deceased and have no connection with the custom of damage to the inventory.


Author(s):  
Lisa Raphals

The Chinese Classics are a group of texts of divination, history, philosophy, poetry, ritual and lexicography that have, to a significant extent, defined the orthodox Ruhist (Confucian) tradition of China. Since the Song dynasty (960–1279), they have consisted of the following thirteen texts: The Shujing, or Shangshu (Book of Documents, or Documents), the ‘classic’ of Chinese political philosophy. Allegedly compiled by Confucius, it contains a variety of historical documents, mostly dating from the fourth century bc.The Yijing (Book of Changes), a divinatory work using sixty-four permutations of broken (yin) and straight (yang) lines in six positions. It has two parts: the ‘Zhouyi’ (Zhou Changes), an ancient divination manual, and the Shiyi (Ten Wings), a commentary dating from the Warring States period (403–222 bc).The Shijing (Book of Songs, or Odes), a collection of 305 poems, ostensibly selected by Confucius, on a wide variety of subjects. It includes songs of farming, feasting and love that are clearly of popular origin. It also contains a variety of court poetry including dynastic hymns, hunting and banquet songs and political satires from the Zhou court (1121–222 bc).The Yili (Ceremony and Rites), a Warring States ritual text.The Zhouli (Rites of Zhou), another Warring States ritual text.the Liji (Book of Rites), a Han work that provides information about early Confucian philosophy and ritual. Together, works (4), (5) and (6) make up the Lijing (Classic of Rites).The Zuozhuan (Zuo Annals).The Guliangzhuan (Guliang Annals).The Gongyangzhuan (Gongyang Annals). Works (7), (8) and (9) are commentaries to the Chunqiu (Spring and Autumn Annals, or simply Annals), a chronicle of the reigns of twelve rulers of the state of Lu; its presentation of diplomatic and political events from 722–481 bc is terse and factual, but the three commentaries provide substantial elaboration and exegesis.The Analects of Confucius (Lunyu), containing anecdotes and short dialogues between Confucius and his disciples. In this work, Confucius established a new emphasis on humanistic ethics and political and social order.The Xiaojing (Book of Filial Piety), a short dialogue between Confucius and one of his disciples, concerned with filiality in both private and public life; it discusses children’s filiality to their parents and subjects’ filiality toward their rulers.The Erya, a book of glosses of Zhou dynasty terms (the title means ‘Graceful and Refined’).The Mengzi, which records a series of dialogues and debates between the philosopher Mencius and his students, several rulers and a variety of rhetorical and philosophical opponents. Mencius elaborated upon the Analects, arguing that human nature was inherently good and claiming that four ‘sprouts’ of goodness could be educated to create intuitive ability as the correct basis for moral judgments. The practice of appealing to authoritative texts appeared as early as the Analects of Confucius, around 500 bc. An explicit classical canon first appeared some four hundred years later during the Han dynasty (206 bc–ad 220), when Emperor Wu institutionalized a set of five classics associated with Confucius. At the same time he established new procedures for recruiting officials, created official chairs for the study of the Five Classics, restricted official academic appointments to those five areas and founded an imperial academy for the study and transmission of those works. In this way he effectively created a new ‘Confucian’ state religion. The term ‘classic’ (jing) also appears as the first of six categories of literature in the classification system of the bibliographical chapter of the Hanshu (History of the Former Han Dynasty). Classics (jing) are distinguished from masters (zi), the latter being grouped into nine schools starting with the Ru, or Confucians. Since the Han dynasty, the content of the classical canon has grown from the original five (or seven) texts, as established during the Han dynasty. The original group of classical texts that acquired official sanction during the early Han empire was supplemented by additional texts during the Tang (617–907) and Song (960–1279) periods. The Chunqiu (Spring and Autumn Annals) became known under the titles of three commentary editions, the Gongyangzhuan, Guliangzhuan and Zuozhuan, as noted above. The Lijing became known as three separate works on ritual, the Yili, the Zhouli and the Liji, again as noted above. The Erya was added to the classical canon during the Tang dynasty and the Mengzi during the Song dynasty, bringing the total to what became the standard thirteen texts. These works functioned as classics in a number of ways. They formed the core education of the bureaucratic elite, they provided an important source for imperial authority and they set the philosophical agenda for the dominant Confucian tradition. The classics are also significant for what they do not contain. Many of what are now considered the greatest philosophical works of the Warring States period are classified as masters, not classics; examples include the Zhuangzi, the Xunzi and (until the Song dynasty) even the Mengzi.


2018 ◽  
Vol 18 (1) ◽  
pp. 101-114 ◽  

Abstract The burial M8 excavated at the Zhoujiazhai Cemetery in Suizhou City, Hubei Province in 2014 was a vertical earthen shaft pit burial with one coffin chamber and one coffin. The grave goods unearthed from this burial were mainly lacquered and wooden wares, including flask, eared cup, lian-cosmetic case, figurines, bi-disc, ladder-shaped object, T-shaped object, liubo-game board, bamboo case, etc. The occupant of this burial is estimated to be a lower-ranking official in the reign of Emperor Wu of the Western Han Dynasty. In the bamboo case unearthed from the burial, ink-written “gaodishu (letter informing the underground)” on wooden tablets are found, and hundreds of bamboo slips with text of“ rishu (almanac) ” were also unearthed, which are significantly meaningful for the studies on the rishu of the Qin and Han Dynasties and the date-selecting system in ancient China.


2015 ◽  
Vol 15 (1) ◽  

AbstractIn 2007 through 2008, Academia Turfanica of Xinjiang excavated 30 burials at the Singim Cemetery. These burials can be classified into three types: rectangular shaft pit burials with ledges, rectangular shaft pit burials without ledges, and rectangular shaft burials with side rooms. Their grave goods consist of wooden wares, pottery wares, metal artifacts, leather and wool goods, silk garments; well-preserved mummified corpses and wheat seeds are also unearthed. The burial types, unearthed grave goods, and 14C data indicate that these burials date to between 2050 and 2200 BP, which overlapped with the Western Han Dynasty.


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