scholarly journals Characteristics and Curriculum of MFA(Master of Fine Arts) as a Terminal Degree in the United States-Focused on Interior Design Graduate Programs

2018 ◽  
Vol 31 (3) ◽  
pp. 205-217
Author(s):  
Eunju Shim
Author(s):  
Samia Touati

A writer, an art advisor, and an artist, Yousef Ahmad has contributed significantly to the evolution of art in Qatar. Ahmad took upon himself the responsibility to document and archive the development of art in Qatar. Ahmad has developed an innovative style of calligraphic painting, whereby numerous letters and words are transformed into abstract signs and manifest abstract arrangements. Being more inclined to create large-scale works, Ahmad depicts Arabic words in their variety of shapes with a particular focus on the construction of his composition. In 1982, Ahmad traveled to the United States, where he received his Master of Fine Arts degree from Mills College, University of California. Following his return to Qatar, Ahmad taught art appreciation for more than twenty years at Qatar University, where he met His Excellency Sheikh Hassan bin Mohamed bin Ali Al Thani. Sharing an avid love for art with HE Sheikh Hassan, Ahmad has played an instrumental role in collecting a variety of artworks which constitute the major collections of Mathaf: Arab Museum of Modern Art and the Orientalist Museum. He also acted as the first director for Mathaf: Arab Museum of Modern Art, then named the Museum of Arab Art.


1968 ◽  
Vol 50 (4) ◽  
pp. 386
Author(s):  
Harold E. Dickson ◽  
Lillian B. Miller ◽  
Neil Harris

1996 ◽  
Vol 40 (1) ◽  
pp. 46-59 ◽  
Author(s):  
Marshall H. Medoff

This paper uses citation counts, over the period 1971–1992, to rank the top 250 academic economists in the United States. Schools were ranked by the number of top 250 economists a university had on their faculty. Graduate programs were ranked by those Ph.D. programs which have produced the greatest number of the top 250 academic economists. The paper's principal finding is that five universities, Harvard, Stanford, Chicago, MIT, and Princeton are the elite among all Universities.


This volume tells the little-known story of the Dominican Family—priests, sisters, brothers, contemplative nuns, and lay people—and integrates it into the history of the United States. Starting after the Civil War, the book takes a thematic approach through twelve essays examining Dominican contributions to the making of the modern United States by exploring parish ministry, preaching, health care, education, social and economic justice, liturgical renewal and the arts, missionary outreach and contemplative prayer, ongoing internal formation and renewal, and models of sanctity. It charts the effects of the United States on Dominican life as well as the Dominican contribution to the larger U.S. history. When the country was engulfed by wave after wave of immigrants and cities experienced unchecked growth, Dominicans provided educational institutions; community, social, and religious centers; and health care and social services. When epidemic disease hit various locales, Dominicans responded with nursing care and spiritual sustenance. As the United States became more complex and social inequities appeared, Dominicans cried out for social and economic justice. Amidst the ugliness and social dislocation of modern society, Dominicans offered beauty through the liturgical arts, the fine arts, music, drama, and film, all designed to enrich the culture. Through it all, the Dominicans cultivated their own identity as well, undergoing regular self-examination and renewal.


1967 ◽  
Vol 40 (4) ◽  
pp. 600
Author(s):  
Roger B. Stein ◽  
Lillian B. Miller ◽  
Neil Harris

2013 ◽  
Vol 38 (4) ◽  
pp. 50-56
Author(s):  
Diane Bergman

Bernard V. Bothmer left his mark on the world of Egyptology in three of the United States’ great art institutions: the Museum of Fine Arts in Boston, the Brooklyn Museum and the Institute of Fine Arts, New York University. He created gallery displays, developed library collections and founded image collections that continue to influence scholars worldwide. One can wonder how the course of American Egyptology would have developed if circumstances had not driven him out of his native Germany. Despite hardship, fear and a career interrupted, he trained and profoundly influenced at least four generations of historians of Egyptian art. BVB, as he was affectionately known to those close to him, inspired all who worked with him to the highest level of achievement, a standard which came to be known as “Brooklyn Quality”.


2001 ◽  
Vol 23 (1) ◽  
pp. 55-57 ◽  
Author(s):  
Laurie Price

A glaring mismatch exists between anthropology graduate programs in the United States and the careers of their graduates. Here, I focus on gaps in Ph.D. curricula, but similar patterns characterize many M. A. programs as well. In this article, I challenge the academic anthropology establishment to show that it is providing doctoral students with the knowledge, perspectives, and skills they need to realize optimal work lives. In my view, they are not. Nor are most students being prepared to weigh the ethics of getting the job done outside the ivory towers. Below I present data concerning curriculum offerings and degree requirements at the twenty largest anthropology Ph.D. programs in the nation. To provide context, I first remind the reader of employment patterns for new anthropology Ph.D.s. in the United States.


1983 ◽  
Vol 24 (1-2) ◽  
pp. 99-116
Author(s):  
Elizabeth C. Ramirez

The last quarter of the nineteenth century witnessed the beginning of Mexico's “Golden Age.” During this time Mexico received bounteous foreign capital, industry and agriculture flourished, railroads pushed their way south from the United States, the ancient reales de minas of the Spaniards reopened, and smelters began to “belch their yellow fumes into the desert air.” The valuable silver, gold, copper, lead, and zinc flowed north to feed the rapidly expanding commerce and industry ofthe United States, and many domestic products found a ready market abroad. The capital city was cleaned up and modernized, electric lights and streetcars were everywhere, and many new buildings arose, such as the elaborate Palace of Fine Arts. Porfirio Díaz, Mexico's president during these years, surrounded himself with able científicos, a group of brilliant lawyers and economists who “worshipped at the new and glittering shrine of Science and Progress” and who as cultivated men brought, along with Mexico's material improvements, cultural ornaments as well. They encouraged poetry, novels, art, and music, all of which thrived in Mexico City. The theatre was just as much a part of that cultural growth as the other arts. Beyond question the economic and cultural development of Mexico during the regime of Don Porfirio was great.


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