New Perspective on the Establishing of Confession in Early Modern Transylvania. Context and Theological Profile of the Formula Pii Consensus 1572 as Heterodox Reception of the Wittenberg Theology

2018 ◽  
Vol 5 (1) ◽  
pp. 57-74
Author(s):  
Ulrich A. Wien

Abstract This paper presents a mainly theological analysis of the Formula Pii Consensus of 1572 (furthermore FPC) and – in the light of its historical context – aims to investigate the way in which Wittenberg theology was modified in Transylvania. The reception of the Confessio Augustana (CA) was imposed by Prince István Báthory. In regard to the larger historical context in Transylvania and the development of the Holy Roman Empire, a reconsideration of the FPC arises. Despite largely accepting the contents of the CA 1530 (invariata), superintendent Lukas Unglerus (1526–1600) left the door open for all options of contemporary protestant Eucharistic theology. Because of the Melanchthonian background of his ministers the superintendent chose a wording to allow for tendencies orientated towards Calvinism and for keeping the yet prevalent confessional indetermination. Thus, he covered up what – according to contemporary standards in the Holy Roman Empire – would have been called heterodox.

Author(s):  
Luca Scholz

In the politically dense and fractured landscape of the Holy Roman Empire, safe conduct provided a key framework for negotiating freedom of movement and its restriction. The introduction sets out how the book uses safe conduct to approach the Holy Roman Empire in a spatial rather than diachronic perspective. It describes how authorities in the Empire restricted, promoted, and channelled different forms of mobility for political, fiscal, and symbolic reasons. Spatially these efforts were rarely concentrated at borders, which challenges anachronistic assumptions about the functioning of early modern borders. Conflicts around the enclosure of movement led to controversial debates around the rulers’ right to interfere with human mobility, adding a new chapter to the history of free movement. Drawing on manuscript, visual, and printed sources as well as self-designed maps, this book offers a new perspective on the unstable relation of political authority and human mobility in the heartlands of old-regime Europe.


Author(s):  
Luca Scholz

Abstract: Borders and Freedom of Movement in the Holy Roman Empire tells the history of free movement in the Holy Roman Empire of the German Nation, one of the most fractured landscapes in human history. The boundaries that divided its hundreds of territories make the Old Reich a uniquely valuable site for studying the ordering of movement. The focus is on safe conduct, an institution that was common throughout the early modern world but became a key framework for negotiating free movement and its restriction in the Old Reich. The book shows that attempts to escort travellers, issue letters of passage, or to criminalize the use of ‘forbidden’ roads served to transform rights of passage into excludable and fiscally exploitable goods. Mobile populations—from emperors to peasants—defied attempts to govern their mobility with actions ranging from formal protest to bloodshed. Newly designed maps show that restrictions upon moving goods and people were rarely concentrated at borders before the mid-eighteenth century, but unevenly distributed along roads and rivers. In addition, the book unearths intense intellectual debates around the rulers’ right to interfere with freedom of movement. The Empire’s political order guaranteed extensive transit rights, but apologies of free movement and claims of protection could also mask aggressive attempts of territorial expansion. Drawing on sources discovered in more than twenty archives and covering the period between the late sixteenth to the early nineteenth century, the book offers a new perspective on the unstable relationship of political authority and human mobility in the heartlands of old-regime Europe.


Nordlit ◽  
2020 ◽  
Author(s):  
Tobias E. Hämmerle

Until to the beginning of the 17th century the North was rather an unknown and abstract space for the average German-speaking recipient of early modern mass media (for example illustrated broadsheets, newspapers, pamphlets). In the course of the 17th century due to Denmark’s and Sweden’s participation in the Thirty Years War, the northern regions became a central topic in the early modern mass media and therefore forced the recipient to be more aware of it. In the course of the second half of the 17th century the northern kingdoms became less important for the publicists in the Holy Roman Empire and instead they laid their focus on the politics of French and the Ottoman Empire. Thus, the image of the northerners and their stereotypes, which had been introduced to the German speaking readers in the course of the Thirty Years War, lived on until the beginning of the 18th century. Nevertheless, the Great Northern War (1700–1721) brought the people from the northern regions back to the media landscape of the Holy Roman Empire and about the same time the illustrated broadsheet – an almost antiquated genre of mass media that had struggled with the upcoming of the new modern genre ‘newspaper’ – experienced a kind of a renaissance. The aim of this article is to describe how the northern region, with a focus on Sweden, was depicted in early modern mass media between the 15th and the 18th centuries. I will show continuities and changes of the visual and textual representation of ‘northerners’ and ‘Sweden’ in early modern mass media, which were published in the Holy Roman Empire between around 1500 until the end of the Great Northern War in 1721.


