scholarly journals An Overview of Public History in Italy: No Longer A Field Without a Name

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Serge Noiret
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Public History ◽  
Public Archaeology ◽  
Italian Association ◽  
History Of ◽  
The Creation ◽  
Post War ◽  
New Millennium

AbstractThis article traces the origins and development of public history in Italy, a field not anymore without this name today. Public history in Italy has its roots in historical institutions born in the nineteenth century and in the post WW2 first Italian Republic. The concept of “public use of history” (1993), the important role played by memory issues in post-war society, local and national identity issues, the birth of public archaeology (2015) before public history, the emergence of history festivals in the new millennium are all important moments shaping the history of the field and described in this essay. The foundation of the “Italian Association of Public History” (AIPH) in 2016/2017, and the promotion of an Italian Public History Manifesto (2018) together with the creation of Public History masters in universities, are all concrete signs of a vital development of the field in the Peninsula.

New York's German Suburb: The Creation of the Port of Bremerhaven, 1827-1918

1998 ◽  
Author(s):  
Lars U. Scholl
Keyword(s):  
Nineteenth Century ◽  
Container Shipping ◽  
Detailed History ◽  
Town Development ◽  
History Of ◽  
Population Shift ◽  
The Creation ◽  
Post War ◽  
The Relationship ◽  
Intended Use

This essay considers the Port of Bremerhaven and the relationship between trade, the port, and town development from the pre-industrial period through to the second half of the nineteenth century. It explores the population shift in relation to industrialisation and shipping; a history of the construction of german river-based towns in the nineteenth century; trade with American merchants - train oil, cotton, tobacco, and rice; and a detailed history of the construction of the port of Bremerhaven. It concludes by asserting that the intended use of Bremerhaven was solely as an outport for Bremen, but that political, social, and economic circumstances allowed it to develop outside these parameters. It also states that post-war, Bremerhaven has struggled economically, even with the advent of container shipping.

scholarly journals Lithuanian Ballet. The Beginning of the Formation of the National Repertoire

2020 ◽  
Vol 5 (2) ◽  
Author(s):  
Alexandras Jankauskas
Keyword(s):  
National Identity ◽  
Cultural Context ◽  
Art Criticism ◽  
Scientific Work ◽  
Russian Art ◽  
History Of ◽  
The Creation ◽  
Post War

The restoration of the ballet and the classical repertoire in the post-war period was one of the most difficult in the history of Lithuanian ballet. However, with the appearance of ballet master in chief V. Grivickas, his quests and development of a heroic theme in Lithuanian ballet, bringing ballets “Ant marių kranto” (On the Seashore, 1953) and “Audronė” (Audrone, 1957) to the national repertoire laid the foundation for the formation of national art.The purpose of this research was to identify, analyze and bring into the art science the stages of the formation of the national repertoire of the Lithuanian ballet that were not previously actualized.Research methodology. The phenomenon of Lithuanian ballet is considered as a multidimensional subject, which includes the actual stage form, musical and choreographical lexicon, the problems of the formation of the performing school, as well as the historical and cultural context of the creation of stage choreography works in Lithuania 1928–1987. The research uses the principles developed by Russian art criticism to describe and analyze artistic processes and works of choreographic art.This article is a part of the first scientific work of such scale, dedicated to the performances of the national repertoire of the Lithuanian ballet and the problems of its national identity.

scholarly journals LEBANESE NATIONAL RECONCILIATION AND THE CONTRIBUTION OF THE MARONITE CHURCH THROUGH THE PURIFICATION OF MEMORY

2008 ◽  
Vol 2 (1) ◽  
pp. 43-52
Author(s):  
Ziad Fahed
Keyword(s):  
National Identity ◽  
Positive Role ◽  
Active Participant ◽  
The Past ◽  
Sustainable Peace ◽  
History Of ◽  
Post War ◽  
National Reconciliation ◽  
The Church

The post-war period in Lebanon brought to the open all sensitive subjects that have marked the history of Lebanon: how to avoid falling into such a crisis? How not repeating such war? How can the Lebanese society eradicate the reasons that may lead to any other war? The Lebanese crisis had challenged the Church inviting her to move from being a passive witness to an active participant in the peaceful struggle for the liberation of the Lebanese society and help the country to complete its incorrect reading of history. Can the Maronite Patriarchate have a positive role in this regard? Can the Maronite Patriarchate bring about the purifi cation of the memory in a multiconfessional country? In this paper, and after defi ning the meaning of the purifi cation of memory in the Lebanese context, we will consider the important challenges that must precede any serious and defi nitive solution to the crisis in Lebanon and how can the Lebanese Church contribute in the development of a national identity and in the building of a new state free from any kind of domination. The purpose of this paper is not to justify what has happened in the past 34 years, i.e. since the beginning of the Lebanese war, but to contribute in searching for a sustainable peace.

scholarly journals Een pasgeboren staat, of een recentelijk ontwaakte natie?

1970 ◽  
Vol 59 ◽  
pp. 5-22
Author(s):  
Nele Bemong
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Collective Memory ◽  
Cultural Memory ◽  
Crucial Role ◽  
Historical Novel ◽  
International Community ◽  
Historical Novels ◽  
The Creation

Between 1830 and 1850, practically out of nowhere there came into beinga truly 'Belgian' literature, written boch in Flemish and in French, but aimedat a single goal: the creation of a Belgian past and the conscruction of aBelgian national identity. The historical novel played a crucial role in thisconscruction and representation of a collective memory for the Belgian statejust out of the cradle. The prefaces to these historical novels are characterizedboth by the central role granted to the representacion of Flanders as the cradleof nineteenth-century Belgium, and by the organically and religiously inspiredimagery. Attempts were made to create an intimate genealogical relationshipwith the forefathers, in order to make the Belgian citizens feel closer to theirrich heritage. Through the activation of specific recollections from theimmense archive of the collective cultural memory, Belgian independencefound its legitimization both towards the international community andtowards the Belgian people.

Abandoned Quarries

2018 ◽  
pp. 129-136
Author(s):  
Seth Perry
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Religious History ◽  
American Religious History ◽  
Early National Period ◽  
The Bible ◽  
Early National ◽  
American National Identity ◽  
History Of ◽  
National Period

This concluding chapter discusses the consequences of biblicism in the early national period for subsequent American religious history. It considers bible culture in the later nineteenth century, with particular emphasis on how the corporatization of religious printing amplifed the Bible's status as an abstract commodity. Responding to the arguments put forward by W. P. Strickland in his 1849 History of the American Bible Society, the chapter argues that attaching the Bible's importance to American national identity could not leave the Bible unchanged, because that is not how scripturalization works. It also explains how the Bible's availability for citation and re-citation fundamentally changed the desire, effectiveness, and circumstances of its citation. Finally, it uses the abandoned quarry—empty because it has flled other places—as a figure for the themes of citation, performance, and identity explored in this book.

scholarly journals Survey Essay 1. Periodizing and Historicizing German Afro-Americanophilia: From Antebellum to Postwar (1850-1965)

2015 ◽  
Vol 12 (2) ◽  
Author(s):  
Moritz Ege ◽  
Andrew Wright Hurley
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
African Americans ◽  
Black People ◽  
Time Frame ◽  
German Culture ◽  
Black Germans ◽  
Power Differentials ◽  
History Of ◽  
Post War

In this first essay, we delve into significant moments in the history (and pre-history) of twentieth century Afro-Americanophilia in Germany. We establish a periodisation stretching from the nineteenth century until the mid-1960s (from which point our second essay will continue), and take in the pre-colonial, the colonial, the Weimar, the Nazi; and the post-war eras.  We draw out some of the particularly significant moments, ruptures, and continuities within that time frame. We also identify some of the salient ways scholars have interpreted ‘Afro-Americanophilia’ during the period.  Focusing on a variety of practices of appropriation, communicative media, actors and forms of agency, power differentials, and sociocultural contexts, we discuss positive images of and affirmative approaches to black people in German culture and in its imaginaries. We attend to who was active in Afro-Americanophilia, in what ways, and what the effects of that agency were. Our main focus is on white German Afro-Americanophiles, but—without attempting to write a history of African Americans, black people in Germany, or Black Germans— we also inquire into the ways that the latter reacted to, suffered under the expectations levied upon them, or were able to engage with the demand for ‘black cultural traffic.’  

scholarly journals One Small World: On Writing Independent History

2018 ◽  
Vol 25 ◽  
pp. 46-53
Author(s):  
Sue Castrique
Keyword(s):  
Regional Development ◽  
Public History ◽  
Small World ◽  
History Of ◽  
The Creation ◽  
Ambivalent Relationship ◽  
Urban And Regional Development ◽  
History Of Place ◽  
Community Centre

One Small World: the history of the Addison Road Community Centre was independently written and funded through a series of grants. While conceived as a history of place, it is also a history of the organisation that presently occupies the site, the Addison Road Community Centre (ARCCO). The Centre has had an ambivalent relationship to its past. After 60 years as an army depot, in 1976 it became a community centre. The strict discipline of the army was replaced by a very different ethos and political outlook; in fact, its antithesis. As a consequence, the Centre had an uneasy relationship to the history of the site, particularly its army past, which was underappreciated and little valued. ARCCO has recently re-engaged with its public history, but in the process it veered off into mythology. The paper explores the ANZAAC Centenary celebration at Addison Road of horses in war in 2015, and the part funding played in creating myth rather than history. It then considers the role of the Department of Urban and Regional Development in the creation of the Centre in 1975-76 and ARCCO’s attachment to its story of radical origins. KEYWORDSAddison Road Community Centre; Department of Urban and Regional Development; ANZAC Centenary; army; Marrickville; multiculturalism