Stolen Song ◽  
2020 ◽  
pp. 81-114

This chapter examines Jean Renart's Roman de la rose (early thirteenth century). It specifically assesses the way in which francophone lyric and other French artistic objects—the symbolic significance of which has previously been dismissed by critics—are circulated with a peculiar frenzy by the elite of the Holy Roman Empire in Rose. Renart implies that instead of taking an interest in the artistic traditions more native to the Empire—such as Minnesang (the German analog of troubadour and trouvère song)—the cultural elite of the Empire are infatuated with French cultural products. The chapter then looks at the processes through which Occitan song is assimilated into the broader francophone lyric landscape, one of which is linguistic Gallicization. This process has resulted in this text, as elsewhere in the French reception of the troubadours, in occasional moments of nonsensicality, and the chapter documents the various ways in which this nonsensicality is accounted for within the narrative. Finally, it considers the ramifications of this staging of French culture (including Gallicized Occitan) within the narrative.


2016 ◽  
Vol 33 (2) ◽  
pp. 121-163
Author(s):  
Scott L. Edwards

In the multilingual environments of Central European cities and courts, Italian musicians found a receptive market for their music. There they confronted a range of linguistic abilities that encouraged innovative approaches to musical composition and publication. Recent rediscovery of the opening sheets of Giovanni Battista Pinello’s 1584 Primo libro dele neapolitane enables us to assess one Genoese composer’s experience of a multi-ethnic, Central European milieu during an unprecedented migrational wave. As chapelmaster at the electoral court in Dresden with ties to aristocratic circles in Prague, Pinello also issued a German version that can be sung, according to the composer, simultaneously with the napolitane. This study examines the Central European market for Italian music, the role of the Holy Roman Empire in facilitating Italian migration, and cultural challenges foreign musicians faced in their new homes. Nineteenth-century myths of nationhood depended on histories of folk-like immobility, but in fact migration was a basic condition of early modern European life. Music historians have long been aware of individual musicians’ travels from the Low Countries in the fifteenth and sixteenth centuries, along with a new trend, emerging around 1600, toward northward emigration by Italian musicians. Nonetheless, there is much more to say about the social underpinnings of such movements. Pinello’s fusion of languages, poetic forms, and registers invites us to reimagine the multi-ethnic complexion of Central European musical centers in the late sixteenth century.


Daphnis ◽  
2017 ◽  
Vol 45 (3-4) ◽  
pp. 603-619
Author(s):  
Merry E. Wiesner-Hanks

Germans were active in constructing transcultural experiences on a global scale – for better or worse – from Martin Waldseemüller’s 1507 map on. Most of those who have been studied were men, but women traveled and migrated as well, and they supported those who did financially, institutionally, and emotionally. Their movements and actions have left fewer and more shadowy records than those of men, but a more gender-balanced account of global connections in the early modern period is emerging. This essay examines three ways in which German women’s actions shaped the early modern world in the realm of religion: women’s establishment of religious communities, women’s patronage of overseas missions, and women’s proselytizing, particularly that undertaken by Moravians. All of these built on networks and traditions established in Europe, but ones that already reached across political boundaries in the splintered world of the Holy Roman Empire, or beyond it to co-religionists in Prague, Paris, or Copenhagen.


PONTES ◽  
2021 ◽  
Vol 4 ◽  
pp. 213-227
Author(s):  
Végh Ferenc

The estates of the Hungarian-Croatian Kingdom, as it is well known, took an active role in the struggles of the Thirty years’ War (1618‒1648) on the Habsburg dynasty’s side. At the request of the monarch, many aristocrats and wealthy noblemen, who had been trained in the so-called small wars (German Kleinkriege) practised along the Ottoman border, raised especially light cavalry units and conducted them to the territory of the Holy Roman Empire. Nicholas VII. Zrínyi/Zrinski (1620‒1664) the Croatian-Slavonian ban-to-be (1647–1664) himself recruited cavalry companies in three successive years (1642–1644), at the head of which he fought in Bohemia and Moravia against the Swedes as well as in upper Hungary against the troops of George I. Rákóczi, the Prince of Transylvania (1630–1648). Moreover, he was appointed as the supreme commander of the Croatian-type cavalry two times. The present gap-fi lling paper primarily aims to clear the chronology of Zrínyi’s field operations in these years. It also reveals his probable motives, the characteristics of the negotiations with the imperial high command as well as the gathering of the troops. The case study will enable us to draw conclusions about the military entrepreneurship of this kind, giving an impetus to the research of this neglected field of early modern military history.


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