““Das verlassene Määgdlein””: Grief Partaken

2009 ◽  
Vol 33 (2) ◽  
pp. 173-192
Author(s):  
Karen M. Bottge
Keyword(s):  
Nineteenth Century ◽  
Sustained Attention ◽  
Musical Settings ◽  
Musical History ◽  
History Of ◽  
The Creation ◽  
The Voice ◽  
Insight Into

Abstract Perhaps the most influential abandoned woman to surface in the musical history of the nineteenth century was that conceived by Biedermeier poet Eduard Möörike. Since its initial publication in 1832, his ““Das verlassene Määgdlein”” has engaged the sustained attention of composers, performers, and even music analysts and critics. Not only did his Määgdlein prompt the creation of numerous nineteenth-century volkstüümliche varianten throughout Germany and Austria, but she also inspired 130 musical settings dating between 1832 and 1985. Yet, although Möörike is just one of many figures within a long tradition of male poets writing on female abandonment, there seems to be something to this particular poem, that is, to Möörike's Määgdlein, that has compelled composers to retell her tale again and again in song. My discussion begins by first revisiting the poem's original novelistic context, Maler Nolten: Novelle in zwei Theilen (1832). Thereafter I follow Möörike's Määgdlein from her poetic beginnings to two of her best-known musical reappearances: Robert Schumann's ““Das verlassne Määgdelein”” (op. 64, no. 2) of 1847 and the work it inspired forty years later, Hugo Wolf's 1888 ““Das verlassene Määgdlein”” (also op. 64, no. 2), perhaps the most renowned setting of them all. Through the juxtaposition of these two settings we may not only uncover their potential textual and musical interconnections, but also gain insight into the tacit cultural understandings and ideologies surrounding those who take up the voice of the abandoned.

scholarly journals The Difficulty of Historical Work in the Nineteenth-Century Museum and the Thackeray Novel

2012 ◽  
Vol 67 (1) ◽  
pp. 29-57 ◽  
Author(s):  
Dehn Gilmore
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Historical Novel ◽  
The Novel ◽  
Costs And Benefits ◽  
The Past ◽  
Important Impact ◽  
Full Reconstruction ◽  
History Of ◽  
The Times

This essay suggests that conservation debates occasioned by the democratization of the nineteenth-century museum had an important impact on William Makepeace Thackeray’s reimagination of the historical novel. Both the museum and the historical novel had traditionally made it their mission to present the past to an ever-widening public, and thus necessarily to preserve it. But in the middle of the nineteenth century, the museum and the novel also shared the experience of seeming to endanger precisely what they sought to protect, and as they tried to choose how aggressive to be in their conserving measures, they had to deliberate about the costs and benefits of going after the full reconstruction (the novel) or restoration (the museum) of what once had been. The first part of this essay shows how people fretted about the relation of conservation, destruction, and national identity at the museum, in The Times and in special Parliamentary sessions alike; the second part of the essay traces how Thackeray drew on the resulting debates in novels including The Newcomes (1853–55) and The History of Henry Esmond (1852), as he looked for a way to revivify the historical novel after it had gone out of fashion. He invoked broken statues and badly restored pictures as he navigated his own worries that he might be doing history all wrong, and damaging its shape in the process.

scholarly journals The professionalization of Brazilian nursing in the written media of the end of the nineteenth century: a gender analysis

2011 ◽  
Vol 19 (5) ◽  
pp. 1265-1271 ◽  
Author(s):  
Tiago Braga do Espírito Santo ◽  
Taka Oguisso ◽  
Rosa Maria Godoy Serpa da Fonseca
Keyword(s):  
Nineteenth Century ◽  
Cultural History ◽  
Professional School ◽  
Gender Analysis ◽  
The Social ◽  
The World ◽  
History Of ◽  
The Media ◽  
The Creation ◽  
The Relationship

The object is the relationship between the professionalization of Brazilian nursing and women, in the broadcasting of news about the creation of the Professional School of Nurses, in the light of gender. Aims: to discuss the linkage of women to the beginning of the professionalization of Brazilian nursing following the circumstances and evidence of the creation of the Professional School of Nurses analyzed from the perspective of gender. The news articles were analyzed from the viewpoint of Cultural History, founded in the gender concept of Joan Scott and in the History of Women. The creation of the School and the priority given in the media to women consolidate the vocational ideal of the woman for nursing in a profession subjugated to the physician but also representing the conquest of a space in the world of education and work, reconfiguring the social position of nursing and of woman in Brazil.

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